Part 2 (1/2)

We have got past the big rivers and just turned into a little one.

The village women are standing in the water, bathing or was.h.i.+ng clothes; and some, in their dripping _saris_, with veils pulled well over their faces, move homeward with their water vessels filled and clasped against the left flank, the right arm swinging free. Children, covered all over with clay, are sporting boisterously, splas.h.i.+ng water on each other, while one of them shouts a song, regardless of the tune.

Over the high banks, the cottage roofs and the tops of the bamboo clumps are visible. The sky has cleared and the sun is s.h.i.+ning. Remnants of clouds cling to the horizon like fluffs of cotton wool. The breeze is warmer.

There are not many boats in this little river; only a few dinghies, laden with dry branches and twigs, are moving leisurely along to the tired plas.h.!.+ plas.h.!.+ of their oars. At the river's edge the fishermen's nets are hung out to dry between bamboo poles. And work everywhere seems to be over for the day.

CHUHALI.

_June_ 1891.

I had been sitting out on the deck for more than a quarter of an hour when heavy clouds rose in the west. They came up, black, tumbled, and tattered, with streaks of lurid light showing through here and there. The little boats scurried off into the smaller arm of the river and clung with their anchors safely to its banks. The reapers took up the cut sheaves on their heads and hied homewards; the cows followed, and behind them frisked the calves waving their tails.

Then came an angry roar. Torn-off sc.r.a.ps of cloud hurried up from the west, like panting messengers of evil tidings. Finally, lightning and thunder, rain and storm, came on altogether and executed a mad dervish dance. The bamboo clumps seemed to howl as the raging wind swept the ground with them, now to the east, now to the west. Over all, the storm droned like a giant snake-charmer's pipe, and to its rhythm swayed hundreds and thousands of crested waves, like so many hooded snakes. The thunder was incessant, as though a whole world was being pounded to pieces away there behind the clouds.

With my chin resting on the ledge of an open window facing away from the wind, I allowed my thoughts to take part in this terrible revelry; they leapt into the open like a pack of schoolboys suddenly set free. When, however, I got a thorough drenching from the spray of the rain, I had to shut up the window and my poetising, and retire quietly into the darkness inside, like a caged bird.

SHAZADPUR.

_June_ 1891.

From the bank to which the boat is tied a kind of scent rises out of the gra.s.s, and the heat of the ground, given off in gasps, actually touches my body. I feel that the warm, living Earth is breathing upon me, and that she, also, must feel my breath.

The young shoots of rice are waving in the breeze, and the ducks are in turn thrusting their heads beneath the water and preening their feathers.

There is no sound save the faint, mournful creaking of the gangway against the boat, as she imperceptibly swings to and fro in the current.

Not far off there is a ferry. A motley crowd has a.s.sembled under the banyan tree awaiting the boat's return; and as soon as it arrives, they eagerly scramble in. I enjoy watching this for hours together. It is market-day in the village on the other bank; that is why the ferry is so busy. Some carry bundles of hay, some baskets, some sacks; some are going to the market, others coming from it. Thus, in this silent noonday, the stream of human activity slowly flows across the river between two villages.

I sat wondering: Why is there always this deep shade of melancholy over the fields arid river banks, the sky and the suns.h.i.+ne of our country? And I came to the conclusion that it is because with us Nature is obviously the more important thing. The sky is free, the fields limitless; and the sun merges them into one blazing whole. In the midst of this, man seems so trivial. He comes and goes, like the ferry-boat, from this sh.o.r.e to the other; the babbling hum of his talk, the fitful echo of his song, is heard; the slight movement of his pursuit of his own petty desires is seen in the world's market-places: but how feeble, how temporary, how tragically meaningless it all seems amidst the immense aloofness of the Universe!

The contrast between the beautiful, broad, unalloyed peace of Nature--calm, pa.s.sive, silent, unfathomable,--and our own everyday worries--paltry, sorrow-laden, strife-tormented, puts me beside myself as I keep staring at the hazy, distant, blue line of trees which fringe the fields across the river.

Where Nature is ever hidden, and cowers under mist and cloud, snow and darkness, there man feels himself master; he regards his desires, his works, as permanent; he wants to perpetuate them, he looks towards posterity, he raises monuments, he writes biographies; he even goes the length of erecting tombstones over the dead. So busy is he that he has not time to consider how many monuments crumble, how often names are forgotten!

SHAZADPUR.

_June_ 1891.

There was a great, big mast lying on the river bank, and some little village urchins, with never a sc.r.a.p of clothing, decided, after a long consultation, that if it could be rolled along to the accompaniment of a sufficient amount of vociferous clamour, it would be a new and altogether satisfactory kind of game. The decision was no sooner come to than acted upon, with a ”_Shabash_, brothers! All together! Heave ho!” And at every turn it rolled, there was uproarious laughter.

The demeanour of one girl in the party was very different. She was playing with the boys for want of other companions, but she clearly viewed with disfavour these loud and strenuous games. At last she stepped up to the mast and, without a word, deliberately sat on it.