Part 14 (2/2)

Anne thought it best to leave the room, and Helen followed her, saying, 'We had better leave Lizzie to manage him by herself; she always does better without me.'

'You have never shewn me your drawings, Helen,' said Anne; 'I should like very much to see them, if you will let me.'

'If you please,' said Helen. 'Will you come up to my room? I keep all my own things there, out of the way of the critics.'

'What critics?' inquired Anne.

'Lizzie, to be sure, and Papa,' said Helen; 'I think them the severest people I know.'

'Do you indeed!' said Anne.

'Do not you?' said Helen; 'does not Lizzie say the sharpest things possible? I am sure she does to me, and she never likes anything I do.

If there is any little fault in it, she and Papa always look at that, rather than anything else.'

'Well,' said Anne, 'it is a comfort that if they like anything you do, you are sure it is really very good. Their praise is worth more than that of other people.'

Helen sighed, but made no reply, as by this time they had arrived at the door of the room which she shared with Katherine. It was a complete contrast to Elizabeth's; it was larger and lighter, and looked out upon the bright garden, the alms-houses, and the church tower. The upper part of the window was occupied by Katherine's large cage of canary birds, and below was a stand of flower-pots, a cactus which never dreamt of blossoming, an ice-plant, and a columnia belonging to Katherine, a nouris.h.i.+ng daphne of Helen's, and a verbena, and a few geranium cuttings which she had brought from d.y.k.elands, looking very miserable under cracked tumblers and stemless wine-gla.s.ses. On a small round table were, very prettily arranged, various little knicknacks and curiosities, which Elizabeth always laughed at, such as a gla.s.s s.h.i.+p, which was surrounded with miniature watering-pots, humming-tops, knives and forks, a Tonbridge-ware box, a gold-studded horn bonbonniere, a Breakwater-marble ruler, several varieties of pincus.h.i.+ons, a pen-wiper with a doll in the middle of it, a little dish of money-cowries, and another of Indian shot, the seed of the mahogany tree, some sea-eggs, a false book made of the wreck of the Royal George, and some pieces of spar and petrifactions which Helen had acquired on an expedition to Matlock with the Stauntons. The book-shelf, however, was to Anne the most attractive object in the room; and whilst Helen was untying the strings of her portfolio, she went up to it.

'What a beautiful little Bishop Wilson!' exclaimed she, taking out one of the books.

'Yes,' said Helen with a sigh, 'that was dear Mrs. Staunton's last present to me before I left d.y.k.elands. She said that perhaps she should not see me again before I was confirmed, and it was the fittest G.o.dmother's gift she could find.'

'And is this pretty Lady of the Lake yours too?' said Anne; 'what a pretty binding, with the Douglas arms on it!'

'Yes,' said Helen, 'that was f.a.n.n.y's present; and Jane gave me the pretty forget-me-not brooch I wore yesterday. You see I have plenty of keep-sakes from the dear people.'

Anne then turned to the portfolio on the table. Helen shewed her, in the first place, a rather stiff and formal looking forget-me-not, painted by f.a.n.n.y Staunton, and a carelessly sketched but neatly shaded head drawn by Jane, both which specimens of art Anne tried hard to admire for Helen's sake, but could not find it in her heart to do so.

Helen's own drawings, which were landscapes, gave more promise of improvement, and displayed a good deal of taste and freedom of hand, though some were by no means correct in the outline. Helen pointed out several faults which she candidly acknowledged to be wrong, and some others which she said 'Lizzie called blunders.'

'There,' said she, 'is the house at dear d.y.k.elands; there is my window with the Banksia roses cl.u.s.tering round it, so that I could gather them as I stood in my room. That room is still to be called Helen's. But now, Anne, do you think that line ought to be straight? Lizzie says it should, but I think the perspective alters it; I am sure I saw it so.'

'Indeed, Helen,' said Anne, 'I think the shadow must have deceived you.' And with a little trouble she proved that Elizabeth was right.

'Ah!' said Helen, 'if Lizzie would but have shewn me patiently, instead of saying, 'Why, Helen, cannot you draw a straight line?' I should have understood her.' Then she continued, while taking out India-rubber and pencil to rectify the mistake, 'I used to draw a great deal at dear d.y.k.elands; we had a sketching master, and used to go out with him twice a week, but it was very delightful when we three went alone, when one of us used to read while the others drew. I am sure these sketches will for ever remind me of those happy days.'

'Why, Helen,' said Anne, smiling, 'you speak as if you never meant to be happy again.'

'Do I?' said poor Helen; 'I am afraid I do seem rather silly about dear d.y.k.elands. The other day I was singing

”My heart's in the Highlands, my heart is not here, My heart's in the Highlands, gone chasing the deer,”

when in came Lizzie, and said, ”No, Helen,

Your heart is at d.y.k.elands, your heart's in the bogs, Your heart is at d.y.k.elands, gone chasing the frogs,”

for she is always laughing at it for being so damp, dear place. And it was before Horace went to school, and he would do nothing but sing it at me all day, and make Winifred do so too.'

Anne could not help laughing.

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