Part 14 (2/2)
EGYPTIAN ARCHITECTURE
Architecture, in Egypt, was the leading art. The Egyptians were the first people who learned to raise buildings with vast halls supported by ponderous columns. Their wealth and skill, however, were not lavished in the erection of fine private mansions or splendid public buildings. The characteristic works of Egyptian architecture are the tombs of the kings and the temples of the G.o.ds. The picture of the great structure at Thebes, which Rameses II completed, [17] will give some idea of an Egyptian temple with its gateways, open courts, obelisks, and statues.
[Ill.u.s.tration: AN EGYPTIAN WOODEN STATUE, (Museum of Gizeh) Found in a tomb near Memphis. The statue, which belongs to the age of the pyramid kings, represents a bustling, active, middle-cla.s.s official.]
ARCHITECTURE IN BABYLONIA AND a.s.sYRIA
The architecture of Babylonia and a.s.syria was totally unlike that of Egypt, because brick, and not stone, formed the chief building and a.s.syria material. In Babylonia the temple was a solid, square tower, built on a broad platform. It consisted usually of seven stages, which arose one above the other to the top, where the shrine of the deity was placed. The different stages were connected by an inclined ascent. The four sides of the temple faced the cardinal points, and the several stages were dedicated to the sun, moon, and five planets. In a.s.syria the characteristic building was the palace. But the sun-dried bricks, of which both temples and palaces were composed, lacked the durability of stone and have long since dissolved into shapeless mounds.
EGYPTIAN SCULPTURE
The surviving examples of Egyptian sculpture consist of bas-reliefs and figures in the round, carved from limestone and granite or cast in bronze.
Many of the statues appear to our eyes very stiff and ungraceful. The sculptor never learned how to pose his figures easily or how to arrange them in an artistic group. In spite of these defects some Egyptian statues are wonderfully lifelike. [18]
[Ill.u.s.tration: AN a.s.sYRIAN PALACE (RESTORED) The royal residence of Sargon II near Nineveh was placed upon a high platform of brick masonry the top of which was gained by stairs and an inclined roadway. The palace consisted of a series of one storied rectangular halls and long corridors surrounding inner courts. They were provided with imposing entrances flanked by colossal human headed bulls representing guardian spirits. The entire building covered more than twenty three acres and contained two hundred apartments. In the rear is seen a temple tower.]
SCULPTURE IN BABYLONIA AND a.s.sYRIA
Few examples have reached us of Babylonian and a.s.syrian sculpture in the round. As in Egypt, the figures seem rigid and out of proportion. The a.s.syrian bas-reliefs show a higher development of the artistic sense, especially in the rendering of animals. The sculptures that deal with the exploits of the kings in war and hunting often tell their story in so graphic a way as to make up for the absence of written records.
ORIENTAL PAINTING
Painting in the ancient East did not reach the dignity of an independent art. It was employed solely for decorative purposes. Bas-reliefs and wall surfaces were often brightly colored, The artist had no knowledge of perspective and drew all his figures in profile, without any distinction of light and shade. Indeed, Oriental painting, as well as Oriental sculpture, made small pretense to the beautiful. Beauty was born into the world with the art of the Greeks.
[Ill.u.s.tration: AN a.s.sYRIAN WINGED HUMAN HEADED BULL]
[Ill.u.s.tration: AN a.s.sYRIAN HUNTING SCENE (British Museum, London) A bas relief from a slab found at Nineveh.]
19. SCIENCE AND EDUCATION
ARITHMETIC AND GEOMETRY
Conspicuous advance took place in the exact sciences. The leading operations of arithmetic were known. A Babylonian tablet gives a table of squares and cubes correctly calculated from 1 to 60. The number 12 was the basis of all reckonings. The division of the circle into degrees, minutes, and seconds (360, 60', 60”) was an invention of the Babylonians which ill.u.s.trates this duodecimal system A start was made in geometry. One of the oldest of Egyptian books contains a dozen geometrical problems. This knowledge was afterwards developed into a true science by the Greeks.
ASTRONOMY
In both Egypt and Babylonia the cloudless skies and still, warm nights early led to astronomical research. At a remote period, perhaps before 4000 B.C., the Egyptians framed a solar calendar, [19] consisting of twelve months, each thirty days in length, with five extra days at the end of the year. This calendar was taken over by the Romans, [20] who added the system of leap years. The Babylonians made noteworthy progress in some branches of astronomy. They were able to trace the course of the sun through the twelve constellations of the zodiac and to distinguish five of the planets from the fixed stars. The successful prediction of eclipses formed another Babylonian achievement. Such astronomical discoveries must have required much patient and accurate observation.
GEOGRAPHY
Geographical ideas for a long time were very crude. An ancient map, scratched on clay, indicates that about eight centuries before Christ the Babylonians had gained some knowledge, not only of their own land, but even of regions beyond the Mediterranean. The chief increase in man's knowledge of the world in ancient times was due to the Phoenicians. [21]
PRACTICAL SCIENCES
The skill of Oriental peoples as mechanics and engineers is proved by their success as builders. The great pyramids exactly face the points of the compa.s.s. The principle of the round arch was known in Babylonia at a remote period The transportation of colossal stone monuments exhibits a knowledge of the lever, pulley, and inclined plane. [22] Babylonian inventions were the sundial and the water clock, the one to register the pa.s.sage of the hours by day, the other by night. The Egyptians and Babylonians also made some progress in the practice of medicine.
[Ill.u.s.tration: A BABYLONIAN MAP OF THE WORLD A tablet of dark brown clay, much injured, dating from the 8th or 7th century B.C. The two large concentric circles indicate the ocean or, as it is called in the cuneiform writing between the circles, the 'Briny Flood.'
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