Part 16 (1/2)

Malcolm George MacDonald 37600K 2022-07-22

Though not greatly prejudiced in favour of books, Lady Florimel had burrowed a little in the old library at Lossie House, and had chanced on the Faerie Queene. She had often come upon the name of the author in books of extracts, and now, turning over its leaves, she found her own. Indeed, where else could her mother have found the name Florimel? Her curiosity was roused, and she resolved-- no light undertaking--to read the poem through, and see who and what the lady, Florimel, was. Notwithstanding the difficulty she met with at first, she had persevered, and by this time it had become easy enough. The copy she had found was in small volumes, of which she now carried one about with her wherever she wandered; and making her first acquaintance with the sea and the poem together, she soon came to fancy that she could not fix her attention on the book without the sound of the waves for an accompaniment to the verse--although the gentler noise of an ever flowing stream would have better suited the nature of Spenser's rhythm; for indeed, he had composed the greater part of the poem with such a sound in his ears, and there are indications in the poem itself that he consciously took the river as his chosen a.n.a.logue after which to model the flow of his verse.

It was a sultry afternoon, and Florimel lay on the seaward side of the dune, buried in her book. The sky was foggy with heat, and the sea lay dull, as if oppressed by the superinc.u.mbent air, and leaden in hue, as if its colour had been destroyed by the sun. The tide was rising slowly, with a m.u.f.fled and sleepy murmur on the sand; for here were no pebbles to impart a hiss to the wave as it rushed up the bank, or to go softly hurtling down the slope with it as it sank. As she read, Malcolm was walking towards her along the top of the dune, but not until he came almost above where she lay, did she hear his step in the soft quenching sand.

She nodded kindly, and he descended approaching her.

”Did ye want me, my leddy?” he asked.

”No,” she answered.

”I wasna sure whether ye noddit 'cause ye want.i.t me or no,” said Malcolm, and turned to reascend the dune.

”Where are you going now?” she asked.

”Ow! nae gait in particlar. I jist cam oot to see hoo things war luikin.”

”What things?”

”Ow! jist the lift (sky), an' the sea, an' sic generals.”

That Malcolm's delight in the presences of Nature--I say presences, as distinguished from forms and colours and all a.n.a.lyzed sources of her influences--should have already become a conscious thing to himself requires to account for it the fact that his master, Graham, was already under the influences of Wordsworth, whom he had hailed as a Crabbe that had burst his sh.e.l.l and spread the wings of an eagle the virtue pa.s.sed from him to his pupil.

”I won't detain you from such important business,” said Lady Florimel, and dropped her eyes on her book.

”Gien ye want my company, my leddy, I can luik aboot me jist as weel here as ony ither gait,” said Malcolm.

And as he spoke, he gently stretched himself on the dune, about three yards aside and lower down. Florimel looked half amused and half annoyed, but she had brought it on herself, and would punish him only by dropping her eyes again on her book, and keeping silent.

She had come to the Florimel of snow.

Malcolm lay and looked at her for a few moments pondering; then fancying he had found the cause of her offence, rose, and, pa.s.sing to the other side of her, again lay down, but at a still more respectful distance.

”Why do you move?” she asked, without looking up.

”'Cause there's jist a possible air o' win' frae the nor'east.”

”And you want me to shelter you from it?” said Lady Florimel.

”Na, na, my leddy,” returned Malcolm, laughing; ”for as bonny's ye are, ye wad be but sma' scoug (shelter).”

”Why did you move, then?” persisted the girl, who understood what he said just about half.

”Weel, my leddy, ye see it's het, an' I'm aye amang the fish mair or less, an' I didna ken 'at I was to hae the honour o' sittin'

doon aside ye; sae I thocht ye was maybe smellin' the fish. It's healthy eneuch, but some fowk disna like it; an' for a' that I ken, you gran' fowk's senses may be mair ready to scunner (take offence) than oors. 'Deed, my leddy, we wadna need to be particlar, whiles, or it wad be the waur for 's.”

Simple as it was, the explanation served to restore her equanimity, disturbed by what had seemed his presumption in lying down in her presence: she saw that she had mistaken the action. The fact was, that, concluding from her behaviour she had something to say to him, but was not yet at leisure for him, he had lain down, as a loving dog might, to await her time. It was devotion, not coolness. To remain standing before her would have seemed a demand on her attention; to lie down was to withdraw and wait. But Florimel, although pleased, was only the more inclined to torment--a peculiarity of disposition which she inherited from her father: she bowed her face once more over her book, and read though three whole stanzas, without however understanding a single phrase in them, before she spoke. Then looking up, and regarding for a moment the youth who lay watching her with the eyes of the servants in the psalm, she said,--”Well?

What are you waiting for?”

”I thocht ye want.i.t me, my leddy! I beg yer pardon,” answered Malcolm, springing to his feet, and turning to go.

”Do you ever read?” she asked.

”Aften that,” replied Malcolm, turning again, and standing stock still. ”An' I like best to read jist as yer leddys.h.i.+p's readin'