Volume I Part 2 (1/2)

_Description._--Above dark grey, faintly mottled with pale grey; rump tinged with brown; wings nearly black, the feathers edged with brownish white; tail black, the feathers, except the two middle ones, broadly tipped with white; under surface dirty white; bill and legs black; eye olive-green: total length 110 inches, wing 45, tail 49. _Female_ similar.

_Hab._ Paraguay, Uruguay, and Argentine Republic.

Azara has not failed to remark that it would be well to find a more appropriate name for this species, which was absurdly called ”Calandria”

(_i. e._ Sky-Lark) by the early colonists of the Plata. Use is, however, too strong to be easily set aside, and the name is now familiar to everyone in the Argentine Province. Moreover, by a curious irony of fate, the Spanish naturalist himself, by employing this unsuitable name in his 'Apuntamientos,' even while protesting against it, has been the cause of its introduction into scientific nomenclature.

It would be impossible to improve on the account Azara gives of the bird's appearance and manners. The prevailing colour of the plumage is grey, the irides are deep green, the beak black, slender, and curved.

The tail is long, jerked and elevated when the bird is at rest, spread open and depressed in flight. The Calandria's movements are measured and dignified, its flight low and never extends far, the bird usually pa.s.sing from one tree to another in a long graceful curve. It goes alone or with its mate only; feeds chiefly on the ground; does not penetrate into deep forests, nor is it seen on the treeless plains. It frequents the borders of woods and open grounds abounding in isolated shrubs and trees; is fond of coming about houses, and invariably perches itself on the most conspicuous places. It sings chiefly in spring, and its really wonderful vocal powers have made it one of our best-known and most-admired songsters. To sing it usually places itself on the summit of a bush or tree, and occasionally, as if carried away by excitement, it darts upwards three or four yards into the air, and then drops back on to its perch. So varied are its notes, and so frequently suggestive of the language of other species, that the listener finds himself continually asking whether the Calandria is really an original singer or merely a cunning plagiarist, able to steal sc.r.a.ps of fifty different melodies and to blend them in some sort into one complete composition.

As a whole the song is in character utterly unlike that of any other bird (birds of the _Mimus_ genus, of course, excepted), for the same notes are never repeated twice in the same order; and though the Calandria has many favourite notes, he is able to vary every one of them a hundred ways. Sometimes the whole song seems to be made up of imitations of other singers, with slight variations--and not of singers only, for now there will be clear flute-like notes, only to be succeeded by others reedy and querulous as the hunger-calls of a young Finch; then there will be pretty flourishes or Thrush-like phrases, and afterwards screams, as of a frightened Swallow hurrying through the sky to announce the approach of a Falcon; or perhaps piteous outcries, as of a chicken in the clutches of a Kite.

Nevertheless Azara says truly that the Calandria does not mock or mimic the songs of other birds; for though the style and intonation of a score of different singers, chatterers, and screamers are reproduced by him, one can never catch a song, or even a portion of a song, of which he is able to say that it is absolutely like that of any other species. This much, however, can be said of the Calandria: he has a pa.s.sion for endless variety in singing, a capacity for varying his tones to almost any extent, and a facility for catching the notes of other birds, which, in the Virginian Mocking-bird of North, and in the White-banded Mocking-bird of South America, has been developed into that marvellous faculty these two species possess of faithfully imitating the songs of all other birds. The two species I have just named, while mockers of the songs of other birds, also retain their own original music--their ”natural song,” as an American ornithologist calls it.

The Calandria makes its nest in the middle of a large bush or low thorn-tree standing by itself; it is deep, like the nest of a Thrush in form, built of sticks, thorns, and gra.s.s, and lined with thistle-down or some other soft material. The eggs are four or five, pale blue, and thickly marked with reddish-brown spots.

When the nest is approached the parent birds demonstrate their anxiety by uttering loud harsh angry notes.

It is generally believed that the Calandria will not live in captivity.

I have, however, seen a few individuals in cages, but they never sang.

7. MIMUS PATACHONICUS (d'Orb. et Lafr.).

(PATAGONIAN MOCKING-BIRD.)

+Mimus patachonicus+, _Scl. et Salv. Nomencl._ p. 3; _Hudson, P. Z.

S._ 1872, p. 538 (Rio Negro); _Durnford, Ibis_, 1877, p. 31 (Chupat); _Doring, Exp. al Rio Negro, Zool._ p. 36 (R. Colorado); _Sharpe, Cat. B._ vi. p. 352. +Mimus thenca+, _Burm. La-Plata Reise_, ii. p. 475 (Mendoza)?

_Description._--Above and beneath grey, paler on the under surface, and tinged with rufous on the belly; throat and mark over the eye white; wings black, the outer webs of the feathers edged with white and grey; tail black, tipped with white; bill and feet black; eye olive-green: total length 92 inches, wing 42, tail 40. _Female_ similar, but smaller in size and lighter in colour.

_Hab._ Northern Patagonia.

The Patagonian Mocking-bird, which I met with during my sojourn on the Rio Negro of Patagonia in 1871, closely resembles the species just described, but is smaller, the plumage is of a darker grey, and the irides are also of a darker green. It is a common bird, resident, lives alone or with its mate, feeds on insects and berries, and in its manner of flight and habits is like _Mimus modulator_. The nest is made in the centre of a bush of thorns and sticks, and lined with dry gra.s.s, cow-hair, or other soft material; and the eggs are four in number, bluntly pointed, and thickly marked with dark flesh-coloured spots.

When the nest is approached the parent birds come close to the intruder, often perching within a yard of his head, but without uttering any sound, differing in this respect from _M. modulator_.

The song of the Patagonian bird is in character like that of the northern species, the variety of its notes being apparently infinite; there are, however, some differences worth mentioning. The singing of the Patagonian species is perhaps inferior, his voice being less powerful, while his mellow and clear notes are constantly mingled with shrill ones, resembling the cries of some of the Dendrocolaptine birds.

While incapable of notes so loud or so harsh as those of the northern bird, or of changes so wild and sudden, he possesses even a greater variety of soft notes. Day after day for many months I have heard them singing, yet never once listened to them for any length of time without hearing some note or phrase I had never heard before. The remarks I have made concerning the Calandria's mocking-faculties also apply to this bird: but though he does not actually repeat the notes and songs of other species, he certainly does mock the notes of individuals of his own species; for it must be borne in mind that no two individuals sing quite alike, and that the same bird constantly introduces new notes into his song, and never repeats his notes in the same order. I have often observed that when a bird, while singing, emits a few of these _new_ notes, he seems surprised and delighted with them; for, after a silent pause, he repeats them again and again a vast number of times, as if to impress them on his memory. When he once more resumes his varied singing, for hours, and sometimes for days, the expression he has discovered is still a favourite one, and recurs with the greatest frequency. But this is not all. If the new note or phrase happens to be a very striking one, it immediately takes the fancy of all the other birds within hearing, and often in a small thicket there will be a dozen or twenty birds near together, each sitting perched on the summit of his own bush. After the new wonderful note has been sounded they all become silent and attentive, reminding one in their manner of a caged Parrot listening to a sound it is trying to learn. Presently they learn it, and are as pleased with its acquisition as if they had discovered it themselves, repeating it incessantly. I noticed this curious habit of the bird many times, and on one occasion I found that for three entire days all the birds in a small thicket I used to visit every day did nothing but repeat incessantly two or three singular notes which they had borrowed from one of their number. The constant repet.i.tion of this one sound had a strongly irritating effect on me; but a day or two later they had apparently got tired of it themselves, and had resumed their usual varied singing.

This bird usually sits still upon the summit of a bush when singing, and its music is heard in all seasons and in all weathers from dawn till after dark: as a rule it sings in a leisurely unexcited manner, remaining silent for some time after every five or six or a dozen notes, and apparently listening to his brother-performers. These s.n.a.t.c.hes of melody often seem like a prelude or promise of something better coming; there is often in them such exquisite sweetness and so much variety that the hearer is ever wis.h.i.+ng for a fuller measure, and still the bird opens his bill to delight and disappoint him, as if not yet ready to display his whole power.

8. MIMUS TRIURUS (Vieill.).

(WHITE-BANDED MOCKING-BIRD.)

[Plate I.]