Part 25 (1/2)

'I a.s.sume you've kept up your embroidery, then, given the neighbourhood.'

'Well, I can't say that I-'

'An orphrey of fine needlework is what we need, and the most ingenious we have ever made.' She stretched the cloth to its full width. 'It must be identical in every respect to this vivid sample, with one difference well, two.' She pointed to the coat of arms emblazoned on the figure attacking the boy king. 'Do you see these colours, just here?'

The Duke of Lancaster's. They were nearly identical to the king's, the only difference being the ermine label above. 'Yes, Prioress.'

Isabel squinted at it. 'Hand me that gla.s.s.' The prioress pointed to a low table in the corner. Millicent walked over and lifted a triangular magnifying gla.s.s, set in a bone frame with a wooden handle below. Isabel took it from her and scrutinized the cloth further.

'The brick st.i.tch around the border is remarkable, as is the infilled foliage. And the waffling is superior, must have taken weeks. Look at that work. The ground is Italian, or I'm a pregnant goat. But in the middle, the figures of the duke and the king are well, they're nicely done, but their quality doesn't come close to what I am seeing in the base. And these smaller emblems the thistleflowers and hawks and so on wouldn't pa.s.s a seamstress's eye in Cornhull, let alone at court.'

Millicent came to the prioress's side, catching a faint waft of rosy perfume from the older woman's neck. Not all luxuries had been abandoned in Bromley, it seemed. She leaned over the prioress's shoulder and peered through the gla.s.s at the cloth. She saw immediately what Isabel's expert eye had discerned. At the edges of the cloth the st.i.tching was tight and uniform, the product of a practised embroideress working slowly and patiently to embellish the borders with an elaborate pattern of vines and flowers. The figures of Lancaster and King Richard, as well as their arms, had been pointed into the cloth in an entirely different style. Looser st.i.tches, higher loops. Skilful and not incompetent, not by a long stretch, but youthful was the word that came to her mind. Finally, the figures of thistleflowers, hawks, swords, and plums surrounding the central figures had been done hastily, with inferior threads and with no regard for the surrounding ground. Three hands, then, working at different times, with different materials, and with varying degrees of competence.

The prioress leaned back. 'This cloth is clearly a fake,' she said, 'cooked up to point a finger at the duke. Besides, Lancaster wouldn't come near a book of the sort you describe. The man eats self-preservation for supper. So who would create such a thing to wrap around a ma.n.u.script of prophecies, implicating him as a conspirator against the king?'

Isabel stared at the wall for a moment, then shook her head. 'Well of course. Who else?' She took up the cloth, picked at some threads. 'This work is too tight to unravel without damaging the ground. You, Millicent, will create a new s.h.i.+eld for this fellow here, with new arms altogether. In the first quarter, we must have a silver mullet borne upon a field gules.'

Millicent's eyes widened. 'Do you mean-'

'I do.' The prioress's eyes sparkled, and she allowed Millicent the slightest of smiles before returning her attention to the cloth. 'The other must be similarly altered, though with different arms. Here, parti per fesse gule, and on the chief of the second there must be ah, what is it?'

'A demi-lion, rampant of the field,' Millicent said, remembering the s.h.i.+eld. A tournament two years before, she on Sir Humphrey's arm in the stands, the Earl of Oxford mounted below.

'Exactly. Now.' Isabel clapped her hands three times, summoning the young nun from the other side of the door. 'Bring us thread of silver, gold, azure all of it. We haven't a moment to spare.'

Soon Millicent found herself in her old place at Isabel's feet, frame and needle in her hands. Following the prioress's instructions, she pinned out a portion of the pattern within the smooth frame: the demi-lion, a complex figure to execute, though Millicent felt confident she could complete it in good time, at least as well as the earlier embroideress had pointed in the arms of Gaunt. The pull of the needle, the occasional click of the thimble against the frame: though her fingers soon ached with the unfamiliar labour, it was a good ache.

'Reverend Mother?' she said at one point, tentatively.

'You may speak, Millicent.'

Her given name from the prioress's lips: a balm over a forgotten wound. 'How can we know this will work?'

Isabel gave her a bland stare. 'There is a great conspiracy in the land to slay our king, my child. We can be sure of nothing. But we must do what we can to foil the plot. To bring this cloth before the king on St Dunstan's Day, and from a credible source, we must put it in the hands of someone in the inmost circles at court. Someone of una.s.sailable standing.'

'Your relations?'

The prioress snorted. 'The concubine of the king's second substeward has stronger connections in the court than my relations these days. No, I have in mind one of our dear sisters. Just there.' She nodded toward the door. 'Margaret is her name. She's properly a nun of Barking, but we've taken her in for a few months given the unpleasantness between the king and his uncle. Abbess Matilde wants her to disappear for a while, at least until after the bishop's round of visitations.' Barking, the much greater house several miles to the east, would often impose on St Leonard's for 'gifts' of s.p.a.ce and provision, taking undue advantage of Bromley's diminished numbers and extra dormitory s.p.a.ce.

The girl, no more than fourteen, stood out of earshot in the half-opened doorway, her head pointed demurely to the floor.

'I don't understand, Reverend Mother,' said Millicent.

'Her mother has an intimate connection to John of Gaunt,' said Isabel.

Her mother. 'The Infanta?' It was a guess. Millicent knew the young woman had looked familiar, though the face of Gaunt's Castilian d.u.c.h.ess didn't seem a match.

The prioress glanced up. Blinked. 'Hardly. She's Margaret Swynford, daughter of the late Hugh Swynford. And her mother is Katherine, Lancaster's wh.o.r.e.'

THIRTY-NINE.

Church of St Lawrence Jewry Edgar Rykener joined the small knot of beggars gathered at the foot of the St Lawrence steps. Some gave him unfriendly glances, taking him for an interloper who would diminish their proper share of charity. He ignored them; the wait wouldn't be long. Master Strode was to appear at the first stroke of the s.e.xt bells, he'd been a.s.sured at the Guildhall. The common serjeant likes to take a walk around the ward, one of his clerks had said, before returning for his midday meal with the mayor.

The St Lawrence bell struck, Mary Magdalene soon followed, then Ba.s.sishaw, the three parishes competing for the proper ringing of the hour. Still no Strode. Edgar thought nothing of the delay at first, yet as the minutes wore on his concern mounted, until finally he pushed himself off the wall and stepped up on to the porch.

The interior was nearly silent, a heavy wheeze the only discernible sound. It came from one of the side chapels, a half-lit s.p.a.ce with shuttered windows and several rows of old seats wedged askew against the walls. Ralph Strode sat on one of them, a silent mound of concern. Even in the dim light Edgar could see his face was ashen. His wide chin sat propped on his knuckles, robed elbows on his knees. The man could have been one of the painted statues, but for the whistley breaths from his guts.

'Master Strode,' said Edgar, his voice a small thunderclap.

Strode's opening eyes caught the glare of the lone candle on the chapel altar. No other movement. Finally he half-turned, his brow bent in a distant frown. A slow nod. 'Edgar, is it?'

'Yes, Master Strode.'

'Came about your brother a few weeks back.' He seemed mildly pleased that he had remembered.

'Yes, sir. James Master Tewburn was a great help.'

'Tewburn.' Strode shook his head. 'Senseless. A senseless loss of a good young man.'

'Yes, Master Strode. I'm sorry he had to go and die, sir.'

Strode's gaze found him in the gloom. 'You heard, then?'

Edgar nodded, casting about for what to say.

'For my life I can't figure out what is happening in London,' he said. 'Factions moving in stealth through the streets, with their feints and counter-feints. Young men being plucked off the lanes, tossed off the bridge, throats slit in churchyards, dragged from their homes and thrown in nameless pits, all for baseless suspicions from above. London is being torn apart at the seams, and despite my office I am feeling powerless to stop it.'

Edgar took a deep breath, then said, 'It was I found his body.'

His eyes widened. 'Tewburn's?'

'Aye, sir.'

'It was you who alerted the constables, then?'

'Not no, sir.' Strode was staring at him. 'I found him the day before the coroner's men took him from St Pancras.'

He sat forward. 'Yet you let his body lie there for another day?'

'We had us a time, you see, to meet in the churchyard, and-'

'Tewburn was at St Pancras to meet you?' Strode clapped his knees, fixing him with the fiercest stare. 'Whatever for?'