Part 10 (1/2)
The music becomes more breathless; the hooded figure plays a screaming tone upon his flute. Immediately a third slave, attired as a drummer, rushes out and catches his flute from the green masque, who jumps upon the stage, and seizing the dancer, savagely--gracefully, about her slim waist, dances with her, at once tenderly and primitively._]
QUEEN
What agility and strength the man has got. He has made me catch my breath already, which is far better than to laugh.
JOSEPHINE
He dances like a demon over burning altars.
PRINCE
What was that, Josephine?
JOSEPHINE
Don't distract my attention.
PRINCE [_laughing_]
Attention? Attention? Why, Josephine, I never knew that gift was among your talents!
JOSEPHINE
s.h.!.+ s.h.!.+
[_During the dance, the Hindu girl becomes more and more enamoured of her partner, who eludes and attacks her in a perfect frenzy of grace and pa.s.sion. Finally she tries to unmask him or to pull off his cloak, without success. A chime is heard. The drummers play a strange, sinister march. An old man enters--the slave owner. He sees his slave in the arms of one whom she obviously loves, and rushes at the masked figure with his sword.
At this the green mask flings the girl away from him, tears off his mask, throws open his coat and stands revealed before the slave owner, but with his back to the audience. The man is about to let fall his sword when he looks upon what he is about to kill. Gradually his jaw drops with amazement and he lets out a terrible yell of laughter. The slave girl who has stood watching him, now creeps round to see what is causing him so much mirth, and gazing up suddenly into the face of her partner utters a shriek of horror and runs from the stage. The slave owner follows her, his sides shaking with laughter. The figure stands rigidly transfixed, his back still to the audience._]
JOSEPHINE [_leaning forward eagerly_]
What can he be like! I wish he would turn round.
PRINCE
You seem interested, Josephine. Do these wretched mummers really ...
[_But JOSEPHINE is leaning forward intently for the music has begun again. This time the figure is doing a strange dance of loneliness and search for his departed partner, his mask lies upon the ground, but he s.h.i.+elds himself with his cloak.
Occasionally in the wildness of his dance it slips a little, permitting glimpses of parts of his face._]
QUEEN [_suddenly in a tone of fright_]
What is it the man has upon his face? Is it a great scar?
JOSEPHINE
No! No! It is his mouth that is like that.
[_Her excitement is obviously gathering to an almost unbearable point as the dance proceeds. In a low voice:_]
Oh, he is deformed, he is terribly deformed, his shoulders are not abreast of one another. Or is it some devil's head squatting upon his body of an angel.