Part 10 (1/2)

”Well, why not?” he asked himself.

He held the card before him, concentrating. Would it work, now that he was doing it alone? He wasn't sure he was far enough into the Animation area anyway, so a failure would not necessarily mean- He looked up. And gaped. There it was: a small c.u.mulus cloud, all gray and fleecy, hanging in the sky, its curlicues extending vertically, about a kilometer above the ground. As he watched, a white hand pushed out to the left, glowing, and in this ghostly hand was clasped a tall wooden club with little green leaves sprouting from it. The whole thing was in grandiose scale, and somewhat fuzzy and poorly proportioned, but obviously modeled upon the card he held. It was not merely a vision in the sky; there was a knoll several kilometers beyond it, on the far side of a flowing stream, and what could be a castle on this knoll. Brother Paul was sure that neither stream nor castle had been there before he had begun concentrating on the card. This meant the entire visible landscape had been coerced to conform to the card. This success was beyond his expectations; he had been ready for failure, or at best a miniature scene.

Even as he studied it, the scene wavered and faded. The castle was no longer clear, and the cloud-was only a cloud. He could no longer be sure he had seen what he thought he had seen.

Brother Paul did not pause to ponder the implications. Instead he sorted out the four deuces, set aside the main deck, and shuffled the twos together until their order was random. Then he turned up the top one: the Two of Swords. The picture was of a young woman in a plain white robe, blindfolded, seated before an island-studded lake. In her hands she held two long swords. Her arms were crossed over her bosom, so that the swords pointed up and outward in a V shape.

He had dealt this card reversed-upside-down- owing to the shuffling.

Before he tried to Animate it, he walked another fifty paces north, where he hoped the effect would be stronger and more persistent. He did not want another wavering, distorted picture to sap his certainty. He concentrated on the card as it was, then looked up.

Sure enough, the blindfolded lady was there, in every detail. Also the lake, the islands, and the crescent moon showing in the V. And the whole scene was inverted-like the card. The lake was overhead, the moon below; it was as if she were supported by the projecting swords.

Reversal could be highly significant in Tarot. In divination-the polite term for fortune-telling-it meant the message of the card was diminished in impact or changed. Muted. Brother Paul knew that according to the author of this deck, Arthur Waite, the reversed Two of Swords was an omen of imposture, falsehood, or disloyalty. A bad sign?

No, this was no divination! It was only an experiment, a testing of a specific effect. Besides, he did not believe in omens. For his purpose, this inversion was invaluable, because no such thing would have happened naturally. He had Animated it! Having verified this, he let it fade out.

Brother Paul sorted and shuffled the four threes, and dealt one. Cups, reversed.

He concentrated, and the three maidens appeared, dancing in a garden, with cups held high, pledging one another. Upside-down.

If he were a believer in divination, he would be feeling rather doubtful now.

The Trey of Cups signified the conclusion of any matter happily; reversed, it would mean- Frowning, he put away the card, and watched the vision fade. He set up the fours. He walked farther north as he mixed them. The Animation effect did seem to be getting stronger, despite the inversions; it could be the intensification of the field or whatever enabled the effect, or it could be increasing proficiency on his part as he gained experience. This time he would really test it, by producing something he could touch.

He turned up the Four of Pentacles, Waite's name for Disks or Coins. Yet again, the card was reversed. And the image formed before him, without his consciously willing it. Inverted. It was a young man, seated, with a golden disk on his head, the disk inscribed with a five-pointed star, and another disk like it held before him, and two more under his feet. Over his feet, in this position.

”d.a.m.n it!” Brother Paul swore, in most un-Vision-like ire. He was tired of inversion and its theoretic warnings of trouble that he didn't believe in. He strode forward, moving his arm as if to sweep the vision away. Half certain that he would encounter nothing, he fixed his gaze on the fair city in the distance, also upside-down, like a mirage.

His outflung hand struck the front disk. It flew wide, reminding him momentarily of Tennyson's Lady of Shalott, whose spindle had flown wide and cracked the mirror from side to side. Was he, like that Lady, living in fantasy? The disk bounced and rolled along the ground. The man fell over, his feet coming down to touch the ground. He looked surprised. He opened his mouth as if to cry out-and faded away.

Shaking, Brother Paul stood looking at the spot where the Four of Pentacles had been. The Animation had been solid! Just as the symbols yesterday in the mess hall had been solid. There was now no question: belief in an image caused it to become real, here. Faith was the key.

Brother Paul put the deck away. It was evident that he could Animate what he saw on the cards, and these constructs seemed to pose no threat to him personally.

But was there really any significance beyond this? If this were simply a work of art-reproducing pictures in three dimensions, converting pictures to sculptures-then there was surely no special G.o.d involved.

”Brother Paul,” a small voice murmured.

If there were no G.o.d-at least none directly controlling the Animation effect-his task was simple. He could declare the problem solved and go home. But surely the colonists would not have been cowed by the Animation effect, if it were only an art form, any more than they were cowed by the volcanoes or the Tarot Bubbles.

And what was the specific cause of the effect? His will controlled a particular image, but something else had to make it possible here, while it remained impossible elsewhere.

”Brother Paul,” the small voice repeated, ”do you perceive me?”

He knew he had to work this out very carefully. He believed in G.o.d, and this was a most powerful and pervasive belief, the realization of which had transformed his life eight years ago. Yet he had never presumed to define that G.o.d too specifically. It was essential that he keep his mind objective, and not create any deity here, as it were, in his own image. That had been Reverend Siltz's caution, and a proper one. For this mission, as in life, his G.o.d was Truth: the most specific, objective, explicable truth he was capable of mustering.

If G.o.d Himself should manifest via the medium of Animation, surely He would make Himself known in His own fas.h.i.+on, indisputably, as someone had already suggested. Brother Paul merely had to hold himself in readiness for that transcendent revelation, that supreme intuition.

”Lord,” he murmured, ”let me not make a fool of myself, in my quest for Thee.”

But he had to reprove himself: it was a selfish prayer. If it were necessary to make a fool of himself to discover G.o.d, then it would be well worth it. In fact, was this not the nature of the Fool of Tarot?

His hour was pa.s.sing; if he were to progress beyond yesterday's point, he had to do it soon. He brought out the deck again and riffled through it, seeking inspiration. The Minor Arcana were not sufficient; should he Animate a Court Card? Perhaps a King or a Queen?

A figure showed. Female, coming toward him. But he hadn't attempted another Animation! Unless- That was it. He was going through the Suit of Swords, and there was the Eight: a woman bound and hoodwinked among a forest of standing swords. It meant bad news, crisis, interference. He had unconsciously Animated it. He would have to watch that; he was in the depths of the Animation region now, and with practice was developing such ready facility that any card he glimpsed could become physical, even without his conscious intent.

Well, time for the big one. He would see if he could make the Tarot deck itself respond to his queries. Brother Paul brought out the deck again, sorted through the Major Arcana, and selected the Hierophant. This was Key Five of this deck, the great educator and religious figure known in other decks as the High Priest or the Pope, counterpart to the High Priestess. It all depended on the religion and purpose of the person who conceived the particular variant. The t.i.tle of the card hardly mattered anyway; some decks used no t.i.tles. The pictures carried the symbolism. Surely this august figure of Key Five would know the meaning of Animation, if there were a meaning to be known.

Brother Paul concentrated, and the figure materialized. He sat upon a throne, both hands upraised, the right palm out, two fingers elevated in benediction, the left hand holding a scepter topped with a triple cross. He wore a great red robe and an ornate golden headdress. Before him knelt two tonsured monks; behind him rose two ornate columns.

Brother Paul found himself shaking. He had conjured the leading figure of the Roman Catholic Church, by whatever name a Protestant deck might bestow. Had he the right?

Yes, he decided. This was not the real Pope, but a representation drawn from a card. Probably a mindless thing, a mere statue. That mindlessness needed to be verified, so Brother Paul could be a.s.sured that there was no intellect behind the Animation effect.

”Your Excellency,” he murmured, inclining his head with the respect he gave to dignitaries of any faith. One did not need to share a person's philosophy to respect his dedication to that philosophy. ”May I have an audience?”

The figure's head tilted. The left arm lowered. The eyes focused on Brother Paul. The lips moved. ”You may,” the Hierophant said.

It had spoken!

Well, his recorder-bracelet would verify later whether or not this was true.

Voice a.n.a.lysis might reveal that Brother Paul was talking to himself. That did not matter; it was his mission to make the observations, evoking whatever effects could be evoked, so that the record was complete. He could not afford to hold back merely because he personally might not like what manifested. He was already sorry he had Animated the Hierophant; now he had to talk with the apparition, and that seemed to commit him intellectually, legitimizing a creation he felt to be illegitimate. Well, onward.

”I seek information,” he said, meekly enough.

The holy head inclined. ”Ask, and it shall be given.”

Brother Paul thought of asking whether G.o.d was behind the Animation effect, and if so, what was His true nature? But he remembered an event of his college days, when a friend had teased the three-year-old child of a married student by asking her, ”Little girl, what is the nature of ultimate reality?” The child had promptly replied, ”Lollipops.” That answer had been the talk of the campus for days; the consensus of opinion had been that it was accurate. But Brother Paul was not eager for that sort of reply from this figure. First he had to verify the Hierophant's nature. So he asked it a challenging but not really critical question, a test question. ”What is the purpose of religion?”

”The purpose of religion is to pacify men's minds and make them socially and politically docile,” the Hierophant replied.

This caught Brother Paul by surprise. It was certainly no reflection of his own view of religion! Did this mean the figure did possess a mind of its own? ”But what of the progress of man's spirit?” he asked. ”What happens to it after it pa.s.ses from this world?”

”Spirit? Another world? Superst.i.tions fostered by the political authorities,”

the Hierophant said. ”No one in his right mind would put up with the corruption and cruelty of those in power, if he believed this were the only world he would experience. So they promise him a mythical life hereafter, where the wrongs of this life will be compensated. Only a fool would believe that, which shows how many fools there are. Barnum was wrong; a fool is not born every minute. A fool is born every second.”

”Lord have mercy on me, a fool,” Brother Paul murmured.

”Eh?” the Hierophant demanded querulously.

”I merely thought there was more to religion than this,” Brother Paul clarified.

”A person needs some solace in the face of the inevitable death of the body.”

”Without death, there would be no religion!” the Hierophant a.s.serted, waving his scepter for emphasis, It almost struck the pate of one of the monks. The Hierophant frowned in annoyance, and both monks disappeared. ”Religion started with the nature spirits-the forest fire, flood, thunder, earthquake and the like. Primitive savages tried to use magic to pacify the demons of the environment, and made blood sacrifices to the elements of fire, water, air, and earth, hoping to flatter these savage powers into benign behavior. Read the Good Book of Tarot and you will find these spooks lurking yet, in the form of the four suits. Formal religion is but an amplification of these concepts.”