Part 41 (2/2)
”You are thinking of inkstains, Marian. You forget that it does not rain ink, and that Nelly will hardly select the porch to write her novels in.”
”Lots of people bring ink on a doorstep. Tax collectors and gasmen carry bottles in their pockets.”
”Ask them into the drawing-room when they call, my dear; or, better still, dont pay them, so that they will have no need to write a receipt.
Let me remind you that ink shews as much on white hearthstone as it can possibly do on marble. Yet extensive disfigurements of steps from the visits of tax collectors are not common.”
”Now, Ned, you know that you are talking utter nonsense.”
”Yes, my dear. I think I perceive Nelly looking out of the window for us. Here she is at the door.”
Marian hastened forward and embraced her cousin. Miss McQuinch looked older; and her complexion was drier than before. But she had apparently begun to study her appearance; for her hat and shoes were neat and even elegant, which they had never been within Marian's previous experience of her.
”_You_ are not changed in the least,” she said, as she gave Conolly her hand. ”I have just been wondering at the alteration in Marian. She has grown lovely.”
”I have been telling her so all day, in the vain hope of getting her into a better temper. Come into the drawing-room. Have you been waiting for us long?”
”About fifteen minutes. I have been admiring your organ. I should have tried the piano; but I did not know whether that was allowable on Sunday.”
”Oh! Why did you not pound it to your heart's content? Ned scandalizes the neighbors every Sunday by continually playing. Armande: dinner as soon as possible, please.”
”I like this house. It is exactly my idea of a comfortable modern home.”
”You must stay long enough to find out its defects,” said Conolly. ”We read your novel at Verona; but we could not agree as to which characters you meant to be taken as the good ones.”
”That was only Ned's nonsense,” said Marian. ”Most novels are such rubbis.h.!.+ I am sure you will be able to live by writing just as well as Mrs. Fairfax can.” Conolly shewed Miss McQuinch his opinion of this unhappy remark by a whimsical glance, which she repudiated by turning sharply away from him, and speaking as affectionately as she could to Marian.
After dinner they returned to the drawing-room, which ran from the front to the back of the house. Marian opened a large window which gave access to the garden, and sat down with Elinor on a little terrace outside. Conolly went to the organ.
”May I play a voluntary while you talk?” he asked. ”I shall not scandalize any one: the neighbors think all music sacred when it is played on the organ.”
”We have a nice view of the sunset from here,” said Marian, in a low voice, turning her forehead to the cool evening breeze.
”Stuff!” said Elinor. ”We didnt come here to talk about the sunset, and what a pretty house you have, and so forth. I want to know--good heavens! what a thundering sound that organ makes!”
”Please dont say anything about it to him: he likes it,” said Marian.
”When he wishes to exalt himself, he goes to it and makes it roar until the whole house shakes. Whenever he feels an emotional impulse, he vents it at the organ or the piano, or by singing. When he stops, he is satisfied; his mind is cleared; and he is in a good-humored, playful frame of mind, such as _I_ can gratify.”
”But you were always very fond of music. Dont you ever play together, as we used to do; or sing to one another's accompaniments?”
”I cannot. I hardly ever touch the piano when he is in the house.”
”Why? Are you afraid of preventing him from having his turn?”
”No: it is not so much that. But--it sounds very silly--if I attempt to play or sing in his presence, I become so frightfully nervous that I hardly know what I am doing. I know he does not like my singing.”
”Are you sure that is not merely your fancy? It sounds very like it.”
<script>