Part 21 (1/2)

”Oh, no, she's telling every one she doesn't. They say he's mad about her.”

”Ought to be, by Jove. I always thought the only man she ever cared for--”

Riatt found himself straining his ears vainly to catch the name, but it was drowned in other conversations that rose about him. He understood now why Christine had been angry at his telling Dorothy that he was not in love, for he found himself annoyed at the idea of her having told everybody that she wasn't. But, it's a different thing, he thought, to tell one intimate friend in confidence, or to give the news to every Tom, d.i.c.k and Harry. Then the juster side of his nature rea.s.serted itself, and he saw that she was only laying the trail for the breaking of her engagement. Yet this evidence of her good faith did not entirely allay the irritation of his spirit.

When he went back to the box, Linburne was gone, and the man who had replaced him, yielded to Riatt with the most submissive promptness. But this time no easy interchange occurred between them.

About half past ten, Christine leaned over to her hostess, and said: ”Would you care at all if I deserted you, dear? I'm tired.”

”Mind when I have my Roland to keep me company?” said Nancy. ”One seems to take one's husband to the opera this year.”

At this point Linburne, who had been standing in the back of the box, came forward and said: ”Won't you take my car, Miss Fenimer? I'll go down and find it for you.”

A look that pa.s.sed between them, a twinkle in Nancy's eyes, suddenly convinced Riatt that the scheme was for Linburne to take Christine home. He did not stop to ask why this idea was repugnant to him, but he said firmly:

”I have a car of my own downstairs, and I'll take Miss Fenimer home.” It was of course a lie, as the simple taxicab was his only means of vehicular locomotion, but a taxi, thank heaven, can always be obtained quickly at the Metropolitan. Christine consented. Linburne stepped back.

They drove the few blocks in silence. He went up the steps of her house, and when the door was opened he said: ”May I come in for a few minutes? I shan't have time to-morrow probably.”

”Do,” said Christine. She went into the drawing-room and sank into a chair. ”Who ever heard of not saying good-by to one's fiancee?”

He saw that she was in her most teasing mood, and somehow this made him more serious.

”Perhaps,” he said rather stiffly, ”you think I carry out your instructions too exactly. Perhaps I show a more scrupulous devotion in public than you meant.”

”Oh, no. It looked so well.”

”It would not have looked so well for Linburne to take you home.”

She clapped her hands. ”Excellent,” she said, ”but you know it is not necessary to take that proprietary tone when we are alone.”

”Even as a mere acquaintance I might offer you some advice,” he said.

”I'm rather sleepy as it is,” she returned, yawning slightly.

For the first time Riatt had a sense of crisis. He knew he must either save her, or leave her. He could not give her a little sage advice and abandon her. It would be like advising a starving man not to steal and going away with your pockets full. He could not say, ”Have nothing to do with a selfish materialist like Linburne,” when he knew better perhaps than any one how empty of any ideality or hope her relation to Hickson was bound to be. Yet on the other hand, he could not say, ”Come to me, instead.” He despised her method of life, distrusted her character, disliked her ideas, and was under no illusion as to her feeling for himself. If he had come to her without money she would have laughed in his face. What chance would either of them have under such circ.u.mstances?

It was simple madness to consider it. And why was he considering it? Just because she looked lovely and wan, sunk in a deep chair in all her black and gold finery, just because her face had the lines of an Italian saint and her voice had strange and moving tones in it.

”Good-by,” he said briefly.

She sprang up. ”Good gracious,” she said, ”and are you going just like that? You know it is customary to extract a promise to write. At least to beg for a lock of the hair.” (She drew out a golden lock, and let it crinkle back into place again.) ”Or do you think you will remember me without it?”

”I'm not so sure I want to remember you.”

”I hope you don't. It's the things you don't want to remember that you never can get out of your head.”

”Good-by,” he said again.