Part 27 (2/2)

Dodgson” was ”Lewis Carroll.”

”Alice in Wonderland” had long been one of my pet books, and, as one regards a favourite author as almost a personal friend, I felt less restraint than one usually feels in writing to a stranger, though I carefully concealed my knowledge of his ident.i.ty, as he had not chosen to reveal it.

This was the beginning of a frequent and delightful correspondence, and, as I confessed to a great love for fairy lore of every description, he asked me if I would accept a child's fairytale book he had written, called ”Alice in Wonderland.” I replied that I knew it nearly all off by heart, but that I should greatly prize a copy given to me by himself. By return came ”Alice,” and ”Through the Looking-gla.s.s,” bound most luxuriously in white calf and gold. And this is the grateful and kindly note that came with them: ”I am now sending you 'Alice,' and the 'Looking-gla.s.s' as well. There is an incompleteness about giving only one, and besides, the one you bought was probably in red, and would not match these. If you are at all in doubt as to what to do with the (now) superfluous copy, let me suggest your giving it to some poor sick child.

I have been distributing copies to all the hospitals and convalescent homes I can hear of, where there are sick children capable of reading them, and though, of course, one takes some pleasure in the popularity of the books elsewhere, it is not nearly so pleasant a thought to me as that they may be a comfort and relief to children in hours of pain and weariness. Still, no recipient _can_ be more appropriate than one who seems to have been in fairyland herself, and to have seen, like the 'weary mariners' of old--

”Between the green brink and the running foam White limbs unrobed to a crystal air, Sweet faces, rounded arms, and bosoms prest To little harps of gold.”

”Do you ever come to London?” he asked in another letter; ”if so, will you allow me to call upon you?”

Early in the summer I came up to study, and I sent him word that I was in town. One night, coming into my room after a long day spent at the British Museum, in the half-light I saw a card lying on the table: ”Rev.

C.L. Dodgson.” Bitter, indeed, was my disappointment at having missed him, but, just as I was laying it sadly down, I spied a small T.O. in the corner. On the back I read that he couldn't get up to my rooms early or late enough to find me, so would I arrange to meet him at some museum or gallery the day but one following? I fixed the South Kensington Museum, by the ”Schliemann” collection, at twelve o'clock.

A little before twelve I was at the rendezvous, and then the humour of the situation suddenly struck me, that I had not the ghost of an idea what _he_ was like, nor would _he_ have any better chance of discovering _me_! The room was fairly full of all sorts and conditions, as usual, and I glanced at each masculine figure in turn, only to reject it as a possibility of the one I sought. Just as the big clock had clanged out twelve, I heard the high, vivacious voices and laughter of children sounding down the corridor.

At that moment a gentleman entered, two little girls clinging to his hands, and, as I caught sight of the tall, slim figure, with the cleanshaven, delicate, refined face, I said to myself, ”_That's_ Lewis Carroll.” He stood for a moment, head erect, glancing swiftly over the room, then, bending down, whispered something to one of the children; she, after a moment's pause, pointed straight at me.

Dropping their hands, he came forward, and, with that winning smile of his that utterly banished the oppressive sense of the Oxford don, said simply, ”I am Mr. Dodgson; I was to meet you, I think?” To which I as frankly smiled, and said, ”How did you know me so soon?”

”My little friend found you. I told her I had come to meet a young lady who knew fairies, and she fixed on you at once. But _I_ knew you before she spoke.”

_The Gentleman, January 29, 1898_.

AFTER MR. MASEFIELD [Sidenote: _Anon._]

From '41 to '51 I was an almost model son.

From '51 to '62 I wished to, but I didn't do.

From '62 to '67 I took the shortest cut to heaven.

From '67 to '79 I only drank one gla.s.s of wine.

From '79 to '84 I felt that I could do with more.

From '84 to '96 I found how hard it is to mix.

From '96 to Nineteen-odd Quod:

MISS STIPP OF PLOVER'S COURT [Sidenote: _H.B._]

In a neighbourhood of narrow streets and tunnelling alleys, where there are few lamps and the policemen go two and two, where all day long you see fierce-eyed women hooded with shawls coming out of greasy street-doors with jugs in their hands, and where all day long sullen men stand at the dark entry to court and alley with pipes in their mouths and their hands in their pockets, and where the little children ”awfully reverse our Saviour's words, and are not of the Kingdom of Heaven, but of the Kingdom of h.e.l.l”--in this dark, dangerous riverside neighbourhood, with its foul odours and its filthy gutters, lives one of the most defenceless women who ever came into human existence.

I knock at a door in Plover's Court, and a half-dressed, half-starved, and wholly dirty child, with no boots to her feet, opens to me; and when this miserable heir of the ages, after she has stared at me like a famished animal, learns that I wish to see Miss Stipp, she bids me ”go up.” The narrow pa.s.sage is hung with two lines of was.h.i.+ng; and, pus.h.i.+ng through the avenue formed by these dank garments, I catch sight in the stone-paved kitchen beyond of a big-headed, whitewashed-looking infant sprawling on the floor collecting soap-suds, and a woman in the midst of voluminous steam working her arms about in a dripping wash tub.

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