Part 4 (2/2)
They had reached a quiet corner of the veranda. Patsy dropped into a chair, while her companion leaned against a near-by railing and looked down at her with something very like a soulful expression.
”I might have known all along,” Patsy was thinking, ”that a back like that would have a front like this. Sure, ye couldn't get a real man to dress in knee-length petticoats.” And then, to settle all doubts, she faced him with grim determination. ”I let you bring me here because I had something to say to you. But first of all, did you come down here to-night on that five-something train from New York?”
The man nodded.
”Did you get to the train by a Madison Avenue car, taken from the corner of Seventy-seventh Street, maybe?”
”Why, how did you know?” The melancholy was giving place to rather pleased curiosity.
”How do I know!” Patsy glared at him. ”I know because I've followed you every inch of the way--followed you to tell you I believed in you--you--you!” and her voice broke with a groan.
”Oh, I say, that was awfully good of you.” This time the smile had right of way, and such a flattered, self-conscious smile as it was!
”You know everybody takes me rather as a joke.”
”Joke!” Patsy's eyes blazed. ”Well, you're the most serious, impossible joke I ever met this side of London. Why, a person would have to dynamite his sense of humor to appreciate you.”
”I don't think I understand.” He felt about in his waistcoat pocket and drew forth a monocle, which he adjusted carefully. ”Would you mind saying that again?”
Patsy's hands dropped helplessly to her lap. ”I couldn't--only, after a woman has trailed a man she doesn't know across a country she doesn't know to a place she doesn't know--and without a wardrobe trunk, a letter of credit, or a maid, just to tell him she believes in him, he becomes the most tragically serious thing that ever happened to her in all her life.”
”Oh, I say, I always thought they were pretty good; but I never thought any one would appreciate my poetry like that.”
”Poetry! Do you--do that, too?”
”That's all I do. I am devoting my life to it; that's why my family take me a little--flippantly.”
A faint streak of hope shot through Patsy's mind. ”Would you mind telling me your name?”
”Why, I thought you knew. I thought you said that was why you wanted to--to--Hang it all! my name's Peterson-Jones--Wilfred Peterson-Jones.”
Patsy was on her feet, clasping her hands in a shameless burst of emotion while she dropped into her own tongue. ”Oh, that's a beautiful name--a grand name! Don't ye ever be changing it! And don't ye ever give up writing poetry; it's a beautiful pastime for any man by that name. But what--what, in the name of Saint Columkill, ever happened to Billy Burgeman!”
”Billy Burgeman? Why, he came down on the train with me and went back to Arden.”
Patsy threw back her head and laughed--laughed until she almost feared she could not stop laughing. And then she suddenly became conscious of the pompous manager standing beside her, a yellow sheet of paper in his hand.
”Will you kindly explain what this means?” and he slapped the paper viciously.
”I'll try to,” said Patsy; ”but will you tell me just one thing first? How far is it to Arden?”
”Arden? It's seven miles to Arden. But what's that got to do with this? This is a wire from Miss St. Regis, saying she is ill and will be unable to fill her engagement here to-night! Now, who are you?”
”I? Why, I'm her understudy, of course--and--I'm--so happy--”
Whereupon Patricia O'Connell, late of the Irish National Players and later of the women's free ward of the City Hospital, crumpled up on the veranda floor in a dead faint.
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