Part 10 (1/2)
When Elsie French descended for tea, an hour later, she was aware, from a considerable distance, of people and tumult in the drawing-room.
Daphne's soprano voice--agreeable, but making its mark always, like its owner--could be heard running on. The young mistress of the house seemed to be admonis.h.i.+ng, instructing, someone. Could it be her mother-in-law?
When Elsie entered, Daphne was walking up and down in excitement.
”One cannot really live with bad pictures because they happen to be one's ancestors! We won't do them any harm, mamma! of course not. There is a room upstairs where they can be stored--most carefully--and anybody who is interested in them can go and look at them. If they had only been left as they were painted!--not by Lely, of course, but by some drapery man in his studio--_pa.s.se encore_! they might have been just bearable.
But you see some wretched restorer went and daubed them all over a few years ago.”
”We went to the best man we could find! We took the best advice!” cried Lady Barnes, sitting stiff and crimson in a deep arm-chair, opposite the luckless row of portraits that Daphne was denouncing.
”I'm sure you did. But then, you see, n.o.body knew anything at all about it in those days. The restorers were all murderers. Ask Dr. Lelius.”
Daphne pointed to the stranger, who was leaning against an arm-chair beside her in an embarra.s.sed att.i.tude, as though he were endeavouring to make the chair a buffer between himself and Lady Barnes.
Dr. Lelius bowed.
”It is a modern art,” he said with diffidence, and an accent creditably slight--”a quite modern art. We hafe a great man at Wurzburg.”
”I don't suppose he professes to know anything about English pictures, does he?” asked Lady Barnes with scorn.
”Ach!--I do not propose that Mrs. Barnes entrust him wid dese pictures, Madame. It is now too late.”
And the willowy German looked, with a half-repressed smile, at the row of pictures--all staring at the bystander with the same saucer eyes, the same wooden arms, and the same brilliance of modern paint and varnish, which not even the pa.s.sage of four years since it was applied had been able greatly to subdue.
Lady Barnes lifted shoulders and eyes--a woman's angry protest against the tyranny of knowledge.
”All the same, they are my forbears, my kith and kin,” she said, with emphasis. ”But of course Mrs. Barnes is mistress here: I suppose she will do as she pleases.”
The German stared politely at the carpet. It was now Daphne's turn to shrug. She threw herself into a chair, with very red cheeks, one foot hanging over the other, and the fingers of her hands, which shone with diamonds, tapping the chair impatiently. Her dress of a delicate pink, touched here and there with black, her wide black hat, and the eyes which glowed from the small pointed face beneath it; the tumbling ma.s.ses of her dark hair as contrasted with her general lightness and slenderness; the red of the lips, the whiteness of the hands and brow, the dainty irregularity of feature: these things made a Watteau sketch of her, all pure colour and lissomeness, with dots and scratches of intense black. Daphne was much handsomer than she had been as a girl, but also a trifle less refined. All her points were intensified--her eyes had more flame; the damask of her cheek was deeper; her grace was wilder, her voice a little shriller than of old.
While the uncomfortable silence which the two women had made around them still lasted, Roger Barnes appeared on the garden steps.
”Hullo! any tea going?” He came in, without waiting for an answer, looked from his mother to Daphne, from Daphne to his mother, and laughed uncomfortably.
”Still bothering about those beastly pictures?” he said as he helped himself to a cup of tea.
”_Thank_ you, Roger!” said Lady Barnes.
”I didn't mean any harm, mother.” He crossed over to her and sat down beside her. ”I say, Daphne, I've got an idea. Why shouldn't mother have them? She's going to take a house, she says. Let's hand them all over to her!”
Lady Barnes's lips trembled with indignation. ”The Trescoes who were born and died in this house, belong here!” The tone of the words showed the stab to feeling and self-love. ”It would be a sacrilege to move them.”
”Well then, let's move ourselves!” exclaimed Daphne, springing up. ”We can let this house again, can't we, Roger?”
”We can, I suppose,” said Roger, munching his bread and b.u.t.ter; ”but we're not going to.”
He raised his head and looked quietly at her.
”I think we'd better!” The tone was imperious. Daphne, with her thin arms and hands locked behind her, paused beside her husband.
Dr. Lelius, stealthily raising his eyes, observed the two. A strange little scene--not English at all. The English, he understood, were a phlegmatic people. What had this little Southerner to do among them? And what sort of fellow was the husband?