Part 28 (1/2)

'I can't wait.'

'Neither can I.'

'Jack.' We both look up to see Sven at the gate.

'OK,' calls Jack. We stand up and I discreetly look away from Jack's slightly strange posture.

I could ride along in the car and- No. No. Rewind. I did not think that.

When we reach the road, I see two silver cars waiting by the pavement. Sven is standing by one, and the other is obviously for me. b.l.o.o.d.y h.e.l.l. I feel like I've suddenly become part of the royal family or something.

As the driver opens the door for me, Jack touches my hand briefly. I want to grab him for a final snog, but somehow I manage to control myself.

'Bye,' he murmurs.

'Bye,' I murmur back.

Then I get into the car, the door closes with an expensive clunk, and we purr away.

SIXTEEN.

We'll take it from there. That could mean ...

Or it could mean ...

Oh G.o.d. Every time I think about it, my stomach gives an excited little fizz. I can't concentrate at work. I can't think about anything else.

The Corporate Family Day is a company event, I keep reminding myself. Not a date. It'll be a strictly work occasion, and there probably won't be any opportunity at all for Jack and me to do more than say h.e.l.lo in a formal, boss-employee manner. Possibly shake hands. Nothing more.

But ... you never know what might happen next.

We'll take it from there.

Oh G.o.d. Oh G.o.d.

On Sat.u.r.day morning I get up extra early, exfoliate all over, Immac under my arms, rub in my most expensive body cream and paint my toenails.

Just because it's always a good thing to be well groomed. No other reason.

I choose my Gossard lacy bra and matching knickers, and my most flattering bias cut summer dress.

Then, with a slight blush, I pop some condoms into my bag. Simply because it's always good to be prepared. This is a lesson I learned when I was eleven years old at Brownies, and it's always stayed with me. OK, maybe Brown Owl was talking about spare hankies and sewing kits rather than condoms, but the principle is the same, surely?

I look in the mirror, give my lips a final coat of gloss and spray Allure all over me. OK. Ready for s.e.x.

I mean, for Jack.

I mean ... Oh G.o.d. Whatever.

The family day is happening at Panther House, which is the Panther Corporation's country house in Hertfords.h.i.+re. They use it for training and conferences and creative brainstorming days, none of which I ever get invited to. So I've never been here before, and as I get out of the taxi, I have to admit I'm pretty impressed. It's a really nice big old mansion, with lots of windows and pillars at the front. Probably dating from the ... older period.

'Fabulous Georgian architecture,' says someone as they crunch past on the gravel drive.

Georgian. That's what I meant.

I follow the sounds of music and walk round the house to find the event in full swing on the vast lawn. Brightly coloured bunting is festooning the back of the house, tents are dotting the gra.s.s, a band is playing on a little bandstand and children are shrieking on a bouncy castle.

'Emma!' I look up to see Cyril advancing towards me, dressed as a joker with a red and yellow pointy hat. 'Where's your costume?'

'Costume!' I try to look surprised. 'Gos.h.!.+ Um ... I didn't realize we had to have one.'

This is not entirely true. Yesterday evening at about five o'clock, Cyril sent round an urgent email to everyone in the company, reading: A REMINDER: AT THE CFD, COSTUMES ARE COMPULSORY FOR ALL PANTHER EMPLOYEES.

But honestly. How are you supposed to produce a costume with five minutes' warning? And no way was I going to come here today in some hideous nylon outfit from the party shop.

Plus let's face it, what can they do about it now?

'Sorry,' I say vaguely, looking around for Jack. 'Still, never mind ...'

'You people! It was on the memo, it was in the newsletter ...' He takes hold of my shoulder as I try to walk away. 'Well, you'll have to take one of the spare ones.'

'What?' I look at him blankly. 'What spare ones?'

'I had a feeling this might happen,' says Cyril with a slight note of triumph, 'so I made advance provisions.'

A cold feeling starts to creep over me. He can't mean- He can't possibly mean- 'We've got plenty to choose from,' he's saying.

No. No way. I have to escape. Now.

I give a desperate wriggle, but his hand is like a clamp on my shoulder. He chivvies me into a tent, where two middle-aged ladies are standing beside a rack of ... oh my G.o.d. The most revolting, lurid man-made-fibre costumes I've ever seen. Worse than the party shop. Where did he get these from?

'No,' I say in panic. 'Really. I'd rather stay as I am.'

'Everybody has to wear a costume,' says Cyril firmly. 'It was in the memo!'

'But ... but this is a costume!' I quickly gesture to my dress. 'I forgot to say. It's um ... a twenties summer garden-party costume, very authentic ...'

'Emma, this is a fun day,' snaps Cyril. 'And part of that fun derives from seeing our fellow employees and family in amusing outfits. Which reminds me, where is your family?'

'Oh.' I pull the regretful face I've been practising all week. 'They ... actually, they couldn't make it.'

Which could be because I didn't tell them anything about it.

'You did tell them about it?' He eyes me suspiciously. 'You sent them the leaflet?'

'Yes!' I cross my fingers behind my back. 'Of course I told them. They would have loved to be here!'