Part 7 (2/2)

explained Claude, whose changed speech inclined the other to flight quite as much as his accounts of the men upstairs. ”The really delicate brains--the most highly sensitised souls--seldom spend themselves upon mere creative work. They look on, and possibly criticise--that is, when they meet with aught worthy their criticism. My friend, Edmund Stubbs, is such an one. He has a sensitised soul, if you like! His artistic standard is too high, he is too true to his ideals, to produce the imperfect. He is full of ideas; but they are too big for brush, pen, or chisel to express them. On the other hand, he's a very fountain of inspiration, tempered by critical restraint, to many a man whose name (as my own) is possibly a household word in Clapham, where poor Edmund's is unknown. Not that I should pity him on that score; he has a holy scorn for what himself would call a 'suburban popularity'; and, indeed, I am not with him in his views as to the indignity of fame generally.

But there, he is a bright particular star who is content to s.h.i.+ne for the favoured few who have the privilege of calling him their friend.”

”You do talk like a book, and no error!” said the Duke. ”I haven't ever heard you gas on like that before.”

The bright particular star was discovered in Claude's easiest chair, with the precious volume in one hand, and a tall gla.s.s, nearly empty, in the other; the Impressionist was in the act of replacing the stopper in the whisky-decanter; and Claude accepted the somewhat redundant explanation, that they were making themselves at home, with every sign of approval. Nor was he slow in introducing his friends; but for once the Duke was refres.h.i.+ngly subdued, if not shy; and for the first few minutes the others had their heads together over the large-paper edition, for whose ”decorations” the draftsman himself had not the least to say, where all admired. At length Claude pa.s.sed the open volume to his cousin; needless to say it was open at the frontispiece; but the first and only thing that Jack saw was the author's name in red capitals on the t.i.tle-page opposite.

”Claude Lafont!” he read out. ”Why, you don't ever mean--to tell me--that's you, old brusher?”

Claude smiled and coloured.

”You an author!” continued the Duke in a wide-eyed wonder. ”And you never told me! Well, no wonder you can talk like a book when you can write one, too! So this is your latest, is it?”

”The limited large-paper edition,” said Claude. ”Only seventy-five copies printed, and I sign them all. How does it strike you--physically, I mean?”

”'Physically' is quite pleasing,” murmured Stubbs; and Claude helped him to more whisky.

Jack looked at the book. The back was of a pale brown cardboard; the type had a curious, olden air about it; the paper was thick, and its edges elaborately ragged. The Duke asked if it was a new book. It looked to him a hundred years old, he said, and discovered that he had paid a pretty compliment unawares.

”There's one thing, however,” he added: ”we could chop leaves as well as that in the back-blocks!”

The Impressionist grinned; his friend drank deep, with a corrugated brow; the poet expounded the beauties of the rough edge, and Jack gave him back his book.

”I know nothing about it,” said he; ”but still, I'm proud of you, I am so. And I'm proud,” he added, ”to find myself in such company as yours, gentlemen; though I don't mind telling you, if I'd known I'd be the only plain man in the room I'd never have come upstairs!”

And the Duke sat down in a corner, with his knife, his tobacco, and his cutty-pipe, as shy as a great boy in a roomful of girls. Yet this wore off, for the conversation of the elect did not, after all, rarefy the atmosphere to oppression; indeed, that of the sensitised soul contained more oaths than Jack had heard from one mouth since he left the bush, and this alone was enough to put him at his ease. At the same time he was repelled, for it appeared to be a characteristic of the great Stubbs to turn up his nose at all men; and as that organ was _retrousse_ to begin with, Jack was forcibly reminded of some ill-bred, snarling bulldog, and he marvelled at the hound's reputation. He put in no word, however, until the conversation turned on Claude's poems, and a particularly cool, coa.r.s.e thing was said of one of them, and Claude only laughed. Then he did speak up.

”See here, mister,” he blurted out from his corner. ”Could you do as good?”

Stubbs stared at the Duke, and drained his gla.s.s.

”I shouldn't try,” was his reply.

”I wouldn't,” retorted Jack. ”I just wouldn't, if I were you.”

Stubbs could better have parried a less indelicate, a less childish thrust; as it was, he reached for his hat. Claude interfered at once.

”My dear old fellow,” said he to Jack, ”you mustn't mind what my friend Edmund says of my stuff. I like it. He is always right, for one thing; and then, only think of the privilege of having such a critic to tell one exactly what he thinks.”

Jack looked from one man to the other. The sincerity of the last speech was not absolutely convincing, but that of Claude's feeling for his friend was obvious enough; and, with a laugh, the Duke put his back against the door. The apology which he delivered in that position was in all respects characteristic. It was unnecessarily full; it was informed alike by an extravagant good-will towards mankind, and an irritating personal humility; and it ended, somewhat to Claude's dismay, with a direct invitation to both his friends to spend a month at Maske Towers.

Perhaps these young men realised then, for the first time, who the rough fellow was, after all, with whom they had been thrown in contact. At all events the double invitation was accepted with alacrity; and no more hard things were said of Claude's lyrics. The flow of soul was henceforth as uninterrupted as that of the whisky down the visitors'

throats. And no further hitch would have occurred had the Impressionist not made that surrept.i.tious sketch of the Duke, which so delighted his friends.

”Oh, admirable!” cried Claude. ”A most suggestive humouresque!”

”It'll do,” said Stubbs, the oracle. ”It mightn't appeal to the suburbs, d.a.m.n them, but it does to us.”

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