Part 11 (1/2)

I made a note of that also. ”Happen to know a useful boy?” I asked Miss Janie.

”What about young Hopkins,” suggested her father.

”The only male thing on this farm-with the exception of yourself, of course, father dear-that has got any sense,” said Miss Janie. ”He can't have Hopkins.”

”The only fault I have to find with Hopkins,” said St. Leonard, ”is that he talks too much.”

”Personally,” I said, ”I should prefer a country lad. I have come down here to be in the country. With Hopkins around, I don't somehow feel it is the country. I might imagine it a garden city: that is as near as Hopkins would allow me to get. I should like myself something more suggestive of rural simplicity.”

”I think I know the sort of thing you mean,” smiled Miss Janie. ”Are you fairly good-tempered?”

”I can generally,” I answered, ”confine myself to sarcasm. It pleases me, and as far as I have been able to notice, does neither harm nor good to anyone else.”

”I'll send you up a boy,” promised Miss Janie.

I thanked her. ”And now we come to the donkey.”

”Nathaniel,” explained Miss Janie, in answer to her father's look of enquiry. ”We don't really want it.”

”Janie,” said Mr. St. Leonard in a tone of authority, ”I insist upon being honest.”

”I was going to be honest,” retorted Miss Janie, offended.

”My daughter Veronica has given me to understand,” I said, ”that if I buy her this donkey it will be, for her, the commencement of a new and better life. I do not attach undue importance to the bargain, but one never knows. The influences that make for reformation in human character are subtle and unexpected. Anyhow, it doesn't seem right to throw a chance away. Added to which, it has occurred to me that a donkey might be useful in the garden.”

”He has lived at my expense for upwards of two years,” replied St.

Leonard. ”I cannot myself see any moral improvement he has brought into my family. What effect he may have upon your children, I cannot say.

But when you talk about his being useful in a garden-”

”He draws a cart,” interrupted Miss Janie.

”So long as someone walks beside him feeding him with carrots. We tried fixing the carrot on a pole six inches beyond his reach. That works all right in the picture: it starts this donkey kicking.”

”You know yourself,” he continued with growing indignation, ”the very last time your mother took him out she used up all her carrots getting there, with the result that he and the cart had to be hauled home behind a trolley.”

We had reached the yard. Nathaniel was standing with his head stretched out above the closed half of his stable door. I noticed points of resemblance between him and Veronica herself: there was about him a like suggestion of resignation, of suffering virtue misunderstood; his eye had the same wistful, yearning expression with which Veronica will stand before the window gazing out upon the purple sunset, while people are calling to her from distant parts of the house to come and put her things away. Miss Janie, bending over him, asked him to kiss her. He complied, but with a gentle, reproachful look that seemed to say, ”Why call me back again to earth?”

It made me mad with him. I was wrong in thinking Miss Janie not a pretty girl. Hers is that type of beauty that escapes attention by its own perfection. It is the eccentric, the discordant, that arrests the roving eye. To harmony one has to attune oneself.

”I believe,” said Miss Janie, as she drew away, wiping her cheek, ”one could teach that donkey anything.”

Apparently she regarded willingness to kiss her as indication of exceptional amiability.

”Except to work,” commented her father. ”I'll tell you what I'll do,” he said. ”If you take that donkey off my hands and promise not to send it back again, why, you can have it.”

”For nothing?” demanded Janie woefully.

”For nothing,” insisted her father. ”And if I have any argument, I'll throw in the cart.”