Part 14 (1/2)

The snow falls without sticking along the promenade beside the river. The clock on the enormous building on the opposite sh.o.r.e marks almost five. Sylvia can make out the slanted roof of a small building, almost like a Tyrolean house. Ariel has just laced his fingers through hers. Yesterday you were wearing gloves, Sylvia says. You looked funny, with your wool gloves, like a little old lady. It was incredibly cold. Halfway through the game, Ariel took them off and threw them to the bench, remembering something Dragon used to say when they were kids, a cat with gloves catches no mice.

Sylvia had come to Munich the evening before. She took a taxi to the InterContinental Hotel and at the desk they handed her the key to the double room. An employee insisted on taking up her tiny travel bag and she found herself forced to share the elevator with him. He rewarded her with a friendly smile for having broken the record for lightest luggage in the history of the hotel. She tried to hide her nervousness beneath an indifferent face. She didn't tip the porter, who was slow in leaving, showing her the obvious working mechanisms of the room. Next he's going to show me how to flick the light switch, thought Sylvia. The room was well lit, lined with wood, with a double bed with two feather comforters, one for each half. The Germans had solved the problem of couples stealing the covers from each other at night. She took a long hot bath, with her headphones on, wrapped in steam, her eyes closed. Ariel called to see if everything had gone well. She gave him the room number. Five-twelve. I'll wait for you here, I'm not going out. Where are you? In the bus, on the way to the stadium.

Sylvia watched the game on television. Ariel seemed contaminated by the cold until well into the play. Sylvia, lying on the bed, watched him. She ordered a sandwich during halftime. The waiter who brought it to her room delivered it with some brochures that suggested a raft trip down the Isar River. He explained something to her in English. She said, isn't it too cold? and he explained, there'll be beer and bratwurst.

She called her father. She had already told him she wouldn't be sleeping at home that night. Are you watching the game? Yes, he said. And how are they doing? Scoreless, but if we push it we'll beat them. Sylvia, from what she had seen, found that a pretty optimistic report. Good luck, said Sylvia before saying good-bye.

Ariel had taken care of everything. The electronic ticket in her name at the airport, the hotel reservation. If you want I can send a driver to pick you up with a sign that has your name on it. I'd rather take a taxi. The official version she gave her father was that she was staying at Mai's house to study for an important test. No boyfriends? No, no, I just don't feel like coming home so late, that's all. Mai, on the other hand, had demanded more explanations than her father.

It was the Germans who pushed it in the second half. They crashed a ball so hard into the goal's crossbeam that it looked like it was going to break. In five minutes they shot seven corner kicks into the penalty area. In one of their rebounds, the ball was sent over to Ariel, the target as the only forward. He set off racing; his long run didn't end when the first fullback hit the ground trying to knock the ball off Ariel's foot, since Ariel was able to get around him. Sylvia hugged the pillow tightly. Come on, she shouted, keeping her voice down so she wouldn't alarm the neighboring rooms. Come on, come on. The ball got a bit ahead of Ariel in the dribble, which encouraged the goalie to come out of his box. But Ariel was faster and managed to get the ball just out of the keeper's reach. The goalie didn't hesitate, he knocked Ariel down brutally hard, sending his entire body into his standing leg. Ariel plunged almost into a somersault before hitting the field. Sylvia chewed a lock of hair between her lips.

The goalkeeper was expelled from the game before Ariel recovered from the blow. He looked like he was in pain. Now they're gonna take him to the hospital with a broken leg and I'm gonna be alone in this hotel room in Munich. It's ridiculous, thought Sylvia. But Ariel got up and was still readjusting his socks when a teammate sent the foul shot right into the genitals of a German player who was part of the wall. The game was interrupted again. The Spanish commentator was insisting that the player had gotten a very hard blow to the knee, as the guy twisted on the ground, his hands clamped over his groin. Sylvia would later say to Ariel, if that had been you, you'd have a bag of ice over your b.a.l.l.s right now, for sure.

No one managed to score, but Ariel's run was replayed several times and ended up being the play of the game. Although n.o.body managed to s.h.i.+ft the balance of the score in their favor, he had stopped the German a.s.sault cold. A psychological blow, said the commentators.

Sylvia found a channel with music videos where women danced pseudo-erotically, showing PG-friendly parts of their perfect anatomy and performing superficial versions of s.e.x acts. She dozed off. The room was hot. How should I receive him? How much longer is he going to be? She had put on the white hotel bathrobe. She was naked underneath, her hair still damp from the bath. She thought about getting dressed, but she didn't do it.

Ariel showed up almost two hours later. He had left the team on the bus, on their way to the airport. He had permission from the sports director and the coach. I have family in Munich, I'd like to spend the day off with them. Would you like to hang out a day in Munich? he had asked Sylvia a few days earlier. Then he explained his plan. I was there once, it's almost like something out of a fairy tale. I played there with the under-seventeens.

They embraced, undressed, made love. Ariel ordered some dinner and the best champagne they had. By the third gla.s.s of Veuve Clicquot they were smiling and relaxed. We've got to finish it, he said. They were sitting on the bed. Sylvia's head resting on his belly. He stroked her hair. She had her arm around his bended knee. Were you faking it? What? Were you faking it when you were twisting in pain on the field after the foul the goalie made on you? Well, I had to get the referee to kick him out of the game. You're good at faking, I was worried for a little while.

Before falling asleep, they made love slowly. They stretched out each moment as if they didn't want them to end. Afterward they slept in each other's arms on one edge of the bed, relaxed for the first time, with the whole night ahead of them. They were awakened by the bustling of the cleaning woman in the hallway and the murmur of the elevator. They looked at each other to find something they had never seen. Morning faces, waking up with the eyes of a child. They had breakfast from two abundant trays that made them feel fortunate. Sylvia read him the sentence from the Suddeutsche Zeitung that mentioned Ariel. ”Die Spurts des argentinischen Linksfusses waren elektrisierend, er war zweifellos der inspirierteste Sturmer der Gastmannschaft ”Die Spurts des argentinischen Linksfusses waren elektrisierend, er war zweifellos der inspirierteste Sturmer der Gastmannschaft.”* Her German was pathetic and they both joked about the words. What did it mean? Her German was pathetic and they both joked about the words. What did it mean? Elektrisierend Elektrisierend, it sounds good. Then Sylvia said, I have an idea, do you feel like going on a raft?

They started the journey at the pier where the hotel minivan dropped them off. They had paid for the activity at the reception desk. Sylvia was able to make herself understood with the brochure in her hands. In the raft was a gas heater that radiated a bearable temperature thanks to a heat umbrella. The Isar River ran placidly and soon they found themselves with two steins of lager in their hands. They shared the seats with a group of Americans and a young Finnish couple who didn't stop drinking. There was a guy dressed as an American Indian who sang songs in German. Every once in a while, along the sh.o.r.es of the Isar some pa.s.serby lifted a hand to greet them. I forgot to bring a camera, said Sylvia. We don't have any photos of us together. The group of Americans took pictures of each other next to the oarsman and the singer. He says he's a Cherokee from the Isar River, translates Sylvia when she hears him speak English. The trip down was almost an hour long. It was pleasant, a cold day but sunny. The last stretch dragged out a bit. Sylvia joked with Ariel. She didn't want to kiss him. You smell like mustard.

The hotel car brought them back to the city. Ariel and Sylvia went for a walk. The streets were comfortable, allowing them to relax their usual furtiveness. When they pa.s.sed a group that spoke Spanish they lowered their heads and fled onto a side street.

Ariel wore a wool hat that went down to his eyebrows and covered his hair and ears. No one seemed to recognize him among the few people they pa.s.sed, retirees defying the weather and early darkness. They pa.s.sed people on bicycles and a dog sniffed in the gra.s.s while its owner listened to music. Sylvia didn't say anything, but for the first time in her relations.h.i.+p with Ariel she discovered peace and tranquillity. Normality. His slight accent had hardened somewhat since living in Madrid. She liked to listen to him talk. They went beyond the former Turkish bath building with the enormous dome and looked at the cable car that divided the street. Sylvia hid her childishness in an intelligent silence. Ariel jumped up on a street bench and said, it's a lovely day.

The airplane leaves at five minutes to eight. On time. Although they board separately, their seats are next to each other. In first cla.s.s. Ariel jokes with her after takeoff.

Are you Spanish? Yes, what about you? Don't tell me, Uruguayan...Buenos Aires. It's not the same thing. You're a soccer player, aren't you? Are you in school? When I can get there. Well, I'm a soccer player when I can make it, too. My name is Sylvia, she introduces herself, and extends a hand, which he shakes. Ariel. Like the detergent brand. Yeah, I get that all the time. He was slow to let go of her soft hand.

Nearby a businessman looks at them over his newspaper. The flight attendant smiles and offers them something to drink.

And you live in Madrid? Don't you miss your country? Sometimes. I've never been to Buenos Aires. Well, you should go. Maybe one day I'll find an Argentinian boyfriend and he'll invite me to go...An Argentinian boyfriend? What's wrong with that? You don't recommend them? Sylvia feigns alarm. There's all kinds, I suppose.

They continue to talk, pretending they're strangers. Without realizing it, they experience a certain pleasure in the charade. It's as if they were starting over. The flight attendant asks him for three autographs for some pa.s.sengers. I'd rather they didn't come over to bother you. Sylvia is surprised by her cordiality. She is rea.s.sured by the fact that she is neither young nor pretty. You were the best yesterday, says the businessman as they exit the plane. Thanks, it wasn't much help. Ariel and Sylvia say good-bye in the line for taxis. Are you sure you have money? he asks her in a whisper. They each get into a different taxi. Sylvia and Ariel smile at each other through the windows. Then the cars separate and move apart. At the highway exit, they take opposite directions. It's almost eleven. On the radio someone talks in a bitter tone about the political situation. The buildings surrounding the city are ugly and chaotic. There is a big traffic jam before Avenida de America. It seems a truck charged into a car stopped on the hard shoulder. What was on his mind? asks the taxi driver out loud.

Huh? And Sylvia lifts her head. She doesn't know what he's talking about. In that moment she was remembering Ariel's hand holding hers when they greeted as strangers on the plane. Elektrisierend Elektrisierend, yes, that was definitely a good description.

* The Argentine lefty's galloping was electric, he was without a doubt the best offensive player of the visiting team. The Argentine lefty's galloping was electric, he was without a doubt the best offensive player of the visiting team.

10.

Leandro returns from an upscale neighborhood where he would never hear a distant radio playing from a window, where a woman would never shake a rug full of lint b.a.l.l.s and dirt from a balcony, where no staircase smells of stew and no pressure cookers whistle. The sky today was a gray ma.s.s against which the heads of buildings and the tops of trees were silhouetted. The light of day was a filtered shadow, sunless. Leandro walks back home after meeting up with Joaquin.

In Joaquin's apartment, the day's newspapers were on the table. One was open to a page where he was interviewed. The photo showed him pensive, resting his chin on one hand. His hair messy, his eyes lively. The photo makes him look better than he actually does, thought Leandro. He was the living image of dignified, attractive old age. He had arrived punctually to their date. Come up and that way you can see the apartment, Joaquin had told him when they spoke the day before. It was ten in the morning and Joaquin was talking on his cell phone while Jacqueline tidied up the remains of their breakfast and got ready to go out shopping. Beside the newspapers he had placed a mug of steaming tea. Leandro refused the offer. He skimmed the interview. Joaquin spoke of the public's lack of interest in education and culture, of the pleasure of teaching young people. Then he presented a pessimistic view of humanity. Nothing new. The fatalistic vision of those who enjoy an above-average living. The world is getting worse, say those who know that for them it couldn't get better, thinks Leandro.

He smiled when he noticed Joaquin's last answer. In it he spoke of pianists who had influenced his career. I could name cla.s.sical pianists without whom my profession would have no meaning, and not Horowitz or Rubinstein, by the way, who seem more myth than anything else, but I would be lying if I denied that the pianist I've most admired, tirelessly throughout my life, is Art Tatum. How appropriate, thought Leandro, someone he can't be compared to or measured against. Joaquin closed the cell phone and sat beside him. Don't read that nonsense. Art Tatum, you remember? What was the name of that amazing song we used to play as a duet? Leandro had no trouble coming up with it, ”Have You Met Miss Jones?” Exactly. Joaquin has a flirtatious way of toying with his memories, they just piled together in a life filled with emotions and experiences, too many to retain. Then he hummed the melody.

Leandro congratulated him again on the concert. Yes, people left happy, it seems. He asked him about the tendinitis that had kept him from performing. Completely psychosomatic, a horrible thing, now I see a specialized psychotherapist in London. And soon you discover there's a repertoire that you have to start giving up, too debilitating on the hands. You no longer play ”Petrushka,” said Leandro with a smile. No, no, not the ”Hammerklavier” or the ”Fantasia Wanderer,” we're not up to that sort of thing anymore. It's for young people, now they're real athletes. It's like tennis, every year somebody comes up that hits harder. Leandro reminded him of Don Alonso's obsession with eating and developing muscle ma.s.s. He had them lie on the floor to do sit-ups. Joaquin nodded. What did he used to say? Forget inspiration and trust in const.i.tution. He was a funny old guy. Mens sana in corpore sano Mens sana in corpore sano and all those Latin expressions. and all those Latin expressions.

That's why I wanted to talk to you. The little details, you always had a better memory than me. Actually what I want is for you to talk to a young man who insists on writing my biography. He's from Granada, but he lives here in Madrid, a very persistent boy, he knows music, he writes well. Your biographer? Leandro asked him. Don't call him that, it sounds ridiculous. My life has no interest beyond the fact that there are few Spanish concert pianists, it's sort of like being an Ethiopian weight lifter, I don't know...I have a meeting with him this morning, in a little while, in the bar at the Wellington. I hope we won't have to put up with that pianist, he always plays something by Falla for me, which is, I don't know, fine, I just loathe Falla and he does it in my honor and he ruins my morning with that Amor Brujo Amor Brujo stuff. But I wanted to see you first, not dump it all on you without asking. We hardly ever see each other anymore. I hardly ever see anyone, honestly. You know the feeling that you'll never again meet anyone interesting in your life and you don't have time for the ones you already know anyway? It's distressing. Jacqueline says it's all a problem of anxiety. You know me, anxiety is my life, I'm not going to get rid of it now, am I? stuff. But I wanted to see you first, not dump it all on you without asking. We hardly ever see each other anymore. I hardly ever see anyone, honestly. You know the feeling that you'll never again meet anyone interesting in your life and you don't have time for the ones you already know anyway? It's distressing. Jacqueline says it's all a problem of anxiety. You know me, anxiety is my life, I'm not going to get rid of it now, am I?

Joaquin's wife said good-bye at the door. With her coat already on. A patterned scarf around her neck. I don't know if I'll see you when I come back. Leandro stood up and they meet halfway to exchange a kiss on each cheek. When she left, Joaquin seemed to relax. The expensive perfume left with her. I like this apartment. Joaquin gestured to the lovely place, the windows overlooking the branches of two white mulberry trees, upscale, historic buildings across the street. In a hotel it's different, here I have my s.p.a.ce, I can rehea.r.s.e, relax.

It's lovely, the apartment, said Leandro.

This area costs a fortune. You can't even believe it. Sometimes I come here to get away from Paris and prepare my concerts. Joaquin smiled impishly and Leandro thought he understood what his friend was suggesting with his escapes to Madrid. You know me like no one else does, when that nagging self-criticism springs up, the awareness that I haven't gotten anywhere with what I've tried to accomplish, that I pound on the piano without any art, any cla.s.s, then you are a fragile man, capable of falling into the arms of any woman who makes you believe that you are what you wanted to be. s.e.x is nothing more than reconstructing a battered ego. There is nothing worse than an old seducer, but it's better than just being old, what can we do.

Leandro was surprised by his expression of sorrow. Many times Joaquin had tried to explain what attracted him to women, to the wild love affairs, that it had more to do with his insecurity than with his carnal appet.i.te. Soon he changed his tone and asked about Aurora, almost in contrast. Leandro was concise, he spoke of her illness without beating around the bush. She's really bad, there's no hope. We're so old, for f.u.c.k's sake. Now every year I go to more funerals than concerts. The comment didn't bother Leandro. He knew the superficiality with which Joaquin usually faced any serious situation; he had been like that even as a young man. He avoided the blow. We are strangers to each other, thought Leandro, we're no longer what we were.

The apartment was somewhat overdone, with molding on the ceiling. Perfect furniture that hadn't been lived in, a majestic black Steinway grand piano beside a large picture window. The enormous living room was the receiving room. A nearby kitchen and a small hallway led to the only bedroom. They had knocked down walls to create that sweeping s.p.a.ce in the living room.

They talked about the concert, about the previous days, about the state of the country, about general things and impersonal matters, about his life in Paris. So much mediocrity, we're so far from those exciting years where everything was ahead of us, right? Joaquin lit a Cohiba that inundated the room with bluish smoke. He leaned back and his pant legs revealed the tops of his socks. He stroked the cigar, giving it small turns with his fingertips, made s.p.a.ce between his lips to house the smoke for an instant before exhaling it gently.

I guess you're retired from such compet.i.tions.

Seeing Leandro's puzzled face, he felt obliged to finish the sentence, women...Leandro lifted his shoulders and smiled. I've got Jacqueline on top of me all the time, it's not healthy. Listen, if some day you need to use the apartment all you have to do is ask, the doorman has keys and is completely trustworthy, if you want to come by and play the piano, although I suppose you have more interesting things to do, and he let out a guffaw like a complicit whiplash. I mean if you want to impress some woman don't hesitate, eh. We'll talk to Casiano, the doorman, his father used to be the doorman of this building, imagine, it's an inherited post, isn't that sad? He's a very discreet guy.

Joaquin had no children. His way of relating to his wives had always turned him into the object of their caretaking. He was the son and husband to women who accepted the role of mother, lover, and secretary in equal parts. During the long hour they were alone together, Jacqueline called twice to remind Joaquin about his next appointment and some other triviality.

They went down to the street in a painstakingly maintained elevator. It was a portal into the old Madrid, built in that short period when the city aspired to be Paris. The doorman sat in a booth, the radio spitting out advertising jingles. Casiano, I want to introduce you to my friend Leandro, my childhood friend. He is also a pianist. The man greeted him with humble eyes. Once they were out on the street, Joaquin gossiped about the doorman with amus.e.m.e.nt. He explained to Leandro that he had a son in jail for belonging to a n.a.z.i party and having been involved in the murder of a Basque soccer fan. And all of a sudden, with a cloud of cigar smoke, he changed the subject. Do you still teach piano? I've got the odd student.

In the bar of the Wellington, the pianist spotted Joaquin and a second later dedicated, with a smile, the chords of a Falla piece with clumsy execution and bad taste. You remember when Don Alonso used to say to us, keep it up like that and you'll end up a pianist in a hotel? Well, there you have it. A nervous young man waited, sitting at a table, with a bag that looked almost like a schoolboy's resting on the carpeted floor. This is the boy I told you about, my biographer, as you say. They sat around the table and Joaquin announced he was going to commit the eccentricity of ordering a whisky before noon. Since you guys are the ones that have to talk...

There was a tentative attempt at conversation, during which the young man took out of his bag a notebook that he opened, searching for a blank page. Leandro realized he expected something concrete. The boy asked a question to lay the groundwork. I'd like you to tell me about your childhood together, you were both children of wartime. Oy, who can understand that today, right, Leandro? Joaquin smiled. Leandro started to talk about his origins and the building where they lived as boys. The young man put on his gla.s.ses and resolutely jotted a heading: childhood friend. Then he underlined it. Leandro felt bad.

He tried to not be too precise. He talked about the enormous social difference after the war and he remembered the generosity of Joaquin's family toward his. It was a moral obligation, interjected Joaquin. Spain was divided into victors and vanquished and the victors were divided into those who had a heart and those who were just scoundrels interested in lining their pockets.

Any special, memorable moment from your adolescence?

Leandro and Joaquin exchanged a look. Leandro's expression was eloquent. It seemed incredible that someone could ask you to sum up a life in two or three anecdotes. The best thing would be if you two could get together one day, without me around, today the idea was that you got a chance to meet. Leandro can tell you things about me even I don't remember. Let's see, there are things that shouldn't be left out, those first piano lessons we shared, then our first jobs and my leaving for France, you came to Paris and lived with me for a year. It was barely three months, clarified Leandro. We had a piano teacher who was a harsh old guy, fun, serious, very serious. You can tell him about all that. Things about the neighborhood, I don't even want to try to remember them. My father, for example, was someone from another era, a model military man, conservative, authoritarian, but more nineteenth-century than of the new fascist Spain.

I think you came to hate your father, almost as an essential stance for your ambitions. Leandro's words shut Joaquin up for a second. You always were very clear on what you wanted to be. It's strange. But I think it's a very important detail. You were a young man who knew what you wanted. That's rare. You molded everything around you. And perhaps your father was a victim of that. And others, maybe myself included, benefited from it, because you were building something that only you were clear on how it had to be constructed. For example, I was your friend, but with a type of friends.h.i.+p that you had created in your mind.

There was a silence. Joaquin ruminated over Leandro's words. He wasn't offended by them, but he didn't understand where they were leading. Then he added, unaquaeque res, quantum in se est, in suo esse perseverare conatur unaquaeque res, quantum in se est, in suo esse perseverare conatur. The young man looked at him with eyes big as plates. Spinoza, each thing, insofar as it is in itself, strives to persevere in its being. It's from Ethics Ethics, my favorite book, one I always keep beside my bed. Don't overthink it, I was something and I could only persevere in being that something. The young man took notes at a furious pace.

Deep down, in the world of children and women that we lived in during the war, without adult men, just the old and unfit, the return of your father was something unexpected and annoying for you, added Leandro.