Part 5 (1/2)

Nightly I went to the French doctor's house, and I learned every wicked trick of thrust and parry that M. Picot knew. Once when I bungled a foul lunge, which M. Picot said was a habit of the infamous Blood, his weapon touched my chest, and Mistress Hortense uttered a sharp cry.

”What--what--what!” exclaims M. Picot, whirling on her.

”'Twas so real,” murmurs Hortense, biting her lip.

After that she sat still enough. Then the steel was exchanged for cards; and when I lost too steadily M. Picot broke out: ”Pish, boy, your luck fails here! Hillary, child, go practise thy songs on the spinet.”

Or: ”Hortense, go mull us a smack o' wine!”

Or: ”Ha, ha, little witch! Up yet? Late hours make old ladies.”

And Hortense must go off, so that I never saw her alone but once.

'Twas the night before I was to leave for the trade.

The blackamoor appeared to say that Deliverance Dobbins was ”a-goin' in fits” on the dispensary floor.

”Faith, doctor,” said I, ”she used to have dumps on our turnstile.”

”Yes,” laughed Hortense, ”small wonder she had dumps on that turnstile!

Ramsay used to tilt her backward.”

M. Picot hastened away, laughing. Hortense was in a great carved high-back chair with clumsy, wooden cupids floundering all about the tall head-rest. Her face was alight in soft-hued crimson flaming from an Arabian cresset stuck in sockets against the Flemish cabinet.

”A child's trick,” began Hortense, catching at the shafts of light.

”I often think of those old days on the beach.”

”So do I,” said Hortense.

”I wish they could come back.”

”So do I,” smiled Hortense. Then, as if to check more: ”I suppose, Ramsay, you would want to drown us all--Ben and Jack and Rebecca and me.”

”And I suppose you would want to stand us all on our heads,” I retorted.

Then we both laughed, and Hortense demanded if I had as much skill with the lyre as with the sword. She had heard that I was much given to chanting vain airs and wanton songs, she said.

And this is what I sang, with a heart that knocked to the notes of the old madrigal like the precentor's tuning-fork to a meeting-house psalm:

”Lady, when I behold the roses sprouting, Which, clad in damask mantles, deck the arbours, And then behold your lips where sweet love harbours, My eyes perplex me with a double doubting, Whether the roses be your lips, or your lips the roses.”

Barely had I finished when Mistress Hortense seats herself at the spinet, and, changing the words to suit her saucy fancy, trills off that ballad but newly writ by one of our English courtiers:

”Shall I, wasting in despair, Die because--_Rebecca's_--fair?

Or make pale my cheeks with care 'Cause _Rebecca's_ rosier are?”

”Hortense!” I protested.

”Be _he_ fairer than the day Or the _June-field coils of hay_; If _he_ be not so to me, What care I how _fine_ he be?”

There was such merriment in the dark-lashed eyes, I defy Eli Kirke himself to have taken offence; and so, like many another youth, I was all too ready to be the pipe on which a dainty lady played her stops.