Part 7 (1/2)
The wearing of the skins of certain animals and birds represents the totem, or, as it were, the coat-of-arms of the Indian. These symbols take a wide range, almost every familiar bird and animal, even fish and reptiles, being used as a sort of charm or talisman, some for healing, and others for protection from harm. But these things are not mere dead feathers or skins to the Indians; they symbolize an appeal to the brotherly spirit of the animal representing their individual lodge or clan, and are honored in recognition of the wonderful intuitive power of the dumb creatures. The Indian believes that instinct comes more directly from the ”Great Mystery” than reason even; why else does an animal or child show wisdom without thought?
The addition of an ermine skin to the war-bonnet is an honor that few warriors earned in the old days. It is a degree of the highest type. The man who is recognized as a past master of courage, having achieved all the decorations of a patriot and a true warrior, dauntless in war, yet gentle at home, a friend and a brother-he alone may wear ermine upon his war-bonnet, or trim his ceremonial s.h.i.+rt with the beautiful white fur.
The addition of buffalo-hair tr.i.m.m.i.n.g to a warrior's bonnet or s.h.i.+rt or leggings is an indication that he has taken many scalps. If he is a chief, he may even have a buffalo tail dangle from one of his teepee poles. No one may do so without the authority of the tribe. Neither can the councilors confer these degrees without actual proof of service. No favoritism is possible under our system, and the highest degrees are conferred only upon men who have been tried again and again by every conceivable ordeal. Heroism is common, because the universal spirit of gallantry and chivalry requires it.
At a public dance, an Indian may recount some particular brave deed.
This he acts out for the benefit of the younger element. He could not add anything to it, because the event is already well known. When the old customs were intact, it was the old warriors who claimed this privilege, and they, too, were allowed to paint their bodies in imitation of their severe wounds.
I remember very well in a great tribal dance that there were many of these old men who enacted their deeds with great spirit, and one had painted the upper half of his face black, with zig-zag lines representing lightning, the whole symbolic of a terrific battle. The lower part of his face, even with the mouth and including it was painted red, with streaks running down upon the chin. Every Indian would know that he had been wounded in the mouth. Another had painted in the middle of his broad chest a red hole, and from it there ran some red streaks, with a fine Crow arrow depicted in realistic fas.h.i.+on.
These customs have their barbarous side, but a really touching feature is that a warrior always shares his honors with his war-horse. Such a horse may wear an eagle plume in his forelock as proudly as his master, his tail or mane may be trimmed and dyed according to his rider's war record, or he may be made to mourn for him by having it cut quite short.
Sometimes an acknowledged warrior decorates his long pipe-stem or the handle of his war-club. But no person can wear the honorable insignia of another; in fact, he can wear none that have not been awarded to him in due course by the council of his tribe.
The Boy Scouts may, if they choose, adapt this system to the honors counted in their organization, grading the various exploits in accordance with the real manhood needed to accomplish them.
XIX-INDIAN CEREMONIES FOR BOY SCOUTS
Indian ceremonies are always in demand, and I shall give you several which have been specially adapted to your use from the ancient rites of the Sioux nation.
THE AY'-CHAY-TEE, OR SCOUT'S BONFIRE
This is supposed to bring success in war and hunting, and may be kindled by a band of Scouts on the eve of a long hike, or any important undertaking, or as a ceremony of initiation of new members.
The one appointed to act as Leader or Medicine-man lays in a convenient place a pile of dry wood for the ceremonial fire, to which the Scouts are summoned by a herald. He goes the rounds with a camp horn, bidding all come to the Ay'-chay-tee when the sun is at a certain height in the heavens, preferably near sunset. The Medicine-man should be attired in full Indian costume, and prepared to act the part of a man full of years and wisdom. As fire is the symbol of enthusiasm, energy, and devotion, and is with the Indians a strictly masculine emblem, it is fit that the young men gather about it before going upon a journey or ”war-path.”
When all have a.s.sembled in the usual circle, dressed either in Indian costume or Scout's uniform, the Leader, standing in the center of the ring beside the prepared wood, kindles a ”new fire” by means of the bow and drill, flint and steel, or ”rubbing sticks.”
He then takes up the long-handled calumet or peace-pipe, which has previously been filled with dried sumach leaves, red willow bark, or other aromatic herb, kindles it with a coal from the ”sacred fire,” and reverently holding it before him in both hands, with the stem pointing upward and forward, exclaims:
”To the Great Spirit (or Great Mystery) who is over all!”
The Scouts answer in unison: ”Ho!”
Then, turning the stem of the pipe downward, the Leader says:
”To our Grandmother, the Earth!”
The Scouts answer: ”Ho!”
He thus holds the pipe successively toward the four points of the compa.s.s, exclaiming as he does so: ”To the East Wind! the West Wind! the North Wind! the South Wind!” and each time all answer: ”Ho!”
The Leader next holds the stem of the pipe toward the first Scout, who, stepping forward and touching it solemnly, repeats in an audible voice the ”Scout's Oath:”
”I promise to obey my Leader, to seek honor above all things, and that neither pain nor danger shall keep me from doing my duty!”
After the pipe has thus gone round the circle, it is laid beside the fire, and all the Scouts chant, or recite in unison, the Strong Heart Song: