Part 18 (1/2)
(From my notebook)
This morning we got away from Tours, but it was after a strenuous time. It was one of those sweltering mornings, and to forward matters at the garage I helped put on all those repaired tires and appliances, and by the time we were through I was a rag. Narcissa photographed me, because she said she had never seen me look so interesting before. She made me stand in the sun, bareheaded and holding a tube in my hand, as if I had not enough to bear already.
Oh, but it was cool and delicious gliding along the smooth, shaded road toward Chenonceaux! One can almost afford to get as hot and sweltering and cross and gasping as I was for the sake of sitting back and looking across the wheel down a leafy avenue facing the breeze of your own making, a delicious nectar that bathes you through and cools and rests and soothes--an anodyne of peace.
By and by, being really cool in mind and body, we drew up abreast of a meadow which lay a little below the road, a place with a brook and overspreading shade, and with some men and women harvesting not far away. We thought they would not mind if we lunched there, and I think they must have been as kind-hearted as they were picturesque, for they did not offer to disturb us. It was a lovely spot, and did not seem to belong to the present-day world at all. How could it, with the home of Diana of Poitiers just over there beyond the trees, with nesting places of Mary, Queen of Scots, all about, and with these haymakers, whose fas.h.i.+on in clothes has not much minded the centuries, to add the living human note of the past that makes imagination reality?
Chenonceaux, the real heart of the royal district, like Chinon, is not on the Loire itself, but on a small tributary, the Cher. I do not remember that I noticed the river when we entered the grounds, but it is a very important part of the chateau, which indeed is really a bridge over it--a supremely beautiful bridge, to be sure, but a bridge none the less, entirely crossing the pretty river by means of a series of high foundation arches. Upon these arches rises the rare edifice which Thomas Bohier, a receiver-general of taxes, began back in 1515 and Catherine de' Medici finished after she had turned out Diana of Poitiers and ma.s.sacred the Huguenots, and needed a quiet place for retirement and religious thought. Bohier did not extend Chenonceaux entirely across the river. The river to him merely served as a moat. The son who followed him did not have time to make additions. Francis I came along, noticed that it was different from the other chateaux he had confiscated, and added it to his collection. Our present-day collectors cut a poor figure by the side of Francis I. Think of getting together a.s.sortments of bugs and postage stamps and ginger jars when one could go out and pick up chateaux!
It was Francis's son, Henry II, that gave it to Diana of Poitiers. Henry had his own kind of a collection and he used his papa's chateaux to keep it in. As he picked about the best one for Diana, we may believe that he regarded her as his choicest specimen. Unfortunately for Diana, Henry's queen, the terrible Catherine, outlived him; and when, after the funeral, Catherine drove around by Chenonceaux and suggested to Diana that perhaps she would like to exchange the place for a very excellent chateau farther up the road, Chaumont, we may a.s.sume that Diana moved with no unseemly delay. Diana tactfully said she liked Chaumont ever so much, for a change, that perhaps living on a hilltop was healthier than over the water, anyway. Still, it must have made her sigh, I think, to know that her successor was carrying out the plan which Diana herself had conceived of extending Chenonceaux across the Cher.
We stopped a little to look at the beautiful facade of Chenonceaux, then crossed the drawbridge, or what is now the subst.i.tute for it, and were welcomed at the door by just the proper person--a fine, dignified woman of gentle voice and perfect knowledge. She showed us through the beautiful home, for it is still a home, the property to-day of M.
Meunier of chocolate fame and fortune. I cannot say how glad I am that M. Meunier owns Chenonceaux. He has done nothing to the place to spoil it, and it is not a museum. The lower rooms which we saw have many of the original furnis.h.i.+ngs. The ornaments, the tapestries, the pictures are the same. I think Diana must have regretted leaving her fine private room, with its chimney piece, supported by caryatids, and its rare Flemish tapestry. We regretted leaving, too. We do not care for interiors that have been overhauled and refurbished and made into museums, but we were in no hurry to leave Chenonceaux. There is hardly any place, I think, where one may come so nearly stepping back through the centuries.
We went out into the long wing that is built on the arches above the river, and looked down at the water flowing below. Our conductor told us that the supporting arches had been built on the foundations of an ancient mill. The beautiful gallery which the bridge supports must have known much gayety; much dancing and promenading up and down; much lovemaking and some heartache.
Jean Jacques Rousseau seems to have been everywhere. We could not run amiss of him in eastern France and in Switzerland; now here again he turns up at Chenonceaux. Chenonceaux in the eighteenth century fell to M. Claude Dupin, farmer-general, who surrounded himself with the foremost artists and social leaders of his time. He engaged Rousseau to superintend the education of his son.
”We amused ourselves greatly at this fine place,” writes Rousseau; ”the living was of the best, and I became as fat as a monk. We made a great deal of music and acted comedies.”
The period of M. Dupin's owners.h.i.+p, one of the most brilliant, and certainly the most moral in the earlier history of Chenonceaux, has left many memories. Of the brief, insipid honeymoon of the puny Francis II and Mary Stuart no breath remains.
Amboise is on the Loire, and there is a good inn on the quay. It was evening when we got there, and we did nothing after dinner but sit on the high masonry embankment that b.u.t.tresses the river, and watch the men who fished, while the light faded from the water; though we occasionally turned to look at the imposing profile of the great chateau on the high cliff above the Loire.
We drove up there next morning--that is, we drove as high as one may drive, and climbed stairs the remaining distance. Amboise is a splendid structure from without, but, unlike Chenonceaux, it is interesting within only for what it has been. It is occupied by the superannuated servants of the present owner, one of the Orleans family, which is fine for them, and proper enough, but bad for the atmosphere. There are a bareness and a whitewashed feeling about the place that are death to romance. Even the circular inclined plane by which one may ride or drive to the top of the great tower suggested some sort of temporary structure at an amus.e.m.e.nt park rather than a convenience for kings. I was more interested in a low doorway against the lintel of which Charles VIII knocked his head and died. But I wish I could have picked Charles VII for that accident, to punish him for having abandoned Joan of Arc.
Though about a hundred years older, Amboise, like Chenonceaux, belongs mainly to the period of Francis I, and was inhabited by the same society. The Francises and the Henrys enjoyed its hospitality, and Catherine de' Medici, and Mary, Queen of Scots. Also some twelve or fifteen hundred Huguenots who were invited there, and, at Catherine's suggestion, butchered on the terrace just in front of the castle windows. There is a balcony overlooking the terrace, and it is said that Catherine and Mary, also Mary's husband and his two brothers, sat on the balcony better to observe the spectacle. Tradition does not say whether they had ices served or not. Some of the Huguenots did not wait, and the soldiers had to drown what they could catch of them in the Loire, likewise in view from the royal balcony. When the show was over there was suspended from the balcony a fringe of Huguenot heads. Those were frivolous times.
There is a flower garden to-day on the terrace where the Huguenots were murdered, and one may imagine, if he chooses, the scarlet posies to be brighter for that history. But then there are few enough places in France where blossoms have not been richened by the human stain.
Consider those vivid seas of poppies! Mary Stuart, by the way, seems ent.i.tled to all the pity that the centuries have accorded her. There were few influences in her early life that were not vile.
On the ramparts at Amboise we were shown a chapel, with the grave of Leonardo Da Vinci, who was summoned to Amboise by Francis I, and died there in 1519. There is a question about da Vinci's ashes resting here, I believe, but it does not matter--it is his grave.
If I were going back to Amboise I would view it only from the outside.
With its immense tower and its beautiful Gothic and Renaissance facade surmounting the heights above the Loire, nothing--nothing in the world could be more beautiful.
Chapter XXVII
CHAMBORD AND CLeRY
Francis I had a fine taste for collecting chateaux picturesquely located, but when he built one for himself he located it in the most unbeautiful situation in France. It requires patience and talent to find monotony of prospect in France, but our hero succeeded, and discovered a dead flat tract of thirteen thousand acres with an approach through as dreary a level of unprosperous-looking farm district as may be found on the continent of Europe.
It is not on the Loire, but on a little stream called the Cosson, and when we had left the Loire and found the country getting flatter and poorer and less promising with every mile, we could not believe that we were on the right road. But when we inquired, our informants still pointed ahead, and by and by, in the midst of nowhere and surrounded by nothing, we came to a great inclosure of undersized trees, with an entrance. Driving in, we looked down a long avenue to an expanse of architecture that seemed to be growing from a dead level of sandy park, and to have attained about two thirds its proper height.
An old man was raking around the entrance and we asked him if one was allowed to lunch in the park. He said, ”Oh yes, anywhere,” and gave a general wave that comprehended the whole tract. So we turned into a side road and found a place that was shady enough, but not cool, for there seemed to be no large overspreading trees in this park, but only small, close, bushy ones. It is said that Francis built Chambord for two reasons, one of them being the memory of an old sweetheart who used to live in the neighborhood, the other on account of the abundant game to be found there. I am inclined to the latter idea. There is nothing in the location to suggest romance; there is everything to suggest game.
The twenty square miles of thicket that go with Chambord could hardly be surpa.s.sed as a harbor for beast and bird.