Part 5 (2/2)

Another day, another hour, another part of France. They call it ”Calvaire.” It covers several acres. The peasants go there to wors.h.i.+p in pilgrimage every year. There is a Garden of Gethsemane, with marvellous statues built life-size. Then through the woods there is a worn pathway to the Sanhedrin. This is of marble. Jesus is here before his accusers in marble statuary.

As his accusers question him and he answers them not, they wonder. But those who have seen ”Calvaire” in France do not wonder, for from that room there is a clean swath of trees cut, and a quarter of a mile away looms, on a hill, a real Calvary, with the tree crosses silhouetted against the sky, and Jesus is seeing down the pathway the hill of the cross.

Then there is ”The Way of the Cross,” built by peasant hands. It is a road covered with flintstones as sharp as knives. This flint road must be a mile long, and it winds here and there leading to Calvary, and along its way are the various stations of the cross in life-size figures. Jesus is seen at every step of this agony bearing his cross until relieved by Simon. Over this flintstone every year the people come by thousands, and crawl on their naked knees or walk on their naked feet. Every stone is stained with blood; stumbling, cruelly hurt, bleeding, they go ”The Way of the Cross,” and I have no doubt but that they go back to their homes better men and women for having done so.

The day that we went to ”Calvaire” it was a fitful June afternoon. As we walked along ”The Way of the Cross,” across the field, past the living, almost breathing, statues of the Master bearing his cruel cross, past the sneering figures of those who hated him, and past the weeping figures of those who loved and would aid him, and as we came to the hill itself, suddenly black clouds gathered behind it and rain began to pour.

”I am glad the clouds are there back of Calvary. I am glad it is raining as we climb the hill of Calvary. I am willing to be soaked.

It seems more fitting so, with the black clouds there and all. It reminds me of 'The Return from Calvary' in the painting,” one of the party said impressively.

Up the winding hill we climbed, and there gaunt and cruel against a sombre sky stood the three crosses, just as we have always imagined them. The hill was so high that it overlooked as beautiful a valley as I had seen in all France. It was in Brittany, as yet untouched by the war as far as its fields are concerned (not so its men and its women and its homes); but on that spring day as we looked down from the hill of Calvary we could see off in the distance the tomb, with the stone rolled away, and life-size angels standing there with uplifted wings.

Then farther along the road, perhaps another quarter mile away, on another hill, were the figures of the disciples, and the women watching the ascension with rapt faces, and a glory shone round about them all.

And as we stood there on that Calvary, built in memory of the crucifixion and resurrection and ascension of their Master by the peasants, and looked down over the earth, bright with crimson poppies everywhere in field and hill, brilliant with the old-gold blossom of the broom flower, as we stood there, our hearts subdued to awe and wonder, looking down, suddenly the rain ceased and the sun shone in its full glory and lighted anew the white marble of the figures of the ascension far below us in the field.

As we stood there the thought came to me:

”So is the Christian world standing today on the hill of 'Calvaire.'

The storms have been black about the Christian world. The clouds have seemed impenetrable. The earth has been desolate. We have walked on our hands and knees and in our bare feet up the flinty road of Baupaume, 'the saddest road in Christendom,' and along this road we have borne the cross. We, the Christian world, the mothers, the fathers, the little children, have bled. We have stumbled and fallen along the way. And when we climbed the hill of Calvary, as we have been doing for these years of war, the clouds darkened and we saw only the ominous silhouettes of the three crosses.

”But the sun is now breaking the clouds, and it shall burn its way to a glorious day. Across the fields we see the open tomb and the resurrection is about to dawn; the day of brotherhood, democracy, justice, love, and peace forever.

”Hope is in the world, hope brooding, hope dominant, hope triumphant, hope in its supreme ascension.”

One could not see this Silhouette of Silence, this ”Calvaire” of the French nation, and not come away knowing the full meaning of the war.

It is ”The New Calvary” of the world.

VII

SILHOUETTES OF SERVICE

A newspaper paragraph in a Paris paper said: ”Dale was last seen in a village just before the Germans entered it, gathering together a crowd of little French children, trying to get them to a place of safety.”

Dale has never been seen since, and that was two months ago. Whether he is dead or alive we do not know, but those who knew this manly American lad best, say unanimously: ”That was just like Dale; he loved kids, and he was always talking about his own and showing us their pictures.”

No monument will ever be erected to Dale, for he was just a common soldier; but I for one would rather have had the monument of that simple paragraph in the press despatches; I for one would rather have it said of me, ”The last seen of Dale he was gathering together a crowd of little children”; I would rather have died in such a service than to have lived to be a part of the marching army that is one day to enter the streets of Berlin. That was a man's way to die; dying while trying to save a crowd of little children from the cowardly Hun.

[Ill.u.s.tration: ”The last seen of Dale he was gathering together a crowd of little children.”]

If I had died in that kind of service, in my dying moments I could have heard the words of John Masefield from ”The Everlasting Mercy” singing in my heart:

”Whoever gives a child a treat Makes joybells ring in Heaven's street; Whoever gives a child a home, Builds palaces in Kingdom Come; Whoever brings a child to birth, Brings Saviour Christ again to earth.”

Or, better, I would have seen the Master blessing little children, taking them up in His arms and saying to the Hebrew mothers that stood about with wondering eyes: ”Suffer the little children to come unto me, and forbid them not, for of such is the kingdom of heaven.”

And perhaps I should have heard the echo of Joaquin Miller's sweet interpretation of that scene, for when men die, strange, sweet memories, old hymns and verses, old faces, all come back:

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