Part 20 (2/2)

Moya stared at him with eyes in which the fires were quenched, but not by tears. She looked dazed.

”Do put your mind to it--your own sane mind!” her brother pleaded, with more of wisdom than he had shown with her yet. ”And--I don't want to be hard--I never meant to be hard about this again--but G.o.d help you now to the only proper and sensible decision!”

So was he beginning to send his juries about their vital business; and, after all, Moya went to hers with as much docility as the twelve good men and true.

Theodore was right about one thing. She must put her mind to it once and for ever.

XII

AN ESCAPADE

She put her mind to it with characteristic thoroughness and honesty. Let there be no mistake about Moya Bethune. She had faults of temper, and faults of temperament, and as many miscellaneous faults as she was quick to find in others; but this did not r.e.t.a.r.d her from seeing them in herself. She was a little spoilt; it is the almost inevitable defect of the popular qualities. She had a good conceit of herself, and a naughty tongue; she could not have belonged to that branch of the Bethunes and quite escaped either. On the other hand, she was not without their cardinal merits. There was, indeed, a brutal honesty in the breed; in Moya it became a singular sincerity, not always pleasing to her friends, but counterbalanced by the brightness and charm of her personality. She was incapable of deceiving another; infinitely rarer, she was equally incapable of deceiving herself; and could consider most things from more standpoints than are accessible to most women, always provided that she kept that cornerstone of all sane judgment, her temper. She had lost it with Rigden and lost it with Theodore, and was in a pretty bad temper with herself to boot; but that is a minor matter; it does not drive the blood to the brain; it need not obscure every point of view but one. And there were but two worthy of Moya's consideration.

There was her own point of view, and there was Rigden's. Moya took first innings; she was the woman, after all.

She began with the beginning of this visit--this visit that the almanac pretended was but fifty hours old after all these days and nights: Well, to believe it, and go back to the first night: they had been happy enough then, still happier next day, happiest of all in the afternoon.

Moya could see the shadows and feel the heat, and hear Rigden wondering whether she would ever care for the place, and her own light-hearted replies; but there she checked herself, and pa.s.sed over the memorable end of that now memorable conversation, and took the next phase in due order.

Of course she had been angry; anybody of any spirit, similarly placed, would have resented being deserted by the hour together for the first wayfarer. And the lie made it worse; and the refusal to explain matters made the lie incalculably worse. He had put her in an abominable position, professing to love her all the time. How could she believe in such love? Love and trust were inseparable in her mind. Yet he had not trusted her for a moment; even when she stooped to tell a lie herself, to save him, even then he could not take her into his confidence. It was the least he could have done after that; it was the very least that she had earned.

Most of the next day--to-day!--even Moya s.h.i.+rked. Why had it laid such a hold upon her--the bush--the bush life--the whole thing? Was it the mere infection of a real enthusiasm? Or was it but the meretricious glamour of the foregone, and would the fascination have been as great if all had still been well? Moya abandoned these points; they formed a side issue after all. Her mind jumped to the final explanation--still ringing in her ears. It was immeasurably worse than all the rest, in essence, in significance, in result. The result mattered least; there was little weakness in Moya; she would have snapped her fingers at the world for the man she loved. But how could she forgive his first deceit, his want of trust in her to the end? And how could she think for another moment of marrying a man whom she could not possibly forgive?

She did not think of it. She relinquished her own point of view, and tried with all her honesty to put herself in his place instead.

It was not very difficult. The poverty-stricken childhood (so different from her own!) with its terrible secret, its ever-hidden disgrace; small wonder if it had become second nature to him to hide it! Then there was the mother. Moya had always loved him for the tone of his lightest reference to his mother. She thought now of the irreparable loss of that mother's death, and felt how she herself had sworn in her heart to repair it. She thought of their meeting, his sunburnt face, the new atmosphere he brought with him, their immediate engagement: the beginning had come almost as quickly as the end! Then Moya darkened.

She remembered how her people had tried to treat him, and how simply and st.u.r.dily he had borne himself among them. Whereas, if he had told them all ... but he might have told her!

Yet she wondered. The father was as good as dead, was literally dead to the world; partly for his sake, perhaps, the secret had been kept so jealously all these years by mother and son. Moya still thought that an exception should have been made in her case. But, on mature reflection, she was no longer absolutely and finally convinced of this. And the mere shadow of a doubt upon the point was her first comfort in all these hours.

Such was the inner aspect; the outward and visible was grave enough. It was one thing to be true to a prisoner and a prisoner's son, but another thing to remain engaged to him. Moya was no hand at secrets. And now she hated them. So her mind was made up on one point. If she forgave him, then no power should make her give him up, and she would wear his ring before all her world, though it were the ring of a prisoner in Pentridge Stockade. But she knew what that would mean, and a brief spell of too vivid foresight, which followed, cannot be said to have improved Rigden's chances of forgiveness.

There was one thing, however, which Moya had unaccountably forgotten.

This was the sudden inspiration which had come to her an hour ago, among the station pines. She was reminded of it and of other things by the arrival of Mrs. Duncan with a tray; she had even forgotten that her last meal had been made in the middle of the afternoon, at the rabbiter's camp. Mrs. Duncan had discovered this by questioning young Ives, and the tea and eggs were the result of a consultation with Mr. Bethune.

”And after that,” smiled Moya, ”you will leave me for the night, won't you? I feel as if I should never want to get up again!”

”I'm sure you do, my dear,” the good woman cried.

”I shall lock my door,” said Moya. ”Don't let anybody come to me in the morning; beg my brother not to come.”

”Indeed I'll see he doesn't.”

And Mrs. Duncan departed as one who had been told little but who guessed much, with a shake of her head, and a nod to follow in case there was nothing to shake it over; for she was entirely baffled.

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