Volume II Part 19 (1/2)
Daguerrotypes were all the ”rage.” Photography was unknown. Mr. Ball had an excellent run of custom, and was making money rapidly.
As operator, Mr. Ball soon discovered that Mr. Thomas was a man of quick perception, thorough, and entirely trustworthy. He soon became familiar with the instrument, and in 1854 began to ”operate.” He continued at the instrument during the remainder of the time he spent at 28 West Fourth Street. He shortly acquired the skill of an old and well-trained operator; and his success in this department of the business added greatly to the already well-established reputation of the gallery.
Mr. Thomas was not satisfied with being a successful clerk and first-cla.s.s operator. He wanted to go into business for himself.
Accordingly he opened a gallery at No. 120 West Fourth Street, near the ”Commercial,” under the firm name of ”Ball & Thomas.” The rooms were handsomely fitted up, and the building leased for five years.
In May, 1860, a severe tornado pa.s.sed over the city, destroying much property and several lives. The roof of the Commercial [Potter's Building] was carried away; part pa.s.sed over the gallery of Ball & Thomas, while part went through the operating room, and some fragments of timber, etc., penetrated a saloon in the rear of the photographic gallery, and killed a child and a woman. The gallery was a complete wreck, the instruments, chemicals, scenery, cases, pictures, carpets, furniture, and every thing else, were ruined. This was in the early days of the firm. All their available capital had been converted into stock, used in fitting up the gallery. Ball & Thomas were young men--they were Colored men, and were financially ruined. Apparently their business was at an end. But they were artists; and many white families in Cincinnati recognized them as such. Their white friends came to the rescue. The gallery was fitted up again most elaborately, and was known as ”the finest photographic gallery west of the Alleghany Mountains.”
This marked a distinct era in the history of the firm, and many persons often remarked that the luckiest moment in their history was when the roof of the Commercial building sat down upon them. For years the best families of the city patronized the famous firm of Ball & Thomas. They had more business than they could attend to at times, and consequently had to engage extra help. These were years of unprecedented success. One hundred dollars a day was small money then.
The firm became quite wealthy. After spending fifteen years at 120 they returned to 30 West Fourth Street, where they remained until May, 1874.
Photographers move considerable, and it is seldom that men in this business remain in one street or building as long as Ball & Thomas.
They pa.s.sed twenty-one of the best years of the firm in Fourth Street.
This is both a compliment to the public and themselves. It shows, on the one hand, that Colored men can conduct business like white men, and, on the other hand, if Colored men have ability to carry on any kind of business, white people will patronize them.
The old stand at 30 West Fourth Street was fitted up anew, and business began with all the wonted zeal and desire to please the public which characterized the firm in former years. The rooms were at once elegant and capacious. Their motto was to do the best work at the cheapest rates. But as in all other businesses, so in photographic art, there was compet.i.tion. And rather than do poor work at the low rates of compet.i.tors, they decided to remove to another locality.
Accordingly, in May, 1874, they moved into No. 146 West Fifth Street.
The building was leased for a term of years. It was in no wise adapted to the photographic business. The walls were cut out, doors made, stairs changed, skylight put in, chemical rooms constructed, gas-fixtures put in, papering, painting, and graining done, carpets and new furniture ordered. It cost the firm more than $2,800 to enter this new stand.
The first year at the new stand was characterized by liberal custom and excellent work. The old customers who were delighted with the work done at 30 West Fourth Street, were convinced that the firm had redoubled its artistic zeal, and was determined to outdo the palmy days of Fourth Street. The business, which at this time was in a flouris.h.i.+ng condition, was destined to suffer an interruption in the death of Thomas Carroll Ball, the senior member of the firm. It was at a time when the trade demanded the energies of both gentlemen. But Death never tarries to consider the far-reach of results or the wishes of the friends of his subject. The business continued. Ball Thomas, the son of Mr. A. S. Thomas, who had grown up under the faithful tuition of his father, now became a successful retouching artist. For the last two years Mr. Thomas has conducted the business alone. He is now doing business at 166 West Fifth Street, and it is said that he is doing a good business.
The Colored people of Cincinnati evinced not only an anxiety to take care of themselves, but took steps early toward securing a home for the orphans in their midst.
In _ante-bellum_ days there was no provision made for Colored paupers or Colored orphans. Where individual sympathy or charity did not intervene, they were left to die in the midst of squalid poverty, and were cast into the common ditch, without having medical aid or ministerial consolation. There was not simply studious neglect, but a strong prohibition against their entrance into inst.i.tutions sustained by the county and State for white persons not more fortunate than they. At one time a good Quaker was superintendent of the county poorhouse. His heart was touched with kindest sympathy for the uncared-for Colored paupers in Cincinnati. He acted the part of a true Samaritan, and gave them separate quarters in the inst.i.tution of which he was the official head. This fact came to the public ear, and the trustees of the poorhouse, in accordance with their own convictions and in compliance with the complexional prejudices of the community, discharged the Quaker for this breach of the law. The Colored paupers were turned out of this lazar-house on the Sabbath. The time to perpetuate this crime against humanity was indeed significant--on the Lord's day. The G.o.d of the poor and His followers beheld the streets of Christian Cincinnati filled with the maimed, halt, sick, and poor, who were denied the common fare accorded the white paupers! There was no sentiment in those days, either in the pulpit or press, to raise its voice against this act of cruelty and shame.
Lydia P. Mott, an eminent member of the Society of Friends and an able leader of a conscientious few, espoused the cause of the motherless, fatherless, and homeless Colored children of this community. She attracted the attention and won the confidence of the few Abolitionists of this city. She determined to establish a home for these little wanderers, and immediately set to work at a plan. The late Salmon P. Chase was then quite young, a man of brilliant abilities and of anti-slavery sentiments. He joined himself to the humane movement of Lydia P. Mott, with the following persons: Christian Donaldson, James Pullan, William Donaldson, Robert Buchanan, John Liverpool, Richard Phillips, John Woodson, Charles Satch.e.l.l, Wm.
W. Watson, William Darnes, Michael Clark, A. M. Sumner, Reuben P.
Graham, Louis P. Brux, Sarah B. McLain, Mrs. Eustis, Mrs. Dr. Stanton, Mrs. Hannah Cooper, Mrs. Mary Jane Gordon, Mrs. Susan Miller, Mrs.
Rebecca Darnes, Mrs. Charlotte Armstrong, Mrs. Eliza Clark, Mrs. Ruth Ellen Watson, and others. Six of the gentlemen and four of the ladies were white. Only six of this n.o.ble company are living at this time.
The organization was effected in 1844, and the act of incorporation was drawn up by Salmon P. Chase. It was chartered in February, 1845, the pa.s.sage of the act having been a.s.sured through the personal influence of Mr. Chase upon the members of the Legislature.
The first Board of Trustees under the charter were William Donaldson, John Woodson, Richard Phillips, Christian Donaldson, Reuben P. Graham, Richard Pullan, Charles Satch.e.l.l, Louis P. Brux, and John Liverpool.
But one is alive--Richard Pullan.
The first building the Trustees secured as an asylum was on Ninth Street, between Plum and Elm. They paid a rental of $12.50 per month.
The building was owned by Mr. Nicholas Longworth, but the ground was leased by him from Judge Burnet. The Trustees ultimately purchased the building for $1,500; and in 1851 the ground also was purchased of Mr.
Groesbeck for $4,400 in cash.
During the three or four years following, the inst.i.tution had quite an indifferent career. The money requisite to run it was not forthcoming.