Part 8 (2/2)
”The sculptor's workshop.” Casey stepped back across a reef of gla.s.sy black chips on the sand, litter fallen from the chisel. ”Who is the sculptor?”
He touched his lips at Pepe when Sandor called again.
”Tell him to hold the s.h.i.+p. Tell him we're alive and pus.h.i.+ng inland. Tell him we've found human life, or strong evidence for it. But not a word about the face. Not till we have something Captain Vlix might believe.”
We hiked inland, following a smooth-worn footpath along the riverbank. The valley widened. We came out between two rows of trees, neatly s.p.a.ced, bearing bright red fruit.
”Cerezas!”Pepe cried. ”Cherries! A cherry orchard.”
He picked a handful and shared them, tart, sweet, hard to believe. We came to an apple orchard, to rows of peach and pear trees, all laden with unripe fruit. We found a garden farther on, watered by anarrow ditch that diverted water from the river. Tomato vines, yams, squash, beans, tall green corn.
Casey caught his breath and stopped. I stared past him at a man-a man who might have been Sandor's double-who came striding up the path to meet us.
”Sandor?” His eager voice was almost Sandor's, though the accent made it strange. ”Sandor?”
We waited, hardly breathing, while he came on to us. The image of Sandor, bronzed dark from the sun, he had the same trim frame, the same sleek brown fur crowning his head, the same pixie face and golden eyes. He stopped to scan us with evident disappointment, and pointed suddenly when he saw Pepe's radio.
Pepe let him have it. Eagerly, hands shaking, he made a call. The other Sandor answered with a quick and breathless voice. Their excited words meant nothing to me, no more than their silent communion after they fell silent, but I could read the flow of feeling on the stranger's weathered face. Wonder, fear, hope, tears of joy.
At last the Sandor on the s.h.i.+p had a moment for us.
”You've found my brother. Call him Corath if you need a name. Captain Vlix is ready for a jump toward the Rim. She is slow to believe what you're saying, with her s.h.i.+p at risk but Rokehut is demanding a chance for confirmation and I must see my brother. She's letting me come down. . . .”
Corath beckoned. We followed him down the path till we could see the distant lake and a ruined building on a hill. Once it must have been impressive, but the stone walls were roofless now, windows and doorways black and gaping. He stopped us at his very simple residence, a thatched roof over a bare wooden floor with a small stone-walled enclosure at the rear. Waiting for Sandor, we sat at a table under the thatch. He poured cherry wine for us from a black ceramic jug and stood waiting, staring away at the sky.
Sandor landed his silvery flight pod on the gra.s.s in front of the dwelling. Corath ran to meet him. They stopped to gaze at each other, to touch each other, to grip each other's hands. They hugged and stepped apart and stood a long time face to face without a word I could hear, laughing and crying, hugging again, until at last Sandor rubbed his wet eyes and turned to us.
”I saw-saw the head.” Breathing hard, he stopped to clear his throat and peer again into Corath's face as if to verify that he was real. ”It was meant to be my own, though at first I thought it was his. He has been here almost two hundred years, marooned by the pathogen. With no way to search for me, he says, except inside the mountain.”
A spasm of coughing bent him over. Corath held his arm till he drew himself upright and turned soberly back to us.
”We were coughing,” Pepe said. ”Sneezing. Wheezing. We thought we had the killer pathogen.”
”Something kin to it, my brother says. But benign. He says it saved your lives.”
We had to hold our questions. They forgot us, standing together a long time in silence before they laughed and embraced again. Sandor wiped at his tears at last and turned back to us.
”The pathogen got here two hundred years ago. Corath knows no more than we do about its origin or history. It caught him here on the island, at work on the same sort of nanorob research I once hoped toundertake. He was testing immunities and looking for quantum effects that might extend the contact range. The range effect is still not fully tested, but his new nanorob did make him immune. Too late to save the rest of the planet, it did wipe the pathogen off the island. . . .”
Captain Vlix was still a stubborn skeptic, terrified of contamination. She refused to let Sandor bring his brother aboard, or even to come back himself. Yet, with Rokehut and some of the other pa.s.sengers still at odds over a new destination, she let the second officer bring a little group of desperate volunteers down to see the live island for themselves.
They came off the pod jittery and pale. Fits of coughing and sneezing turned them whiter still, until Corath and his news of their new immunity brought their color back. To make his own survival sure, the officer drew a drop of Corath's blood and scratched it into his arm with a needle. Still breathing, but not yet entirely certain, he wanted to see the research station.
Corath took us to tour the ruin on the hill. The pathogen had destroyed wood and plastic, leaving only bare stone and naked steel. A quake had toppled one roofless wall, but the isolation chamber was still intact. An enormous windowless concrete box, it had heavy steel doors with an air lock between them.
Black with rust, the doors yawned open now, darkness beyond them. He struck fire with flint, steel, and tinder, lit a torch, led us inside. The chamber was empty, except for the clutter of abandoned equipment on the workbenches and a thick carpet of harmless gray dust on the floor.
We found nothing to reveal the structure of his new nanorob, nothing to explain how its wind-borne spores had set us to sneezing and made us safe. Corath answered with only a noncommittal shrug when Pepe dared to ask if the infection had made us immortal.
”At least the dust hasn't killed us,” Casey said. ”Good enough for me.”
The officer went back to the s.h.i.+p with a bottle of Corath's healing blood. Captain Vlix agreed to hold the s.h.i.+p in orbit. Rokehut brought his engineers to survey the island and stake out a settlement site on the plateau beyond the lake. Pa.s.sengers came down with their luggage and crates of freight, ready now to stake their futures on the island and Corath's promise that the red dust could make fertile soil.
He decided to stay there with them.
Sandor took us with him back aboard. Convinced at last, Captain Vlix was waiting to greet us at the airlock, embracing him almost as tearfully as his brother had. When she had finally wiped her eyes and turned away, he spoke to us.
”Our job now is to fight the pathogen with Corath's nanorob. Volunteers in flight pods are setting out to carry it to all the nearest worlds. I am taking it to Lo and Tling back on Earth. Do you want to come?”
We did.
BETTY BALLANTINE APPRECIATION.
Every so often, SFWA gives a special award to a person who has made an outstanding contribution to the field as a whole. In Kansas City, SFWA honored Betty Ballantine, that gracious lady who, with her late husband Ian Ballantine, changed SF publis.h.i.+ng forever. Before the award presentation, a specialappreciation was offered by Sh.e.l.ly Shapiro, editorial director of Del Rey Books, who works with such diverse authors as Anne McCaffrey, Arthur C. Clarke, Greg Bear, and the writers of theStar Wars publis.h.i.+ng program.
Sh.e.l.lY SHAPIRO.
Ballantine Books could hardly let this opportunity go by without saying a few words of appreciation to Betty Ballantine.
Ian and Betty were some of the first and strongest supporters of science fiction in the book publis.h.i.+ng industry. Among their very first hardcovers, back in the early 1950s, were books likeThe October Country andThe s.p.a.ce Merchants . Betty Ballantine edited Ballantine's SF before bringing Judy-Lynn del Rey aboard, and was behind Ballantine's early acquisition of such notable luminaries as Arthur C.
Clarke, Anne McCaffrey, Larry Niven, James Blish, Katherine Kurtz, and Fred Pohl. Not to mention Tolkien-at one point, Ballantine published the only authorized edition ofThe Lord of the Rings in the U.S.
It's really thanks to Betty and Ian Ballantine that Judy-Lynn and Lester had such a strong backlist foundation on which to build their new imprint. In fact, I think it's safe to say that without Betty Ballantine, there might not have been a Del Rey Books at all. So, to Betty, a special and heartfelt thank-you from all of us at Del Rey Books and Ballantine Books.
KELLY LINK.
Kelly Link is a quiet, una.s.suming woman with a wicked sense of humor. We first met when she attended Clarion, the eminent workshop for aspiring science fiction writers. It was clear to everyone how talented she was but not how quickly she would develop her talent. Less than a decade later, Peter Straub would call her ”the most impressive writer of her generation.” A lot goes on behind those quiet brown eyes.
Kelly's story ”Travels with the Snow Queen” won the Tiptree Award in 1997, and ”The Specialist's Hat” took the 1999 World Fantasy Award. Her first collection,Stranger Things Happen , came out in 2001, to much praise. She coedits the zineLady Churchill's Rosebud Wristlet . Currently Kelly, who lives in Brooklyn with husband Gavin J. Grant, is working on her first novel.
”Louise's Ghost” is a poignant look at the things we cherish, the things we misinterpret, and the things we don't value enough until it's too late. It marks Kelly's first Nebula but not, I suspect, her last.
LOUISE'S GHOST.
Kelly Link
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