Part 14 (1/2)

Then there was as it were a flash of steel in a dark shower.

In the death-like silence of the church the grinding of the scissors was heard in the ma.s.s of hair which fell under the blades, and then all was silent. Dom Etienne opened his hand, and the rain fell on his knees in long black threads.

There was a sigh of relief when the priests and bridesmaids led away the bride, looking strange in her train, with her head discrowned and her neck bare.

The procession returned almost immediately. There was no longer a bride in a white skirt, but a nun in a black robe.

She bowed before the Trappist, and again knelt between her mother and sister.

Then, while the abbot prayed the Lord to bless his handmaid, the master of the ceremonies and the deacon took, from a credence near the altar, a basket, wherein under loose rose leaves were folded a girdle of untanned leather, emblem of the end of that luxury which the Fathers of the Church placed in the region of the reins, a scapular, symbol of a life crucified to the world, a veil, which signifies the solitude of the life hidden in G.o.d, and the prelate explained the sense of these emblems to the novice, then taking the lighted taper from the candlestick before her, he gave it to her, declaring in one phrase the meaning of his action: ”Accipe, charissima soror, lumen Christi.”

Then Dom Etienne took the sprinkler which a priest handed him with an inclination, and as in the general absolution of the dead, he sprinkled the girl with holy water in the form of a cross, then he sat down and spoke gently and quietly without using a single gesture.

He spoke to the postulant alone, praising the august and humble life of the cloister. ”Look not back,” he said, ”have no regrets, for by my voice Jesus repeats to you the promise once made to the Magdalen, 'yours is the better part, which shall not be taken away from you.' Say also to yourself, my daughter, that, henceforward, taken away from the eternal trifling of labours in vain, you will accomplish a useful work upon earth, you will practise charity in its highest form, you will make expiation for others, you will pray for those who never pray, you will aid, so far as your strength permits, to make amends for the hate the world bears to the Saviour.

”Suffer and you will be happy; love your spouse, and you will see how tender He is to His elect. Believe me, His love is such that He will not even wait till you are purified by death to recompense you for your miserable mortifications, your poor sufferings. Even before your hour is come, He will heap His graces upon you, and you will beg Him to let you die, so greatly will the excess of these joys exceed your strength.”

Little by little the old monk grew warm, and returned to the words of Christ to the Magdalen, showing how in reference to her Jesus set forward the excellence of the contemplative over the other Orders, and gave brief advice, dwelling on the necessity of humility and poverty, which are, as Saint Clare says, the two great walls of cloistered life.

Then he blessed the novice, who kissed his hand, and when she had returned to her place, he prayed to the Lord, lifting his eyes to heaven, that He would accept this nun, who offered herself as a victim for the sins of the world. Then, standing, he intoned the ”Te Deum.”

Every one rose, and preceded by the cross and torch bearers, the procession pa.s.sed out of the church, and was ma.s.sed in the court.

Then Durtal might have believed himself carried back far from Paris, into the heart of the Middle Ages.

The court, surrounded by buildings, was closed opposite the entrance-gate by a high wall, in the midst of which was a folding-door; on each side six thin pines rocked to and fro, and chanting was heard behind the wall.

The postulant, in front, alone, near the closed door, held her torch, with her head bent. The abbot of La Trappe, leaning on his crosier, waited, unmoving, a few paces from her.

Durtal examined their faces, the girl, so commonplace in her bridal costume, had become charming, her body was now full of a timid grace, the lines, somewhat too marked under her worldly dress, were softened, under her religious shroud her outline was only a simple sketch, it was as though the years had rolled back, and as though there was a return to the forms only prophesied in childhood.

Durtal drew near to examine her better, he tried to look at her face, but under the chill bandage of her head-dress, she remained mute, and as if absent from life, with her eyes closed, and as though she lived only in the smile of her happy lips.

Seen nearer, the monk who had seemed so stout and ruddy in the chapel, seemed also changed, his frame remained robust, and his complexion bright, but his eyes of a light blue, like chalk water, water without reflections or waves, eyes wonderfully pure, changed the common expression of his features, and took away from him that look of a vine-dresser which he had at a distance.

”It is clear,” thought Durtal, ”that the soul is everything in these people, and their faces are modelled by it. There is a holy clearness in their eyes, and their lips, in those only apertures through which the soul comes to look out of the body, and almost shows itself.”

The chants behind the wall suddenly ceased, the girl made a step forward, and knocked with her closed fingers at the door, and then with a failing voice she sang,--

”Aperite mihi portas just.i.tiae: Ingressa in eas, confitebor Domino.”

The door opened. Another large court, paved with pebbles was seen, bounded at the end by a building, and all the community, in a sort of semicircle, with black books in their hands, cried,--

”Haec porta Domini: Justi intrabunt in eam.”

The novice made another step to the sill and answered in her far-away voice,--

”Ingrediar in loc.u.m tabernaculi admirabilis: usque ad domum Dei.”

And the choir of nuns, unmoving, answered,--