Part 27 (2/2)

Many suppose that the crash of the present war will cause the prestige of the soldier to mount upward like the spray, so that we shall have nothing but uniforms and clanking of spurs throughout the world very shortly, while the sole topics of conversation will be mortars, batteries and guns.

In my judgment those who take this standpoint are mistaken. The present conflict will not establish war in higher favour.

Perhaps its glories may not be diminished utterly. It may be that man must of necessity kill, burn, and trample under foot, and that these excesses of brutality are symptoms of collective health.

Even if this be so, we may be sure that military glory is upon the eve of an eclipse.

Its decline began when the professional armies became nothing more than armed militia, and from the moment that it became apparent that a soldier might be improvised from a countryman with marvellous rapidity.

THE OLD-TIME SOLDIER

Formerly, a soldier was a man of daring and adventure, brave and audacious, preferring an irregular life to the narrowing restraints of civil existence.

The old time soldier trusted in his star without scruple and without fear, and imagined that he could dominate fate as the gambler fancies that he masters the laws of chance.

Valour, recklessness, together with a certain rough eloquence, a certain itch to command, lay at the foundation of his life. His inducements were pay, booty, showy uniforms and splendid horses. The soldier's life was filled with adventure, he conquered wealth, he conquered women, and he roamed through unknown lands.

Until a few years ago, the soldier might have been summed up in three words: he was brave, ignorant and adventurous.

The warrior of this school pa.s.sed out of Europe about the middle of the 19th Century. He became extinct in Spain at the conclusion of our Second Civil War.

Since that day there has been a fundamental change in the life of the soldier.

War has taken on greater magnitude, while the soldier has become more refined, and it is not to be denied that both war and the fighting man are losing their traditional prestige.

DOWN GOES PRESTIGE

The causes of this diminution of prestige are various. Some are moral, such as the increased respect for human life, and the disfavour with which the more aggressive, crueler qualities have come to be regarded.

Others, however, and perhaps these are of more importance, are purely esthetic. Through a combination of circ.u.mstances, modern warfare, although more tragic than was ancient warfare, and even more deadly, nevertheless has been deprived of its spectacular features.

Capacity for esthetic appreciation has its limits. n.o.body is able to visualize a battle in which two million men are engaged; it can only be imagined as a series of smaller battles. In one of these modern battles, substantially all the traditional elements which we have come to a.s.sociate with war, have disappeared. The horse, which bulks so largely in the picture of a battle as it presents itself to our minds, scarcely retains any importance at all; for the most part, automobiles, bicycles and motor cycles have taken its place. These contrivances may be useful, but they do not make the same appeal to the popular imagination.

SCIENCE AND THE PICTURESQUE

Upon taking over warfare, science stripped it of its picturesqueness.

The commanding general no longer cavorts upon his charger, nor smiles as the bullets whistle about him, while he stands surrounded by an ornamental general staff, whose b.r.e.a.s.t.s are covered with ribbons and medals representing every known variety of hardware, whether monarchical or republican.

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