Part 3 (2/2)

I agree that, judging from the past, it is not improbable that variation itself may be hereafter shown to result from physical causes. When it is so shown, you may extend your necessity into this region, but not till then.

But the whole course of scientific discovery goes to a.s.sure us that the discovery of the cause of variation will be only a resolution of variation into two factors: one, the immediate secondary cause of the changes, which so far explains them; the other an unresolved or unexplained phenomenon, which will then stand just where the product, variation, stands now, only that it will be one step nearer to the efficient cause. This line of argument appears to me so convincing, that I am bound to suppose that it does not meet your case. Although you introduced players to ill.u.s.trate what design is, it is probable that you did not intend, and would not accept, the parallel which your supposed case suggested. When you declare that the proof of design in the eye and the hand, as given by Paley and Bell, was convincing, you mean, of course, that it was convincing, so long as the question was between design and chance, but that now another alternative is offered, one which obviates the force of those arguments, and may account for the actual results without design. I do not clearly apprehend this third alternative.

Will you be so good, then, as to state the grounds upon which you conclude that the supposed proof of design from the eye, or the hand, as it stood before Darwin's theory was promulgated, would be invalidated by the admission of this new theory?

D.T.--As I have ever found you, in controversy, meeting the array of your opponent fairly and directly, without any attempt to strike the body of his argument through an unguarded joint in the phraseology, I was somewhat surprised at the course taken in your answer to my statement on Darwin's theory. You there seem to suppose that I instanced the action of the billiard b.a.l.l.s and players as a parallel, throughout, to the formation of the organic world. Had it occurred to me that such an application might be supposed to follow legitimately from my introduction of this action, I should certainly have stated that I did not intend, and should by no means accede to, that construction. My purpose in bringing the billiard-table upon the scene was to ill.u.s.trate, by example, design and necessity, as different and independent sources from which results, it might indeed be identical results, may be derived All the conclusions, therefore, that you have arrived at through this misconception or misapplication of my ill.u.s.tration, I cannot take as an answer to the matter stated or intended to be stated by me. Again, following this misconception, you suppose the skeptic (instanced by me as revealing through the evidence of design, exhibited in the structure of the eye, for its designer, G.o.d) as bringing to the examination a belief in the existence of design in the construction of the animals as they existed up to the moment when the eye was, according to my supposition, added to the heart, stomach, brain, etc. By skeptic I, of course, intended one who doubted the existence of design in every organic structure, or at least required proof of such design. Now, as the watch may be instanced as a more complete exhibition of design than a flint knife or an hour-gla.s.s, I selected, after the example of Paley, the eye, as exhibiting by its complex but harmonious arrangements a higher evidence of design and a designer than is to be found in a nerve sensitive to light, or any mere rudimentary part or organ. I could not mean by skeptic one who believed in design so far as a claw, or a nerve sensitive to light, was concerned, but doubted all above. For one who believes in design at all will not fail to recognize it in a hand or an eye. But I need not extend these remarks, as you acknowledge in the sequel to your argument that you may not have suited it to the case as I have stated it.

You now request me to ”state the grounds upon which I conclude that the supposed proof of design from the eye and the hand, as it stood before Darwin's theory was promulgated, is invalidated by the admission of that theory.” It seems to me that a sufficient answer to this question has already been made in the last part of my former paper; but, as you request it, I will go over the leading points as there given, with more minuteness of detail.

Let us, then, suppose a skeptic, one who is yet considering and doubting of the existence of G.o.d, having already concluded that the testimony from any and all revelation is insufficient, and having rejected what is called the a priori arguments brought forward in natural theology, and pertinaciously insisted upon by Dr. Clark and others, turning as a last resource to the argument from design in the organic world. Voltaire tells him that a palace could not exist without an architect to design it. Dr. Paley tells him that a watch proves the design of a watchmaker. He thinks this very reasonable, and, although he sees a difference between the works of Nature and those of mere human art, yet if he can find in any organic body, or part of a body, the same adaptation to its use that he finds in a watch, this truth will go very far toward proving, if it is not entirely conclusive, that, in making it, the powers of life by which it grew were directed by an intelligent, reasoning master. Under the guidance of Paley he takes an eye, which, although an optical, and not a mechanical instrument like the watch, is as well adapted to testify to design. He sees, first, that the eye is transparent when every other part of the body is opaque.

Was this the result of a mere Epicurean or Lucretian ”fortuitous concourse”

of living ”atoms”? He is not yet certain it might not be so. Next he sees that it is spherical, and that this convex form alone is capable of changing the direction of the light which proceeds from a distant body, and of collecting it so as to form a distinct image within its globe. Next he sees at the exact place where this image must be formed a curtain of nerve-work, ready to receive and convey it, or excite from it, in its own mysterious way, an idea of it in the mind. Last of all, he comes to the crystalline lens. Now, he has before learned that without this lens an eye would by the aqueous and Vitreous humors alone form an image upon the retina, but this image would be indistinct from the light not being sufficiently refracted, and likewise from having a colored fringe round its edges. This last effect is attributable to the refrangibility of light, that is, to some of the colors being more refracted than others. He likewise knows that more than a hundred years ago Mr. Dollond having found out, after many experiments, that some kinds of gla.s.s have the power of dispersing light, for each degree of its refraction, much more than other kinds, and that on the discovery of this fact he contrived to make telescopes in which he pa.s.sed the light through two object-gla.s.ses successively, one of which he made of crown and one of flint gla.s.s, so ground and adapted to each other that the greater dispersion produced by the substance of one should be corrected by the smaller dispersion of the other. This contrivance corrected entirely the colored images which had rendered all previous telescopes very imperfect. He finds in this invention all the elements of design, as it appeared in the thought and action of a human designer. First, conjecture of certain laws or facts in optics. Then, experiment proving these laws or facts. Then, the contrivance and formation of an instrument by which those laws or facts must produce a certain sought result.

Thus enlightened, our skeptic turns to his crystalline lens to see if he can discover the work of a Dollond in this. Here he finds that an eye, having a crystalline lens placed between the humors, not only refracts the light more than it would be refracted by the humors alone, but that, in this combination of humors and lens, the colors are as completely corrected as in the combination of Dollond's telescope. Can it be that there was no design, no designer, directing the powers of life in the formation of this wonderful organ? Our skeptic is aware that, in the arts of man, great aid has been, sometimes, given by chance, that is, by the artist or workman observing some fortuitous combination, form, or action, around him. He has heard it said that the chance arrangement of two pairs of spectacles, in the shop of a Dutch optician, gave the direction

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for constructing the first telescope. Possibly, in time, say a few geological ages, it might in some optician's shop have brought about a combination of flint and crown gla.s.s which, together, should have been achromatic. But the s.p.a.ce between the humors of the eye is not an optician'

s shop where object-gla.s.ses of all kinds, shapes, and sizes, are placed by chance, in all manner of relations and positions. On the hypothesis under which our skeptic is making his examination--the eye having been completed in all but the formation of the lens--the place which the lens occupies when completed was filled with parts of the humors and plane membrane, h.o.m.ogeneous in texture and surface, presenting, therefore, neither the variety of the materials nor forms which are contained in the optician's shop for chance to make its combinations with. How, then, could it be cast of a combination not before used, and fas.h.i.+oned to a shape different from that before known, and placed in exact combination with all the parts before enumerated, with many others not even mentioned? He sees no parallelism of condition, then, by which chance could act in forming a crystalline lens, which answers to the condition of an optician's shop, where it might be possible in many ages for chance to combine existing forms into an achromatic object-gla.s.s.

Considering, therefore, the eye thus completed and placed in its bony case and provided with its muscles, its lids, its tear-ducts, and all its other elaborate and curious appendages, and, a thousand times more wonderful still, without being enc.u.mbered with a single superfluous or useless part, can he say that this could be the work of chance? The improbability of this is so great, and consequently the evidence of design is so strong, that he is about to seal his verdict in favor of design, when he opens Mr. Darwin's book.

There he finds that an eye is no more than a vital aggregation or growth, directed, not by design nor chance, but moulded by natural variation and natural selection, through which it must, necessarily, have been developed and formed. Particles or atoms being aggregated by the blind powers of life, must become under the given conditions, by natural variation and natural selection, eyes, without design, as certainly as the red billiard-ball went to the west pocket, by the powers of inertia and elasticity, without the design of the hand that put it in motion. (See Darwin, p. 169.)

Let us lay before our skeptic the way in which we may suppose that Darwin would trace the operation of life, or the vital force conforming to these laws. In doing this we need not go through with the formation of the several membranes, humors, etc., but take the crystalline lens as the most curious and nicely arranged and adapted of all the parts, and as giving, moreover, a close parallel, in the end produced, to that produced by design, by a human designer, Dollond, in forming his achromatic object-gla.s.s. If it can be shown that natural variation and natural selection were capable of forming the crystalline lens, it will not be denied that they were capable of forming the iris, the sclerotica, the aqueous humors, or any and all the other parts. Suppose, then, that we have a number of animals, with eyes yet wanting the crystalline. In this state the animals can see, but dimly and imperfectly, as a man sees after having been couched. Some of the offspring of these animals have, by natural variation, merely a portion of the membrane which separates the aqueous from the vitreous humor a little thickened in its middle part, a little swelled out. This refracts the light a little more than it would be refracted by a membrane in which no such swelling existed, and not only so, but, in combination with the humors, it corrects the errors of dispersion and makes the image somewhat more colorless. All the young animals that have this swelled membrane see more distinctly than their parents or brethren. They, therefore, have an advantage over them in the struggle for life. They can obtain food more easily; can find their prey, and escape from their enemies with greater facility than their kindred. This thickening and rounding of the membrane goes on from generation to generation by natural variation; natural selection all the while ”picking out with unerring skill all the improvements, through countless generations,” until at length it is found that the membrane has become a perfect crystalline lens. Now, where is the design in all this? The membrane was not thickened and rounded to the end that the image should be more distinct and colorless; but, being thickened and rounded by the operation of natural variation, inherent in generation, natural selection of necessity produced the result that we have seen. The same result was thus produced of necessity, in the eye, that Dollond came at, in the telescope, with design, through painful guessing, reasoning, experimenting, and forming.

Suppose our skeptic to believe in all this power of natural selection; will he now seal up his verdict for design, with the same confidence that he would before he heard of Darwin? If not, then ”the supposed proof from design is invalidated by Darwin's theory.”

A.G.--Waiving incidental points and looking only to the gist of the question, I remark that the argument for design as against chance, in the formation of the eye, is most convincingly stated in your argument. Upon this and upon numerous similar arguments the whole question we are discussing turns. So, if the skeptic was about to seal his verdict in favor of design, and a designer, when Darwin's book appeared, why should his verdict now be changed or withheld? All the facts about the eye, which convinced him that the organ was designed, remain just as they were. His conviction was not produced through testimony or eyewitness, but design was irresistibly inferred from the evidence of contrivance in the eye itself.

Now, if the eye as it is, or has become, so convincingly argued design why not each particular step or part of this result? If the production of a perfect crystalline lens in the eye--you know not how--as much indicated design as did the production of a Dollond achromatic lens--you understand how--then why does not ”the swelling out” of a particular portion of the membrane behind the iris--caused you know not how--which, by ”correcting the errors of dispersion and making the image somewhat more colorless,”

enabled the ”young animals to see more distinctly than their parents or brethren,” equally indicate design--if not as much as a perfect crystalline, or a Dollond compound lens, yet as much as a common spectacle-gla.s.s?

Darwin only a.s.sures you that what you may have thought was done directly and at once was done indirectly and successively. But you freely admit that indirection and succession do not invalidate design, and also that Paley and all the natural theologians drew the arguments which convinced your skeptic wholly from eyes indirectly or naturally produced.

Recall a woman of a past generation and show her a web of cloth; ask her how it was made, and she will say that the wool or cotton was carded, spun, and woven by hand. When you tell her it was not made by manual labor, that probably no hand has touched the materials throughout the process, it is possible that she might at first regard your statement as tantamount to the a.s.sertion that the cloth was made without design. If she did, she would not credit your statement. If you patiently explained to her the theory of carding-machines, spinning-jennies, and power-looms, would her reception of your explanation weaken her conviction that the cloth was the result of design? It is certain that she would believe in design as firmly as before, and that this belief would be attended by a higher conception and reverent admiration of a wisdom, skill, and power greatly beyond anything she had previously conceived possible.

Wherefore, we may insist that, for all that yet appears, the argument for design, as presented by the natural theologians, is just as good now, if we accept Darwin's theory, as it was before that theory was promulgated; and that the skeptical juryman, who was about to join the other eleven in a unanimous verdict in favor of design, finds no good excuse for keeping the court longer waiting.[II-1]

III

NATURAL SELECTION

NOT INCONSISTENT WITH

NATURAL THEOLOGY

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