Part 3 (1/2)
Almost before she realized it, he was planning their wedding at his huge castlelike stone estate overlooking the Mediterranean. She knew hardly any of the people attending. No one from her family could come: her father was too helpless; her mother too frightened; her brothers too busy. She sent photos home and to Papa Ventura, who sent her a check large enough to impress even royalty. Octavio promised to set her up in her own house of design-in a while. Of course, she had no need to continue her studies, he said; she knew enough. He wanted them to have the freedom to be able to fly off to his home in the Bahamas; to attend the Cannes Film Festival; to accept interesting invitations from his many friends, all of whom made a great fuss over Laura. She felt that they were watching her as though they expected her to perform some outrageous act for their amus.e.m.e.nt.
When they visited the large manor house of an aging dowager, high in the Austrian Alps, Laura sensed a certain excitement, a tension, not only from her husband but from the guests as well.
Their hostess, surrounded by her young lovers, male and female, had planned an event in which Laura was to serve as the centerpiece of everyone's desires. A s.e.xual performance.
Seized with disbelief as much as fear, Laura removed herself emotionally from the event. She retreated deep into the pure, untouched center of her being. The body that they touched, penetrated, abused, raped, sodomized, and devoured was someone else's. She, Laura, was immune to all of their violations. No one realized that Laura had disappeared, that all they had to amuse themselves with was the empty body of an anonymous young girl.
When they returned to their home in Rome, Octavio seemed unaware of any change in his young wife. He never really looked into his wife's eyes; never realized the deep hatred and resolve that watched him through her ice gray unforgiving eyes. He saw only the slender, elegant, compliant girl. Who, in fact, was beginning to bore him as any overused toy tends to do.
There was a particular trip he was planning to the Greek Isles, where they would celebrate her birthday in May. She asked where they would be. Exactly. On what island. Near what town. She studied the map intently as he pointed out-if it amused her, why not?-precisely where they would be. How they would get there from the yacht. Along what roads to the villa for the festivities.
It was a quaint harbor. The peasants were dressed as though taking part in a musical comedy. Laura guessed that her husband and his friends had arranged the spectacle in her honor. The driver of the Mercedes that was to take Octavio and Laura to the villa was a tall, dark, pockmarked man who kept his face down as he loaded their luggage into the trunk of the car. He wore a driver's black outfit and thin leather gloves and s.h.i.+ny black boots. The ride was along a narrow road, and Octavio glanced at his watch again and again. He was the host; he had to be the first to arrive. He pulled open the small bar set into the back of the front seat; opened a bottle of champagne, poured two gla.s.ses. The car lurched to a sudden stop: the champagne spilled all over them.
Octavio began to curse the driver, who had stopped because there was a small van blocking the way. The driver got out of the car-to speak to the driver of the van, it would seem. Instead, he opened the rear door on Laura's side, motioned her to get out alongside him, to stand back. She heard, rather than saw, the three shots fired quickly into Octavio's head: one behind each ear, one into his forehead.
The driver stepped back, took Laura gently by the arm, and led her away from the car. He reached in, removed the car phone, and handed it to her.
”Wait until we are gone, then phone for the police.” He told her the number. He put his hand out and she gave him the diamond ring, bracelet, and watch she was wearing. He reached back into the car, removed her husband's wallet, then opened the trunk and went to the jewel case she pointed out.
He tipped his hat to Laura, gently touched her shoulder, and whispered to her, ”Do not look at him. There's no need for you to see.”
She nodded; watched him get into the van, which took off up the mountain. She called the police, and by the time they arrived she had vomited and turned a sickly pale green. They didn't question her too closely. She trembled and so could only whisper, ”The driver, the driver.” She had no idea what had become of him. No, she had seen no other car-not that she remembered. Someone had pulled her bracelet and ring from her-she knew nothing about anything else they might have taken. Please, she felt ill.
The investigation went nowhere. These terrible things happened all too frequently everywhere in the world.
Two weeks later, Laura made a second phone call to Nicholas Ventura. She had returned to Milan. She was preparing to open her own studio.
She was a very wealthy widow, at twenty-one years of age.
Papa Ventura watched her now, appreciatively. At thirty-seven she wore her black hair cropped very short and it framed her face to perfection. Contrasted with the boyish haircut, her face, with its high cheekbones, appeared exotic. She had large gray eyes with thick black lashes; a straight, aristocratic, modified Roman nose; full lips that glistened with what seemed to be natural color-a deep wine-flesh tone. No other makeup. Her black dress skimmed her body, subtly suggesting her hip bones, narrow waist; the only ornamentation was a gold cat-pin he had given her years ago. She wore it to please him.
Her eyes went to his most recent acquisitions: two Chinese temple tiles, mounted and displayed in a specially lighted case. She reached up, lightly touched one warrior, commented on the fact that his mount was a dragon.
”And, I would guess-it is highly illegal? One of China's treasures smuggled out of its proper home?”
Papa Ventura smiled and shrugged. ”A work of art has a proper home wherever it is treasured and loved. These warriors are between two and three hundred years old-they will surely outlive me.”
Laura turned, surveyed him carefully. ”You will outlive us all, Papa. I cannot imagine a world without you.”
”Not for a long time.” Then, like a child, he stood up eagerly, eyes glittering. ”So, you've kept me waiting long enough. What is my gift to be?”
”You mean besides myself? All right.” She dug into the small black leather bag that hung from her shoulder. ”Hold out your hand. No, don't look at it yet.”
She closed his hand over what was obviously a coin, then let his fingers open.
”I don't have the provenance but I trust my source. It was struck in Rome. Pure gold. Museum quality. Caesar Augustus.”
”Yes,” he said quietly. ”Yes.” He studied it for a moment, then slipped it into his trouser pocket. ”Thank you, my Laura. Now, go. Treat the party to your presence.”
”Oh? Are there other people out there? I hadn't noticed!”
”Laura, you are still a bad girl. Maybe I should have put you over my knees and spanked you, long ago.”
She kissed his cheek lightly, then whispered, ”Maybe I would have liked it!”
CHAPTER 6.
NICK AND RICHIE WATCHED as Laura worked her way through the crowd. She had stayed so long with Papa. Other people wanted to wish him well on his special day. Laura-inconsiderate as usual.
”She's some girl, huh?”
Nick replied, ”I think the word is 'woman.'”
”Yeah, whatever. Uh-oh. Here comes trouble, if I know what trouble is.” He sounded pleasantly hopeful as they watched Peter and Sonny coming toward them, followed by Kathy.
”Hey, Nick, we got us a problem here,” Sonny sounded smug, sarcastic. Just like his father.
Peter shook his head. No problem; no big deal.
Kathy looked tense.
”So, whatsa problem?”
Sonny told his father, ”See, I asked Petey to come on home with us after the party and stay over and I'd take him down to the San Gennaro with me tomorrow. I can't believe he's never been.” He turned, the condescending male. ”But Kathy says, she says no, but I think ...”
Richie, glancing at Nick, then at Kathy, pulled his son by the arm, happy to watch. ”I think you better b.u.t.t out of something between a man and his wife, ya know?”
Kathy said sensibly, ”Nick, tomorrow is a school day.”
Richie grinned. ”What kinda Italian we got here, never been to San Gennaro? Nicky, c'mon, how many times you take the kid to St. Patrick's Parade? Peter, ya gonna love it-great food, entertainment ...”
”How would he get home?”
”Kathy, no problem. I'd have Artie Music-you know Artie, guy who drives for me-I'd have him take the kid home tomorrow night. Early, okay? h.e.l.l, this is a smart kid. So what if he misses a day of school? Bet you got a perfect record, right, Peter?”
Nick said, ”He'd have a good time, Kathy.”
Her face tightened. ”Nick, I don't feel it's safe for him in New York City.”
Richie let out a roar. ”Jeez, not safe! Kathy, there's no crime in Little Italy, don't you know that? Safest place in the city-maybe in the country. Jesus, little girls, old ladies, anybody can be on the streets down there, day or night-it's protected. I swear to you. Hey, Sonny will be with him. And we got people there.”
”I didn't realize you never went to the fair, Peter. h.e.l.l, Kathy, he'd love it-it's fun, the whole festival.”