Part 5 (1/2)

The Photograph.

I WAS TEN years old. My grandmother sat on the string bed under the mango tree. It was late summer and there were sunflowers in the garden and a warm wind in the trees. My grandmother was knitting a woollen scarf for the winter months. She was very old, dressed in a plain white sari. Her eyes were not very strong now but her fingers moved quickly with the needles and the needles kept clicking all afternoon. Grandmother had white hair but there were very few wrinkles on her skin.

I had come home after playing cricket on the maidan. I had taken my meal and now I was rummaging through a box of old books and family heirlooms that had just that day been brought out of the attic by my mother. Nothing in the box interested me very much except for a book with colourful pictures of birds and b.u.t.terflies. I was going through the book, looking at the pictures, when I found a small photograph between the pages. It was a faded picture, a little yellow and foggy. It was the picture of a girl standing against a wall and behind the wall there was nothing but sky. But from the other side a pair of hands reached up, as though someone was going to climb the wall. There were flowers growing near the girl but I couldn't tell what they were. There was a creeper too but it was just a creeper.

I ran out into the garden. 'Granny!' I shouted. 'Look at this picture! I found it in the box of old things. Whose picture is it?'

I jumped on the bed beside my grandmother and she walloped me on the bottom and said, 'Now I've lost count of my st.i.tches and the next time you do that I'll make you finish the scarf yourself.'

Granny was always threatening to teach me how to knit which I thought was a disgraceful thing for a boy to do. It was a good deterrent for keeping me out of mischief. Once I had torn the drawing-room curtains and Granny had put a needle and thread in my hand and made me st.i.tch the curtain together, even though I made long, two-inch st.i.tches, which had to be taken out by my mother and done again.

She took the photograph from my hand and we both stared at it for quite a long time. The girl had long, loose hair and she wore a long dress that nearly covered her ankles, and sleeves that reached her wrists, and there were a lot of bangles on her hands. But despite all this drapery, the girl appeared to be full of freedom and movement. She stood with her legs apart and her hands on her hips and had a wide, almost devilish smile on her face.

'Whose picture is it?' I asked.

'A little girl's, of course,' said Grandmother. 'Can't you tell?'

'Yes, but did you know the girl?'

'Yes, I knew her,' said Granny, 'but she was a very wicked girl and I shouldn't tell you about her. But I'll tell you about the photograph. It was taken in your grandfather's house about sixty years ago. And that's the garden wall and over the wall there was a road going to town.'

'Whose hands are they,' I asked, 'coming up from the other side?'

Grandmother squinted and looked closely at the picture, and shook her head. 'It's the first time I've noticed,' she said. 'They must have been the sweeper boy's. Or maybe they were your grandfather's.'

'They don't look like Grandfather's hands,' I said. 'His hands are all bony.'

'Yes, but this was sixty years ago.'

'Didn't he climb up the wall after the photo?'

'No, n.o.body climbed up. At least, I don't remember.'

'And you remember well, Granny.'

'Yes, I remember...I remember what is not in the photograph. It was a spring day and there was a cool breeze blowing, nothing like this. Those flowers at the girl's feet, they were marigolds, and the bougainvillea creeper, it was a ma.s.s of purple. You cannot see these colours in the photo and even if you could, as nowadays, you wouldn't be able to smell the flowers or feel the breeze.'

'And what about the girl?' I said. 'Tell me about the girl.'

'Well, she was a wicked girl,' said Granny. 'You don't know the trouble they had getting her into those fine clothes she's wearing.'

'I think they are terrible clothes,' I said.

'So did she. Most of the time, she hardly wore a thing. She used to go swimming in a muddy pool with a lot of ruffianly boys, and ride on the backs of buffaloes. No boy ever teased her, though, because she could kick and scratch and pull his hair out!'

'She looks like it too,' I said. 'You can tell by the way she's smiling. At any moment something's going to happen.'

'Something did happen,' said Granny. 'Her mother wouldn't let her take off the clothes afterwards, so she went swimming in them and lay for half an hour in the mud.'

I laughed heartily and Grandmother laughed too.

'Who was the girl?' I said. 'You must tell me who she was.'

'No, that wouldn't do,' said Grandmother, but I pretended I didn't know. I knew, because Grandmother still smiled in the same way, even though she didn't have as many teeth.

'Come on, Granny,' I said, 'tell me, tell me.'

But Grandmother shook her head and carried on with the knitting. And I held the photograph in my hand looking from it to my grandmother and back again, trying to find points in common between the old lady and the little pigtailed girl. A lemon-coloured b.u.t.terfly settled on the end of Grandmother's knitting needle and stayed there while the needles clicked away. I made a grab at the b.u.t.terfly and it flew off in a dipping flight and settled on a sunflower.

'I wonder whose hands they were,' whispered Grandmother to herself, with her head bowed, and her needles clicking away in the soft, warm silence of that summer afternoon.

1960s AND 1970s:.

MAPLEWOOD LODGE, MUSSOORIE.

A Case for Inspector Lal.

I MET INSPECTOR Keemat Lal about two years ago, while I was living in the hot, dusty town of Shahpur in the plains of northern India.

Keemat Lal had charge of the local police station. He was a heavily built man, slow and rather ponderous, and inclined to be lazy; but, like most lazy people, he was intelligent. He was also a failure. He had remained an inspector for a number of years, and had given up all hope of further promotion. His luck was against him, he said. He should never have been a policeman. He had been born under the sign of Capricorn and should really have gone into the restaurant business, but now it was too late to do anything about it.

The inspector and I had little in common. He was nearing forty, and I was twenty-five. But both of us spoke English, and in Shahpur there were very few people who did. In addition, we were both fond of beer. There were no places of entertainment in Shahpur. The searing heat, the dust that came whirling up from the east, the mosquitoes (almost as numerous as the flies), and the general monotony gave one a thirst for something more substantial than stale lemonade.

My house was on the outskirts of the town, where we were not often disturbed. On two or three evenings in the week, just as the sun was going down and making it possible for one to emerge from the khas-cooled confines of a dark, high-ceilinged bedroom, Inspector Keemat Lal would appear on the veranda steps, mopping the sweat from his face with a small towel, which he used instead of a handkerchief. My only servant, excited at the prospect of serving an inspector of police, would hurry out with gla.s.ses, a bucket of ice and several bottles of the best Indian beer.

One evening, after we had overtaken our fourth bottle, I said, 'You must have had some interesting cases in your career, Inspector.'

'Most of them were rather dull,' he said. 'At least the successful ones were. The sensational cases usually went unsolved-otherwise I might have been a superintendent by now. I suppose you are talking of murder cases. Do you remember the shooting of the minister of the interior? I was on that one, but it was a political murder and we never solved it.'

'Tell me about a case you solved,' I said. 'An interesting one.' When I saw him looking uncomfortable, I added, 'You don't have to worry, Inspector. I'm a very discreet person, in spite of all the beer I consume.'

'But how can you be discreet? You are a writer.'

I protested: 'Writers are usually very discreet. They always change the names of people and places.'

He gave me one of his rare smiles. 'And how would you describe me, if you were to put me into a story?'

'Oh, I'd leave you as you are. No one would believe in you, anyway.'

He laughed indulgently and poured out more beer. 'I suppose I can change names, too... I will tell you of a very interesting case. The victim was an unusual person, and so was the killer. But you must promise not to write this story.'