Part 48 (1/2)

'Come and sit on the settle by me,' cries Prue restlessly; 'we can talk more comfortably so, and I can rest my head on your shoulder. It is such a nice roomy shoulder.'

'Yes, darling--yes.'

There is a pause. The moon looks in from the garden. A startle-de-buzz booms by on the wings of the night, and once an elfin bat sweeps past on the congenial dusk.

The night is in Margaret's soul too, and not such a bland white night as that spread outside for elves to dance in.

'I am going to say such a silly thing,' says Prue presently, heralding her speech by a fict.i.tious laugh. 'If it were not rather dark, I do not think that I should dare to say anything so foolish. I am going to ask you such a stupid question; I am sure you will not consider it worth answering. Do you think it possible--ha! ha! I really am idiotic to-night--that he might ever--not now, of course--if you had seen how distressed, how heart-broken he was to-day at my crying, you would not have thought there was much danger of its happening now--but,' her speech growing slow, and halting with quick feverish breaths between, 'do you think it is just possible that sometime--many years hence--twenty--thirty--he--might grow--a little--tired of me? There!

there!' her utterance waxing rapid and eager again; 'do not answer! Of course, I do not mean you to answer!'

Peggy is thankful for the permission to be silent thus accorded to her; but she does not long profit by it.

'I think I had rather that you did answer, too,' says Prue, with a quick uneasy change of mind. 'It seems senseless to ask questions and get no answer to them; and, after all, there can be but one answer to mine.'

Peggy s.h.i.+vers. There can indeed be but one answer; but how dare she give it?

'Why do not you speak?' cries Prue, growing restless under her sister's silence. 'Did not you hear me say that I should like you to answer me after all? I believe you are asleep!'

'How can I answer, dear?' replies Peggy sadly. 'I have so little acquaintance with men and their ways; and I am not sure,' with a small bitter laugh, 'that what I do know of them is very much to their credit.'

There is a ring of such sharp hopelessness in her tone as to arrest the attention of even the preoccupied younger girl.

'You were not very lucky either, Peggy,' she says softly, rubbing her cheek caressingly to and fro against Margaret's shoulder. 'Why do I say _either_?' catching herself quickly up. 'As if I were not lucky--luckier than anybody; but you were _un_lucky. Oh, how unbearable to be unlucky in that of all things! And I was not very kind to you, was I?'

Peggy's heart swells. Her lips are pa.s.sing in a trembling caress over her sister's hair.

'Not very, dear.'

'Somehow one never can think of you as wanting any one to be kind to you,' says Prue half-apologetically; 'it seems putting the cart before the horse. But,' with a leap back as sudden as an unstrung bow to her own topic, 'you have not answered my question yet! Oh, I see you do not mean to answer it! I do not know what reason you can have for not answering; but, after all, I do not mind. I ought never to have asked it. I had no business. It was not fair to him. Of course he will not get tired of me,' sitting up and clasping her hands feverishly together; 'and if he does,' with a slight hysterical laugh, 'why, I shall just die at once--go out like the snuff of a candle, and there will be an end of me, and no great loss either.'

CHAPTER x.x.xII

In order perhaps to give an ostensible reason for her last flying visit to the empty Manor, or more likely (since she is not much in the habit of testing the value of her actions by the world's opinion) for her own solace and consolation, Lady Betty Harborough had taken her little son with her on her return home; had taken also her daughter, though the latter's company is a matter of much less moment to her maternal heart.

The departure of the children had, at the time, been an unspeakable relief to Margaret. The recollection of the poignant pain and inconvenience she had endured last year from their questions upon John Talbot's departure, such as, 'When was he coming back?' 'Would not she like him to come and live with her always?' make her look forward with dread unutterable to a repet.i.tion of such questions, to which her new circ.u.mstances lend an agony lacked by her former ones. How shall she answer them if they ask her now whether she would like John Talbot to come back and live with her always? Shall she scream out loud?

It is, then, with untold relief that she hears that they are gone, whipped off with such prompt.i.tude by their parent as to be unable to make their adieux to the Red House, the fox, and the fondly loved though freckled Alfred. That they have again reappeared on the scene, she learns only a couple of days after her interview with milady, by coming upon them and their nurses suddenly at a turn of the Road. The shock is so great--Lily is wearing the very same frock and Franky the same hat in which they had burst into her love-dream on the first morning of her engagement--that she cuts their greetings, to their immense surprise, very short, and, under the pretext of extremest haste, breaks away from their eager little hands and voices.

Her conscience smites her when the sound of sobbing overtakes her, and she turns her head to see Franky fighting with his nurse to get away and run after her, in order to rectify the, to him, unintelligible mistake of her want of gladness at meeting him. Poor Franky! She has not so many lovers that she can afford to rebut the tenderness of even so small a one as Master Harborough. She will make it up to him next time. It is not long before she is given the opportunity. On the following morning she is sitting at her writing-table doing the weekly accounts, when a rapping as of minute knuckles on the outer door is followed--before permission to enter can be either given or refused--by the appearance of a small figure, that of Miss Lily, who advances not quite so confidently as usual.

'Oh, Miss Lambton!' she says rather affectedly, obviously borrowing a phrase she has heard employed by her mother, 'how fortunate I am to find you! We have come to see you. Franky wants to know whether he was naughty yesterday that you would not speak to him. He thinks he must have been naughty. He has sent you a present; he did not like to give it you himself, so he has asked me. He took a bit of Nanny's letter-paper when she was not looking, to wrap it up in. It is not hers really; it is ours, for there is ”Harborough Castle” on it. Nanny always likes to write to her friends on paper with ”Harborough Castle” on it.'

During her voluble speech, she has come up to the table and deposited in Peggy's hand a tiny untidy parcel, piping hot, evidently from the pressure of anxious small fingers tightly closed over it, all the way from the Manor to the Red House. Peggy begins to unroll it; but before this operation is nearly completed, a second little voice is heard, in intense excitement from the door.

'It is my knife that father gave me after I was ill; it has five blades, and a scissors, and a b.u.t.ton-hook, and a corkscrew, and a file. It cost ten and sixpence; and I like you to have it: it is a present.'

The next moment Master Harborough and the object of his affections are in each other's arms. It is a long time before she can persuade the little generous heart to take back its offering; before, with the tears in her own eyes, she can succeed in forcing it back to its natural home in the pocket of his sailor trousers; before general conversation can be introduced by Lily.

'Just as we were setting off we saw Freddy going out riding,' says she agreeably. 'He would not tell us where he was going; but Nanny thinks it was to Hartley's. Why does she say ”_Hartley's_” instead of ”Mr.