Part 20 (2/2)

Wheeler down to the fruit cellar, where the two old friends drank off a gla.s.s of well-seasoned Kentucky whiskey, and shook hands.

When they came back to the table, looking younger than when they withdrew, the preacher smelled the tang of spirits and felt slighted. He looked disconsolately into his ruddy goblet and thought about the marriage at Cana. He tried to apply his Bible literally to life and, though he didn't dare breathe it aloud in these days, he could never see why he was better than his Lord.

Ralph, as master of ceremonies, kept his head and forgot nothing.

When it was time to start, he tapped Claude on the shoulder, cutting his father short in one of his best stories. Contrary to custom, the bridal couple were to go to the station unaccompanied, and they vanished from the head of the table with only a nod and a smile to the guests. Ralph hurried them into the light car, where he had already stowed Enid's hand luggage. Only wizened little Mrs. Royce slipped out from the kitchen to bid them good-bye.

That evening some bad boys had come out from town and strewn the road near the mill with dozens of broken gla.s.s bottles, after which they hid in the wild plum bushes to wait for the fun.

Ralph's was the first car out, and though his lights glittered on this bed of jagged gla.s.s, there was no time to stop; the road was ditched on either side, so he had to drive straight ahead, and got into Frankfort on flat tires. The express whistled just as he pulled up at the station. He and Claude caught up the four pieces of hand luggage and put them in the stateroom. Leaving Enid there with the bags, the two boys went to the rear platform of the observation car to talk until the last moment. Ralph checked off on his fingers the list of things he had promised Claude to attend to. Claude thanked him feelingly. He felt that without Ralph he could never have got married at all. They had never been such good friends as during the last fortnight.

The wheels began to turn. Ralph gripped Claude's hand, ran to the front of the car and stepped off. As Claude pa.s.sed him, he stood waving his handkerchief,--a rather funny figure under the station lights, in his black clothes and his stiff straw hat, his short legs well apart, wearing his incurably jaunty air.

The train glided quietly out through the summer darkness, along the timbered river valley. Claude was alone on the back platform, smoking a nervous cigar. As they pa.s.sed the deep cut where Lovely Creek flowed into the river, he saw the lights of the mill house flash for a moment in the distance. The night air was still; heavy with the smell of sweet clover that grew high along the tracks, and of wild grapevines wet with dew. The conductor came to ask for the tickets, saying with a wise smile that he had been hunting for him, as he didn't like to trouble the lady.

After he was gone, Claude looked at his watch, threw away the end of his cigar, and went back through the Pullman cars. The pa.s.sengers had gone to bed; the overhead lights were always turned low when the train left Frankfort. He made his way through the aisles of swaying green curtains, and tapped at the door of his state room. It opened a little way, and Enid stood there in a white silk dressing-gown with many ruffles, her hair in two smooth braids over her shoulders.

”Claude,” she said in a low voice, ”would you mind getting a berth somewhere out in the car tonight? The porter says they are not all taken. I'm not feeling very well. I think the dressing on the chicken salad must have been too rich.”

He answered mechanically. ”Yes, certainly. Can't I get you something?”

”No, thank you. Sleep will do me more good than anything else.

Good-night.”

She closed the door, and he heard the lock slip. He stood looking at the highly polished wood of the panel for a moment, then turned irresolutely and went back along the slightly swaying aisle of green curtains. In the observation car he stretched himself out upon two wicker chairs and lit another cigar. At twelve o'clock the porter came in.

”This car is closed for the night, sah. Is you the gen'leman from the stateroom in fourteen? Do you want a lower?”

”No, thank you. Is there a smoking car?”

”They is the day-coach smokah, but it ain't likely very clean at this time o' night.”

”That's all right. It's forward?” Claude absently handed him a coin, and the porter conducted him to a very dirty car where the floor was littered with newspapers and cigar stumps, and the leather cus.h.i.+ons were grey with dust. A few desperate looking men lay about with their shoes off and their suspenders hanging down their backs. The sight of them reminded Claude that his left foot was very sore, and that his shoes must have been hurting him for some time. He pulled them off, and thrust his feet, in their silk socks, on the opposite seat.

On that long, dirty, uncomfortable ride Claude felt many things, but the paramount feeling was homesickness. His hurt was of a kind that made him turn with a sort of aching cowardice to the old, familiar things that were as sure as the sunrise. If only the sagebrush plain, over which the stars were s.h.i.+ning, could suddenly break up and resolve itself into the windings of Lovely Creek, with his father's house on the hill, dark and silent in the summer night! When he closed his eyes he could see the light in his mother's window; and, lower down, the glow of Mahailey's lamp, where she sat nodding and mending his old s.h.i.+rts. Human love was a wonderful thing, he told himself, and it was most wonderful where it had least to gain.

By morning the storm of anger, disappointment, and humiliation that was boiling in him when he first sat down in the observation car, had died out. One thing lingered; the peculiarly casual, indifferent, uninterested tone of his wife's voice when she sent him away. It was the flat tone in which people make commonplace remarks about common things.

Day broke with silvery brightness on the summer sage. The sky grew pink, the sand grew gold. The dawn-wind brought through the windows the acrid smell of the sagebrush: an odour that is peculiarly stimulating in the early morning, when it always seems to promise freedom... large s.p.a.ces, new beginnings, better days.

The train was due in Denver at eight o'clock. Exactly at seven thirty Claude knocked at Enid's door,--this time firmly. She was dressed, and greeted him with a fresh, smiling face, holding her hat in her hand.

”Are you feeling better?” he asked.

”Oh, yes! I am perfectly all right this morning. I've put out all your things for you, there on the seat.”

He glanced at them. ”Thank you. But I won't have time to change, I'm afraid.”

”Oh, won't you? I'm so sorry I forgot to give you your bag last night. But you must put on another necktie, at least. You look too much like a groom.”

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