Part 2 (2/2)
There are few benefactors so admirable as those who effect an introduction between our insignificant selves and some genius who has the power to translate us into realms undreamt of in our puny imagination.
Among these geniuses Charles Lamb stands out pre-eminently for one most important reason: he wears no august cloak of ceremony to frighten us away; of all great writers he is the most human and the most lovable.
Begin by listening to his preface prefixed to _The Last Essay of Elia_.
There you will hear from his own lips the kind of writing he undertakes to give you--”a sort of unlicked, incondite things--villainously pranked in an affected array of antique modes and phrases.”
Of himself we read with a grin of delight that ”he never cared for the society of what are called good people” ... that ”he herded always, while it was possible, with people younger than himself” ... that ”his manners lagged behind his years. He was too much of the boy-man. The _toga virilis_ never sate gracefully on his shoulders.”
He is more honest about his weaknesses than any other man of a like fame.
He was certainly not of the ”unco' guid,” which may have accounted partially for his dislike of Scotsmen, and he affected no indifferences.
As a writer he matters just in so far as he felt ”the difference of mankind--to an unhealthy excess. I can look with no indifferent eye upon things or persons. Whatever is, is to me a matter of taste or distaste.... I am, in plainer words, a bundle of prejudices ... the veriest thrall to sympathies, apathies, antipathies.”
The hatred with which he views death shows us how completely a lover of life he was:
”I am not content to pa.s.s away 'like a weaver's shuttle.' Those metaphors solace me not, nor sweeten the unpalatable draught of mortality. I care not to be carried with the tide, that smoothly bears human life to eternity, and reluct at the inevitable course of destiny.
I am in love with this green earth; the face of town and country; the unspeakable rural solitudes and the sweet security of streets. I would set up my tabernacles here. I am content to stand still, at the age to which I am arrived.... I do not want ... to drop, like mellow fruit, as they say, into the grave. Any alteration, on this earth of mine ...
puzzles and discomposes me ... a new state of being staggers me. Sun, and sky, and breeze, and solitary walks, and summer holidays, and the greenness of fields, and the delicious juices of meats and fishes, and society, and the cheerful gla.s.s, and candle-light, and fireside conversations, and innocent vanities, and jests, and _irony itself_--do these things go out with Life?”
If you can resist this, which to me is perhaps the most beautiful piece of English prose in existence, you must be a little less than human yourself. So you ask me again why you should read Lamb, and I answer: (1) because he has always something to say and conveys his thought ”without smothering it in blankets”; (2) because in antique fancy, quip, oddity, whimsical jest, humour, wit and irony, rare gifts all, he is a supreme master; (3) because his limitations and tragedies were, like ours, many, but his courage in facing them, unlike ours, was cheerful and invincible; the best dramatic and literary critic of his time, he yet had no ear for music (”to read a book, _all stops_, and be obliged to supply the verbal matter”). He was prevented from becoming an actor by an impediment in his speech; drink went to his head at once and he was fond of it; himself the s.h.i.+ning example of the sanity of true genius, his sister killed her father in a mad frenzy; holding women in reverence more than any man, he yet failed to marry the girl of his choice; designed by nature to be a scholar and an Oxford don, he was denied a university education and condemned to thirty-six years of drudgery in a city office ... the list of Life's little ironies in his case can be piled mountain high, but the supreme irony is that this sufferer at the hands of the malignant fates is our greatest humorist; and (4) because he takes the homely and familiar for his subjects and sheds fresh and beautiful light upon them, making even the most soured among us reconsider life and its possibilities.
IV
JAMES BOSWELL
Boswell is essentially a book for the pocket, to be opened at random while waiting for a train or a doctor or a dentist; busy men of affairs like Lord Rosebery have recognised it as the finest ”night-cap” in the world. It is the fallacy of thinking that ”skipping” is the sign of a shallow mind that has led to the avoidance of what is really the most absorbing study in the world, the revelation of the lives and characters of men of fame. And of all subjects for biography Dr Johnson stands easily first, because he embodies all the essential features of the English character; we see in him ”our own magnified and glorified selves.”
Furthermore, he has a genius for his biographer; as Sir Walter Raleigh says: ”The accident which gave Boswell to Johnson and Johnson to Boswell is one of the most extraordinary pieces of good fortune in literary history.”
It is mainly by his conversations that his character is depicted, and it is worth remembering that his _mots_ are famous not only for their good sense and sound judgment, but for their freshness and unexpectedness.
”No man will be a sailor who has contrivance enough to get himself into a jail; for being in a s.h.i.+p is being in a jail, with the chance of being drowned ... a man in jail has more room, better food, and commonly better company.” ”Men know that women are an overmatch for them, and therefore they choose the weakest or most ignorant. If they did not think so, they never could be afraid of women knowing as much as themselves.” ”Even ill-a.s.sorted marriages are preferable to cheerless celibacy.” ”Sir, a woman's preaching is like a dog's walking on his hinder legs. It is not done well; but you are surprised to find it done at all.” ”A peace will equally leave the warrior and relater of wars dest.i.tute of employment; and I know not whether more is to be dreaded from streets filled with soldiers accustomed to plunder, or from garrets filled with scribblers accustomed to lie.” ”I am always for getting a boy forward with his learning ... I would let him at first read _any_ English book ... because you have done a great deal when you have brought him to have entertainment from a book.” ”Sir, young men have more virtue than old men; they have more wit and humour and knowledge of life than we had; but then the dogs are not so good scholars.”
Once started it is exceedingly difficult to avoid quoting extensively.
One feels in all that he says that Dr Johnson had at any rate cleared his mind of cant and proved to the hilt the truth of his aphorisms. You will have noticed how clear-cut and simple they are, clothed in language poles removed from that which tradition has chosen to a.s.sociate with the ”sesquipedalian lexicographer.” What sanity of outlook and healthiness of mind is expressed in such a robust sentence as ”Every man has a right to utter what he thinks truth, and every other man has a right to knock him down for it”; or, ”When a man is tired of London, he is tired of life.” What joy we feel in the thought that to appreciate such talk as his we need not be literary: it is enough to be English. ”Books without the knowledge of life are useless; or what should books teach but the art of living?” We can trust a man who talks like that.
But it is not only for his superb common sense that we love Dr Johnson; it is for the complete portrait of a complex character, rich in virtue, human in its failings and limitations, that we owe Boswell an unpayable debt of grat.i.tude. ”Johnson grown old, Johnson in the fullness of his fame and in the enjoyment of a competent fortune, is better known to us than any other man in history.” How well do we all recall that exquisite summing up of Macaulay. No novelist would dare to give us so paradoxical a picture. Here is a man full of reverence and piety who yet touches the posts as he walks to avert evil; a man notorious for his brusquerie and lack of manners, who describes himself as ”well-bred to a degree of needless scrupulosity,” and of whom Goldsmith said that he had nothing of the bear but his skin; a man far more apprehensive of death than most of us, who yet took the knife out of the surgeon's hands in order to operate on himself; afflicted by terrible diseases, he was yet one of the most jovial and sociable men of his age; by nature sluggish and averse from work, he yet did more actual drudgery than any ten ordinary mortals.
Practically starving himself, he yet clothed, housed and fed a mult.i.tude of ingrates; the great literary dictator of his time, he failed almost entirely to appreciate poetry, and (most paradoxical of all) the great giant of letters of the eighteenth century he has yet left practically nothing that the ordinary man ever reads. ”This is the greatness of Johnson, that he is greater than his works. He thought of himself as a man, not as an author ... duties and friends.h.i.+ps and charities were more to him than fame and honour.” But the wise man will not be content with the greatness of the man; ”the reader who desires to have Johnson to himself for an hour, with no interpreter, cannot do better than turn to the notes on Shakespeare. They are written informally and fluently; they are packed full of observation and wisdom; and their only fault is that they are all too few.”
It is hard to imagine that anyone who has read the n.o.ble preface to the _Dictionary_, the illuminating preface to and notes on Shakespeare, the thrilling _Life of Richard Savage_, and a selection of the sage essays in _The Rambler_ and _The Idler_ should rest content until he had read Johnson from end to end. This, then, is why one should read Boswell; you will get a full-length picture of the typical Englishman at his greatest, a lesson on the art of life, and an appet.i.te to read the works of one of the sanest, ”all-round” writers who ever lived.
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