Part 13 (1/2)
The figure at the table straightened up. Under his tufted eyebrows his keen gray eyes flashed from one to the other. His hands knotted.
”Go slow!” went on the smooth voice of Jennings, known all the country through as a peace-maker. ”Take time t' think it over. Stand out, an'
you'll live here alone without chick 'r child; give in, and this house 'll bubble over with noise and young ones. Now is short, and forever's a long time to feel sorry in.”
The old man at the table knitted his eyebrows, and a distorted, quivering, ghastly smile broke out on his face. His chest heaved; then he burst forth:
”Gal, yank them gloves off, an' git me something to eat--breakfus 'r dinner, I don't care which. Lime, you infernal idiot, git out there and gear up them horses. What in thunder you foolun' around about hyere in seed'n'? Come, hustle, all o' ye!”
And then they shouted in laughter, while the cause of it all strode unsteadily but resolutely out toward the barn, followed by the bridegroom, who was laughing--silently.
PART IV.
SIM BURNS'S WIFE: A PRAIRIE HEROINE
A tale of toil that's never done I tell; Of life where love's a fleeting wing Above the woman's hopeless h.e.l.l Of ceaseless, year-round journeying.
SIM BURNS'S WIFE.
I.
Lucretia Burns had never been handsome, even in her days of early girlhood, and now she was middle-aged, distorted with work and child-bearing, and looking faded and worn as one of the boulders that lay beside the pasture fence near where she sat milking a large white cow.
She had no shawl or hat and no shoes, for it was still muddy in the little yard, where the cattle stood patiently fighting the flies and mosquitoes swarming into their skins, already wet with blood. The evening was oppressive with its heat, and a ring of just-seen thunder-heads gave premonitions of an approaching storm.
She rose from the cow's side at last, and, taking her pails of foaming milk, staggered toward the gate. The two pails hung from her lean arms, her bare feet slipped on the filthy ground, her greasy and faded calico dress showed her tired, swollen ankles, and the mosquitoes swarmed mercilessly on her neck and bedded themselves in her colorless hair.
The children were quarreling at the well, and the sound of blows could be heard. Calves were querulously calling for their milk, and little turkeys, lost in a tangle of gra.s.s, were piping plaintively.
The sun just setting struck through a long, low rift like a boy peeping beneath the eaves of a huge roof. Its light brought out Lucretia's face as she leaned her sallow forehead on the top bar of the gate and looked toward the west.
It was a pitifully worn, almost tragic face--long, thin, sallow, hollow-eyed. The mouth had long since lost the power to shape itself into a kiss, and had a droop at the corners which seemed to announce a breaking-down at any moment into a despairing wail. The collarless neck and sharp shoulders showed painfully.
She felt vaguely that the night was beautiful. The setting sun, the noise of frogs, the nocturnal insects beginning to pipe--all in some way called her girlhood back to her, though there was little in her girlhood to give her pleasure. Her large gray eyes grew round, deep and wistful as she saw the illimitable craggy clouds grow crimson, roll slowly up, and fire at the top. A childish scream recalled her.
”Oh, my soul!” she half groaned, half swore, as she lifted her milk and hurried to the well. Arriving there, she cuffed the children right and left with, all her remaining strength, saying in justification:
”My soul! can't you--you young 'uns give me a minute's peace? Land knows, I'm almost gone up; was.h.i.+n', an' milkin' six cows, and tendin'
you, and cookin' f'r _him_, ought 'o be enough f'r one day! Sadie, you let him drink now 'r I'll slap your head off, you hateful thing! Why can't you behave, when you know I'm jest about dead?” She was weeping now, with nervous weakness. ”Where's y'r pa?” she asked after a moment, wiping her eyes with her ap.r.o.n.
One of the group, the one cuffed last, sniffed out, in rage and grief:
”He's in the cornfield; where'd ye s'pose he was?”
”Good land! why don't the man work all night? Sile, you put that dipper in that milk agin, an' I'll whack you till your head'll swim! Sadie, le'
go Pet, an' go 'n get them turkeys out of the gra.s.s 'fore it gits dark!
Bob, you go tell y'r dad if he wants the rest o' them cows milked he's got 'o do it himself. I jest can't, and what's more, I _won't_,” she ended, rebelliously.