Part 24 (2/2)
”The marriage was celebrated this morning, at the Church of Saint-Thomas d'Aquin, between Monsieur le Comte Steinbock and Mademoiselle Hortense Hulot, daughter of Baron Hulot d'Ervy, Councillor of State, and a Director at the War Office; niece of the famous General Comte de Forzheim. The ceremony attracted a large gathering. There were present some of the most distinguished artists of the day: Leon de Lora, Joseph Bridau, Stidmann, and Bixiou; the magnates of the War Office, of the Council of State, and many members of the two Chambers; also the most distinguished of the Polish exiles living in Paris: Counts Paz, Laginski, and others.
”Monsieur le Comte Wenceslas Steinbock is grandnephew to the famous general who served under Charles XII., King of Sweden. The young Count, having taken part in the Polish rebellion, found a refuge in France, where his well-earned fame as a sculptor has procured him a patent of naturalization.”
And so, in spite of the Baron's cruel lack of money, nothing was lacking that public opinion could require, not even the trumpeting of the newspapers over his daughter's marriage, which was solemnized in the same way, in every particular, as his son's had been to Mademoiselle Crevel. This display moderated the reports current as to the Baron's financial position, while the fortune a.s.signed to his daughter explained the need for having borrowed money.
Here ends what is, in a way, the introduction to this story. It is to the drama that follows that the premise is to a syllogism, what the prologue is to a cla.s.sical tragedy.
In Paris, when a woman determines to make a business, a trade, of her beauty, it does not follow that she will make a fortune. Lovely creatures may be found there, and full of wit, who are in wretched circ.u.mstances, ending in misery a life begun in pleasure. And this is why. It is not enough merely to accept the shameful life of a courtesan with a view to earning its profits, and at the same time to bear the simple garb of a respectable middle-cla.s.s wife. Vice does not triumph so easily; it resembles genius in so far that they both need a concurrence of favorable conditions to develop the coalition of fortune and gifts.
Eliminate the strange prologue of the Revolution, and the Emperor would never have existed; he would have been no more than a second edition of Fabert. Venal beauty, if it finds no amateurs, no celebrity, no cross of dishonor earned by squandering men's fortunes, is Correggio in a hay-loft, is genius starving in a garret. Lais, in Paris, must first and foremost find a rich man mad enough to pay her price. She must keep up a very elegant style, for this is her shop-sign; she must be sufficiently well bred to flatter the vanity of her lovers; she must have the brilliant wit of a Sophie Arnould, which diverts the apathy of rich men; finally, she must arouse the pa.s.sions of libertines by appearing to be mistress to one man only who is envied by the rest.
These conditions, which a woman of that cla.s.s calls being in luck, are difficult to combine in Paris, although it is a city of millionaires, of idlers, of used-up and capricious men.
Providence has, no doubt, vouchsafed protection to clerks and middle-cla.s.s citizens, for whom obstacles of this kind are at least double in the sphere in which they move. At the same time, there are enough Madame Marneffes in Paris to allow of our taking Valerie to figure as a type in this picture of manners. Some of these women yield to the double pressure of a genuine pa.s.sion and of hard necessity, like Madame Colleville, who was for long attached to one of the famous orators of the left, Keller the banker. Others are spurred by vanity, like Madame de la Baudraye, who remained almost respectable in spite of her elopement with Lousteau. Some, again, are led astray by the love of fine clothes, and some by the impossibility of keeping a house going on obviously too narrow means. The stinginess of the State--or of Parliament--leads to many disasters and to much corruption.
At the present moment the laboring cla.s.ses are the fas.h.i.+onable object of compa.s.sion; they are being murdered--it is said--by the manufacturing capitalist; but the Government is a hundred times harder than the meanest tradesman, it carries its economy in the article of salaries to absolute folly. If you work harder, the merchant will pay you more in proportion; but what does the State do for its crowd of obscure and devoted toilers?
In a married woman it is an inexcusable crime when she wanders from the path of honor; still, there are degrees even in such a case. Some women, far from being depraved, conceal their fall and remain to all appearances quite respectable, like those two just referred to, while others add to their fault the disgrace of speculation. Thus Madame Marneffe is, as it were, the type of those ambitious married courtesans who from the first accept depravity with all its consequences, and determine to make a fortune while taking their pleasure, perfectly unscrupulous as to the means. But almost always a woman like Madame Marneffe has a husband who is her confederate and accomplice. These Machiavellis in petticoats are the most dangerous of the sisterhood; of every evil cla.s.s of Parisian woman, they are the worst.
A mere courtesan--a Josepha, a Malaga, a Madame Schontz, a Jenny Cadine--carries in her frank dishonor a warning signal as conspicuous as the red lamp of a house of ill-fame or the flaring lights of a gambling h.e.l.l. A man knows that they light him to his ruin.
But mealy-mouthed propriety, the semblance of virtue, the hypocritical ways of a married woman who never allows anything to be seen but the vulgar needs of the household, and affects to refuse every kind of extravagance, leads to silent ruin, dumb disaster, which is all the more startling because, though condoned, it remains unaccounted for. It is the ign.o.ble bill of daily expenses and not gay dissipation that devours the largest fortune. The father of a family ruins himself ingloriously, and the great consolation of gratified vanity is wanting in his misery.
This little sermon will go like a javelin to the heart of many a home.
Madame Marneffes are to be seen in every sphere of social life, even at Court; for Valerie is a melancholy fact, modeled from the life in the smallest details. And, alas! the portrait will not cure any man of the folly of loving these sweetly-smiling angels, with pensive looks and candid faces, whose heart is a cash-box.
About three years after Hortense's marriage, in 1841, Baron Hulot d'Ervy was supposed to have sown his wild oats, to have ”put up his horses,”
to quote the expression used by Louis XV.'s head surgeon, and yet Madame Marneffe was costing him twice as much as Josepha had ever cost him.
Still, Valerie, though always nicely dressed, affected the simplicity of a subordinate official's wife; she kept her luxury for her dressing-gowns, her home wear. She thus sacrificed her Parisian vanity to her dear Hector. At the theatre, however, she always appeared in a pretty bonnet and a dress of extreme elegance; and the Baron took her in a carriage to a private box.
Her rooms, the whole of the second floor of a modern house in the Rue Vanneau, between a fore-court and a garden, was redolent of respectability. All its luxury was in good chintz hangings and handsome convenient furniture.
Her bedroom, indeed, was the exception, and rich with such profusion as Jenny Cadine or Madame Schontz might have displayed. There were lace curtains, cashmere hangings, brocade portieres, a set of chimney ornaments modeled by Stidmann, a gla.s.s cabinet filled with dainty nicknacks. Hulot could not bear to see his Valerie in a bower of inferior magnificence to the dunghill of gold and pearls owned by a Josepha. The drawing-room was furnished with red damask, and the dining-room had carved oak panels. But the Baron, carried away by his wish to have everything in keeping, had at the end of six months, added solid luxury to mere fas.h.i.+on, and had given her handsome portable property, as, for instance, a service of plate that was to cost more than twenty-four thousand francs.
Madame Marneffe's house had in a couple of years achieved a reputation for being a very pleasant one. Gambling went on there. Valerie herself was soon spoken of as an agreeable and witty woman. To account for her change of style, a rumor was set going of an immense legacy bequeathed to her by her ”natural father,” Marshal Montcornet, and left in trust.
With an eye to the future, Valerie had added religious to social hypocrisy. Punctual at the Sunday services, she enjoyed all the honors due to the pious. She carried the bag for the offertory, she was a member of a charitable a.s.sociation, presented bread for the sacrament, and did some good among the poor, all at Hector's expense. Thus everything about the house was extremely seemly. And a great many persons maintained that her friends.h.i.+p with the Baron was entirely innocent, supporting the view by the gentleman's mature age, and ascribing to him a Platonic liking for Madame Marneffe's pleasant wit, charming manners, and conversation--such a liking as that of the late lamented Louis XVIII. for a well-turned note.
The Baron always withdrew with the other company at about midnight, and came back a quarter of an hour later.
The secret of this secrecy was as follows. The lodge-keepers of the house were a Monsieur and Madame Olivier, who, under the Baron's patronage, had been promoted from their humble and not very lucrative post in the Rue du Doyenne to the highly-paid and handsome one in the Rue Vanneau. Now, Madame Olivier, formerly a needlewoman in the household of Charles X., who had fallen in the world with the legitimate branch, had three children. The eldest, an under-clerk in a notary's office, was object of his parents' adoration. This Benjamin, for six years in danger of being drawn for the army, was on the point of being interrupted in his legal career, when Madame Marneffe contrived to have him declared exempt for one of those little malformations which the Examining Board can always discern when requested in a whisper by some power in the ministry. So Olivier, formerly a huntsman to the King, and his wife would have crucified the Lord again for the Baron or for Madame Marneffe.
What could the world have to say? It knew nothing of the former episode of the Brazilian, Monsieur Montes de Montejanos--it could say nothing.
Besides, the world is very indulgent to the mistress of a house where amus.e.m.e.nt is to be found.
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