Part 24 (1/2)

She stared at him in genuine perplexity and amazement.

”Show myself to Cloran!” she e.j.a.c.u.l.a.t.ed heavily. ”I don't get you!”

”You will in a minute,” said Danglar softly. ”You're the bait--see?

Cloran and I will be at supper and watching the fox-trotters. You blow in and show yourself--I don't need to tell you how, you're clever enough at that sort of thing yourself--and the minute he recognizes you as the woman he's been looking for that murdered Deemer, you pretend to recognize him for the first time too, and then you beat it like you had the scare of your life for the door. He'll follow you on the jump. I don't know what it's all about, and I sit tight, and that lets me out.

And now get this! There'll be two taxicabs outside. If there's more than two, it's the first two I'm talking about. You jump into the one at the head of the line. Cloran won't need any invitation to grab the second one and follow you. That's all! It's the last ride he'll take. It'll be our boys, and not chauffeurs, who'll be driving those cars to-night, and they've got their orders where to go. Cloran won't come back.

Understand, Bertha'?”

There was only one answer to make, only one answer that she dared make.

She made it mechanically, though her brain reeled. A man named Cloran was to be murdered; and she was to show herself as this--this Bertha--and...

”Yes,” she said.

”Good!” said Danglar. He pulled out his watch again. ”All right, then!

We've been here long enough.” He rose briskly. ”It's time to make a move. You hop it back to the garret, and get rid of that fancy dress.

I've got to meet Cloran uptown first. Come on, Matty, let us out.”

The place stifled her. She got up and moved quickly through the intervening room. She heard Danglar and his crippled brother talking earnestly together as they followed her. And then the cripple brushed by her in the darkness, and opened the front door--and Danglar had drawn her to him in a quick embrace. She did not struggle; she dared not. Her heart seemed to stand still. Danglar was whispering in her ear:

”I promised I'd make it up to you, Bertha, old girl. You'll see--after to-night. We'll have another honey-moon. You go on ahead now--I can't be seen with Gypsy Nan. And don't be late--the Silver Sphinx at eleven.”

She ran out on the street. Her fingers mechanically clutched at her shawl to loosen it around her throat. It seemed as though she were choking, that she could not breathe. The man's touch upon her had seemed like contact with some foul and loathsome thing; the scene in that room back there like some nightmare of horror from which she could not awake.

XVI. THE SECRET PANEL

Rhoda Gray hurried onward, back toward the garret, her mind in riot and dismay. It was not only the beginning of the end; it was very near the end! What was she to do? The Silver Sphinx--at eleven! That was the end--after eleven--wasn't it? She could impersonate Gypsy Nan; she could not, if she would, impersonate the woman who was dead! And then, too, there were the stolen jewels at old Jake Luertz's! She could not turn to the police for help there, because then the Pug might fall into their hands, and--and the Pug was--was the Adventurer.

And then a sort of fatalistic calm fell upon her. If the masquerade was over, if the end had come, there remained only one thing for her to do. There were no risks too desperate to take now. It was she who must strike, and strike first. Those jewels in old Luertz's bedroom became suddenly vital to her. They were tangible evidence. With those jewels in her possession she should be able to force Danglar to his knees.

She could get them--before Pinkie Bonn and the Pug--if she hurried.

Afterward she would know where to find Danglar--at the Silver Sphinx.

Nothing would happen to Cloran, because, through her failure to cooperate, the plan would be abortive; but, veiled, as the White Moll, she could pick up Danglar's trail again there. Yes, it would be the end--one way or the other--between eleven o'clock and daylight!

She quickened her steps. Old Luertz was to be inveigled away from his home about ten o'clock. At a guess, she made it only a little after nine now. She would need the skeleton keys in order to get into old Luertz's place, and, yes, she would need a flashlight, too. Well, she would have time enough to get them, and time enough, then, to run to the deserted shed in the lane behind the garret and change her clothes.

Rhoda Gray, as Gypsy Nan, went on as speedily as she dared without inviting undue attention to herself, reached the garret, secured the articles she sought, hurried out again, and went down the lane in the rear to the deserted shed. She remained longer here than in the attic, perhaps ten minutes, working mostly in the darkness, risking the flashlight only when it was imperative; and then, the metamorphosis complete, a veiled figure, in her own person, as Rhoda Gray, the White Moll, she was out on the street again, and hastening back in the same general direction from which she had just come.

She knew old Jake Luertz's place, and she knew the man himself very intimately by reputation. There were few such men and such places that she could have escaped knowing in the years of self-appointed service that she had given to the worst, and perhaps therefore the most needy, element in New York. The man ostensibly conducted a little secondhand store; in reality he probably ”shoved” more stolen goods for his clientele, which at one time or another undoubtedly embraced nearly every crook in the underworld, than any other ”fence” in New York. She knew him for an oily, cunning old fox who lived alone in the two rooms over his miserable store--unless, of late, his young henchman, the Crab, had taken to living with him; though, as far as that was concerned, it mattered little to-night, since the Crab, for the moment, thanks to the gang, was eliminated from consideration.

She reached the secondhand store--and walked on past it. There was a light upstairs in the front window. Old Luertz therefore had not yet gone out in response to the gang's fake message. She knew old Luertz's reputation far too well for that; the man would never go out and leave a gas jet burning--which he would have to pay for!

There was nothing to do but wait. Rhoda Gray sought the shelter of a doorway across the street. She was nervously impatient now. The minutes dragged along. Why didn't 'the man hurry and go out? ”About ten o'clock,” Danglar had said--but that was very indefinite. Pinkie Bonn and the Pug might be as late as that; but, equally, they might be earlier!

It seemed an interminable time. And then, her eyes strained across the street upon that upper window, she drew still farther back into the protecting shadows of the doorway. The light had gone out.

A moment more pa.s.sed. The street door of the house opposite to her--a door separate from that of the secondhand store-opened, and a bent, gray-bearded man, stepped out, peered around, locked the door behind him, and scuffled down the street.

Rhoda Gray scanned the dingy and ill-lighted little street. It was virtually deserted. She crossed the road, and stepped into the doorway from which the old ”fence” had just emerged. It was dark here, well out of the direct radius of the nearest street lamp, and, with luck, there was no reason why she should be observed--if she did not take too long in opening the door! She had never actually used a skeleton key in her life before, and...