Part 15 (1/2)

One night while Owen sat before the bright fire-place with the interesting volume in his hand he chanced to turn the pages, and there upon a fly-leaf saw some writing and a rough drawing which excited his curiosity. The writing was crude and scarcely legible; the drawing evidently represented a place or scene along the Beech Fork.

”What have you found?” asked Bertha, who noticed Owen's intense interest as he leaned closer to the fire to get a better light.

”Oh, nothing!” he replied with forced indifference.

”Let me see.”

”You would not understand it.”

”So there is something on that page?”

”Yes, but you could not make it out, for you never saw the----.” Here Owen paused.

”The what?” asked Bertha.

Just then the book dropped from Owen's hands. The fly-leaf, which was loose, fell out, was caught by the strong draft of the fire-place, and was carried up the chimney.

”Oh, Bertha!” cried Owen. ”There it goes, and it's on fire. It was all about a great secret, a----oh, if I could only tell you! But some day you shall know all about it.”

CHAPTER XV.

AROUND THE FIRE-PLACE.

Father Byrne, who had noticed Owen's fondness for reading and wished to encourage him in this respect, brought him the few books he could obtain. Among the number was a selection of English poets, the first book of poems which Owen had ever seen.

He had not possessed the treasure many days before Martin Cooper came over to see it. When the latter arrived, Owen was busy with the ch.o.r.es.

”Don't wait for me, Mart,” said he. ”You'll find the book on the mantel.

I'll be through in a short time. I've some news, too, about the cave.”

”Just as you say. I'm anxious to try that wonderful book.”

Martin seated himself before the s.p.a.cious fire-place, which served the double purpose of heating and lighting the room, and began his work of inspection. The book was opened at random, and a pa.s.sage of Shakespeare read,--a difficult one, not a line of which was understood. What could a farmer-boy who had read scarcely a dozen books expect to gather from the pages of Shakespeare? Martin closed the book, examined the cover, gazed into the fire-place, watched the shadows, and whistled three times.

After this performance had been concluded, the book was again opened, but at a different place.

”Il Pen-se-ro-so”--he was forced to spell every syllable of the strange t.i.tle, and as for the poem with its many mythological allusions, it was worse than a Chinese puzzle. Again Martin shuffled his feet, again he stared at the shadows. He then opened the book for the third time, with a firm resolve that if he did not understand the next lines he would never in the future enter the domains of poetry. Did his eyes deceive him? He leaned forward to get a better light. Was there really a poem on Kentucky? Impossible! He was dreaming! No, there it was, and to make sure that he was not deceived, he p.r.o.nounced every letter, ”K-e-n-t-u-c-k-y,” and then read the line, ”Kentucky's wild and tangled wood.” Book in hand he rushed from the room into the yard, calling at the top of his voice: ”Owen! Owen! here's a poem about Kentucky.”

When the two boys returned to the room, they found that the poem was ent.i.tled ”Marmion,” the line, ”Kentucky's wild and tangled wood,” being simply an allusion to their State.

”Halloo!” exclaimed Owen, examining the t.i.tle page, ”it's written by a fellow named Scott.”

”From Scott county,” suggested Martin.

”May be. He seems to know all about the country.”

”Yes! He says it's wild.”

”I wonder whether he ever saw 'Green Briar'? It's the most tangled part of the State I know of. I went 'c.o.o.n hunting one night, and got so tangled up among the bushes and briars that when I came home I had only half a coat.”