Volume Ii Part 4 (1/2)
”Wm. Tennant.”
The Shepherd's next literary undertaking was an edition of Burns, published at Glasgow. In this task he had an able coadjutor in the poet Motherwell. In 1831, he published a collected edition of his songs, which received a wide circulation. On account of some unfortunate difference with Blackwood, he proceeded in December of that year to London, with the view of effecting an arrangement for the republication of his whole works. His reception in the metropolis was worthy of his fame; he was courted with avidity by all the literary circles, and feted at the tables of the n.o.bility. A great festival, attended by nearly two hundred persons, including n.o.blemen, members of Parliament, and men of letters, was given him in Freemasons' Hall, on the anniversary of the birthday of Burns. The duties of chairman were discharged by Sir John Malcolm, who had the Shepherd on his right hand, and two sons of Burns on his left. After dinner, the Shepherd brewed punch in the punch-bowl of Burns, which was brought to the banquet by its present owner, Mr Archibald Hastie, M.P. for Paisley. He obtained a publisher for his works in the person of Mr James Cochrane, an enterprising bookseller in Pall Mall, who issued the first volume of the series on the 31st of March 1832, under the designation of the ”Altrive Tales.” By the unexpected failure of the publisher, the series did not proceed, so that the unfortunate Shepherd derived no substantial advantage from a three months' residence in London.
Recent reverses had somewhat depressed his literary ardour; and, though his immediate embarra.s.sments were handsomely relieved by private subscriptions and a donation from the Literary Fund, he felt indisposed vigorously to renew his literary labours. He did not reappear as an author till 1834, when he published a volume of essays on religion and morals, under the t.i.tle of ”Lay Sermons on Good Principles and Good Breeding.” This work was issued from the establishment of Mr James Fraser, of Regent Street. In the May number of _Blackwood's Magazine_ for 1834, he again appeared before the public in the celebrated ”_Noctes_,” which had been discontinued for upwards of two years, owing to his misunderstanding with Mr Blackwood. On this subject we are privileged to publish the following letter, addressed to him by Professor Wilson:--
”_30th April._
”My dear Mr Hogg,--After frequent reflection on the estrangement that has so long subsisted between those who used to be such good friends, I have felt convinced that _I_ ought to put an end to it on my own responsibility. Without, therefore, asking either you or Mr Blackwood, I have written a '_Noctes_,' in which my dear Shepherd again appears. I hope you will think I have done right. I intend to write six within the year; and it is just, and no more than just, that you should receive five guineas a sheet. Enclosed is that sum for No. I. of the new series.
”If you will, instead of writing long tales, for which at present there is no room, write a 'Series of Letters to Christopher North,' or, 'Flowers and Weeds from the Forest,' or, 'My Life at Altrive,' embodying your opinions and sentiments on all things, _angling_, shooting, curling, &c., &c., in an easy characteristic style, it will be easy for you to add 50 per annum to the 50 which you will receive for your '_Noctes_.' I hope you will do so.
”I have taken upon myself a responsibility which nothing but the sincerest friends.h.i.+p could have induced me to do. You may be angry; you may misjudge my motives; yet hardly can I think it. Let the painful in the past be forgotten, and no allusion ever made to it; and for the future, I shall do all I can to prevent anything happening that can be disagreeable to your feelings.--With kind regards to Mrs Hogg and family, I am ever most sincerely and affectionately yours,
”John Wilson.”
During the summer after his return from London, Hogg received what he accounted his greatest literary honour. He was entertained at a public dinner, attended by many of the distinguished literary characters both of Scotland and the sister kingdom. The dinner took place at Peebles, the chair being occupied by Professor Wilson. In reply to the toast of his health, he pleasantly remarked, that he had courted fame on the hill-side and in the city; and now, when he looked around and saw so many distinguished individuals met together on his account, he could exclaim that surely he had found it at last!
The career of the Bard of Ettrick was drawing to a close. His firm and well-built frame was beginning to surrender under the load of anxiety, as well as the pressure of years. Subsequent to his return from London, a perceptible change had occurred in his const.i.tution, yet he seldom complained; and, even so late as April 1835, he gave to the world evidence of remaining bodily and mental vigour, by publis.h.i.+ng a work in three volumes, under the t.i.tle of ”Montrose Tales.” This proved to be his last publication. The symptoms of decline rapidly increased; and, though he ventured to proceed, as was his usual habit, to the moors in the month of August, he could hardly enjoy the pleasures of a sportsman.
He became decidedly worse in the month of October, and was at length obliged to confine himself to bed. After a severe illness of four weeks, he died on the 21st of November, ”departing this life,” writes William Laidlaw, ”as calmly, and, to appearance, with as little pain, as if he had fallen asleep, in his gray plaid, on the side of the moorland rill.”
The Shepherd had attained his sixty-fifth year.
The funeral of the Bard was numerously attended by the population of the district. Of his literary friends--owing to the remoteness of the locality--Professor Wilson alone attended. He stood uncovered at the grave after the rest of the company had retired, and consecrated, by his tears, the green sod of his friend's last resting-place. With the exception of Burns and Sir Walter Scott, never did Scottish bard receive more elegies or tributes to his memory. He had had some variance with Wordsworth; but this venerable poet, forgetting the past, became the first to lament his departure. The following verses from his pen appeared in the _Athenaeum_ of the 12th of December:--
”When first descending from the moorlands, I saw the stream of Yarrow glide, Along a bare and open valley, The Ettrick Shepherd was my guide.
”When last along its banks I wander'd, Through groves that had begun to shed Their golden leaves upon the pathway, My steps the Border Minstrel led.
”The mighty minstrel breathes no longer, 'Mid mouldering ruins low he lies; And death, upon the braes of Yarrow, Has closed the Shepherd-poet's eyes.
”No more of old romantic sorrows, For slaughter'd youth or love-lorn maid, With sharper grief is Yarrow smitten, And Ettrick mourns with her their Shepherd dead!”
Within two bow-shots of the place where lately stood the cottage of his birth, the remains of James Hogg are interred in the churchyard of Ettrick. At the grave a plain tombstone to his memory has been erected by his widow. ”When the dark clouds of winter,” writes Mr Scott Riddell, ”pa.s.s away from the crest of Ettrick-pen, and the summits of the nearer-lying mountains, which surround the scene of his repose, and the yellow gowan opens its bosom by the banks of the mountain stream, to welcome the lights and shadows of the spring returning over the land, many are the wild daisies which adorn the turf that covers the remains of THE ETTRICK SHEPHERD. And a verse of one of the songs of his early days, bright and blissful as they were, is thus strikingly verified, when he says--
'Flow, my Ettrick! it was thee Into my life that first did drop me; Thee I 'll sing, and when I dee, Thou wilt lend a sod to hap me.
Pausing swains will say, and weep, Here our Shepherd lies asleep.'”
As formerly described, Hogg was, in youth, particularly good-looking and well-formed. A severe illness somewhat changed the form of his features.
His countenance[43] presented the peculiarity of a straight cheekbone; his forehead was capacious and elevated, and his eye remarkable for its vivacity. His hair, in advanced life, became dark brown, mixed with gray. He was rather above the middle height, and was well-built; his chest was broad, his shoulders square, and his limbs well-rounded. He disliked foppery, but was always neat in his apparel: on holidays he wore a suit of black. Forty years old ere he began to mix in the circles of polished life, he never attained a knowledge of the world and its ways; in all his transactions he retained the simplicity of the pastoral character. His Autobiography is the most amusing in the language, from the honesty of the narrator; never before did man of letters so minutely reveal the history of his foibles and failings. He was entirely unselfish and thoroughly benevolent; the homeless wanderer was sure of shelter under his roof, and the poor of some provision by the way.
Towards his aged parents his filial affection was of the most devoted kind. Hospitable even to a fault, every visitor received his kindly welcome, and his visitors were more numerous than those of any other man of letters in the land.[44] Fond of conviviality, he loved the intercourse of congenial minds; the voice of friends.h.i.+p was always more precious to him than the claims of business. He was somewhat expert in conversation; he talked Scotch on account of long habit, and because it was familiar to him. He was possessed of a good musical ear, and loved to sing the ballads of his youth, with several of his own songs; and the enthusiasm with which he sung amply compensated for the somewhat discordant nature of his voice. A night with the Shepherd was an event to be remembered. He was zealous in the cause of education; and he built a school at Altrive, and partly endowed a schoolmaster, for the benefit of the children of the district. A Jacobite as respected the past, he was in the present a devoted loyalist, and strongly maintained that the stability of the state was bound up in the support of the monarchy; he had shuddered at the atrocities of the French Revolution, and apprehended danger from precipitate reform; his politics were strictly conservative. He was earnest on the subject of religion, and regular in his attendance upon Divine ordinances. When a shepherd, he had been in the habit of conducting wors.h.i.+p in the family during the absence or indisposition of his employer, and he was careful in impressing the sacredness of the duty upon his own children. During his London visit, he prepared and printed a small book of prayers and hymns for the use of his family, which he dedicated to them as a New Year's gift. These prayers are eminently devotional, and all his hymns breathe the language of fervency and faith. From the strict rules of morality he may have sometimes deviated, but it would be the worst exercise of uncharitableness to doubt of his repentance.
It is the lot of men of genius to suffer from the envenomed shafts of calumny and detraction. The reputation of James Hogg has thus bled. Much has been said to his prejudice by those who understood not the simple nature of his character, and were incapable of forming an estimate of the principles of his life. He has been broadly accused[45] of doing an injury to the memory of Sir Walter Scott, who was one of his best benefactors; to which it might be a sufficient reply, that he was incapable of perpetrating an ungenerous act. But how stands the fact?
Hogg strained his utmost effort to do honour to the dust of his ill.u.s.trious friend! He published reminiscences of him in a small volume, and in such terms as the following did he p.r.o.nounce his eulogy:--”He had a clear head as well as a benevolent heart; was a good man, an anxiously kind husband, an indulgent parent, and a sincere, forgiving friend; a just judge, and a punctual correspondent.... Such is the man we have lost, and such a man we shall never see again. He was truly an extraordinary man,--the greatest man in the world.”[46] Was ever more panegyrical language used in biography? But Hogg ventured to publish his recollections of his friend, instead of supplying them for the larger biography; perhaps some connexion may be traced between this fact and the indignation of Scott's literary executor! Possessed, withal, of a genial temper, he was sensitive of affront, and keen in his expressions of displeasure; he had his hot outbursts of anger with Wilson and Wordsworth, and even with Scott, on account of supposed slights, but his resentment speedily subsided, and each readily forgave him. He was somewhat vain of his celebrity, but what shepherd had not been vain of such achievements?
Next to Robert Burns, the Ettrick Shepherd is unquestionably the most distinguished of Scottish bards, sprung from the ranks of the people: in the region of the imagination he stands supreme. A child of the forest, nursed amidst the wilds and tutored among the solitudes of nature, his strong and vigorous imagination had received impressions from the mountain, the cataract, the torrent, and the wilderness, and was filled with pictures and images of the mysterious, which those scenes were calculated to awaken. ”Living for years in solitude,” writes Professor Wilson,[47] ”he unconsciously formed friends.h.i.+ps with the springs, the brooks, the caves, the hills, and with all the more fleeting and faithless pageantry of the sky, that to him came in place of those human affections, from whose indulgence he was debarred by the necessities that kept him aloof from the cottage fire, and up among the mists on the mountain top. The still green beauty of the pastoral hills and vales where he pa.s.sed his youth, inspired him with ever-brooding visions of fairy-land, till, as he lay musing in his lonely s.h.i.+eling, the world of phantasy seemed, in the clear depths of his imagination, a lovelier reflection of that of nature, like the hills and heavens more softly s.h.i.+ning in the water of his native lake.” Hogg was in his element, as he revelled amid the supernatural, and luxuriated in the realms of faery: the mysterious gloom of superst.i.tion was lit up into brilliancy by the potent wand of his enchantment, and before the splendour of his genius.
His ballad of ”Kilmeny,” in the ”Queen's Wake,” is the emanation of a poetical mind evidently of the most gifted order; never did bard conceive a finer fairy tale, or painter portray a picture of purer, or more spiritual and exquisite sweetness. ”The Witch of Fife,” another ballad in ”The Wake,” has scarcely a parallel in wild unearthliness and terror; and we know not if sentiments more spiritual or sublime are to be found in any poetry than in some pa.s.sages of ”The Pilgrims of the Sun.” His ballads, generally in his peculiar vein of the romantic and supernatural, are all indicative of power; his songs are exquisitely sweet and musical, and replete with pathos and pastoral dignity. Though he had written only ”When the kye comes hame,” and ”Flora Macdonald's Lament,” his claims to an honoured place in the temple of Scottish song had been unquestioned. As a prose-writer, he does not stand high; many of his tales are interesting in their details, but they are too frequently disfigured by a rugged coa.r.s.eness; yet his pastoral experiences in the ”Shepherd's Calendar” will continue to find readers and admirers while a love for rural habits, and the amusing arts of pastoral life, finds a dwelling in the Scottish heart.