Part 95 (2/2)
'Queen Elizabeth,' 'Redemption,' 'The Creation,' &c. Some of these productions were popular; one, 'The Creation,' has been highly praised by Dr Johnson; but most of them were heavy. Matthew Henry has preserved portions in his valuable Commentary. Blackmore, a man of excellent character and of extensive medical practice, was yet the laughingstock of the wits, perhaps as much for his piety as for his prosiness. Old, rich, and highly respected, he died on the 8th of October 1729, while some of his poetic persecutors came to a disgraceful or an early end.
We quote the satire of John Gay, as one of the cleverest and best conditioned, although one of the coa.r.s.est of the attacks made on poor Sir Richard:--
VERSES TO BE PLACED UNDER THE PICTURE OF SIR R. BLACKMORE, CONTAINING A COMPLETE CATALOGUE OF HIS WORKS.
See who ne'er was, nor will be half read, Who first sang Arthur, then sang Alfred; Praised great Eliza in G.o.d's anger, Till all true Englishmen cried, Hang her; Mauled human wit in one thick satire, Next in three books spoiled human nature; Undid Creation at a jerk, And of Redemption made ---- work; Then took his Muse at once, and dipt her Full in the middle of the Scripture; What wonders there the man grown old did, Sternhold himself he out Sternholded; Made David seem so mad and freakish, All thought him just what thought King Achish; No mortal read his Solomon But judged Reboam his own son; Moses he served as Moses Pharaoh, And Deborah as she Sisera; Made Jeremy full sore to cry, And Job himself curse G.o.d and die.
What punishment all this must follow?
Shall Arthur use him like King Tollo?
Shall David as Uriah slay him?
Or dext'rous Deborah Sisera him?
Or shall Eliza lay a plot To treat him like her sister Scot?
No, none of these; Heaven save his life, But send him, honest Job, thy wife!
CREATION.
No more of courts, of triumphs, or of arms, No more of valour's force, or beauty's charms; The themes of vulgar lays, with just disdain, I leave unsung, the flocks, the amorous swain, The pleasures of the land, and terrors of the main.
How abject, how inglorious 'tis to lie Grovelling in dust and darkness, when on high Empires immense and rolling worlds of light, To range their heavenly scenes the muse invite; I meditate to soar above the skies, To heights unknown, through ways untried, to rise; I would the Eternal from his works a.s.sert, And sing the wonders of creating art.
While I this unexampled task essay, Pa.s.s awful gulfs, and beat my painful way, Celestial Dove! divine a.s.sistance bring, Sustain me on thy strong extended wing, That I may reach the Almighty's sacred throne, And make his causeless power, the cause of all things, known.
Thou dost the full extent of nature see, And the wide realms of vast immensity; Eternal Wisdom thou dost comprehend, Rise to her heights, and to her depths descend; The Father's sacred counsels thou canst tell, Who in his bosom didst for ever dwell; Thou on the deep's dark face, immortal Dove!
Thou with Almighty energy didst move On the wild waves, inc.u.mbent didst display Thy genial wings, and hatch primeval day.
Order from thee, from thee distinction came, And all the beauties of the wondrous frame.
Hence stamped on nature we perfection find, Fair as the idea in the Eternal Mind.
See, through this vast extended theatre Of skill divine, what s.h.i.+ning marks appear!
Creating power is all around expressed, The G.o.d discovered, and his care confessed.
Nature's high birth her heavenly beauties show; By every feature we the parent know.
The expanded spheres, amazing to the sight!
Magnificent with stars and globes of light, The glorious...o...b.. which heaven's bright host compose, The imprisoned sea, that restless ebbs and flows, The fluctuating fields of liquid air, With all the curious meteors hovering there, And the wide regions of the land, proclaim The Power Divine, that raised the mighty frame.
What things soe'er are to an end referred, And in their motions still that end regard, Always the fitness of the means respect, These as conducive choose, and those reject, Must by a judgment foreign and unknown Be guided to their end, or by their own; For to design an end, and to pursue That end by means, and have it still in view, Demands a conscious, wise, reflecting cause, Which freely moves, and acts by reason's laws; That can deliberate, means elect, and find Their due connexion with the end designed.
And since the world's wide frame does not include A cause with such capacities endued, Some other cause o'er nature must preside, Which gave her birth, and does her motions guide; And here behold the cause, which G.o.d we name, The source of beings, and the mind supreme; Whose perfect wisdom, and whose prudent care, With one confederate voice unnumbered worlds declare.
ELIJAH FENTON.
This author, who was very much respected by his contemporaries, and who translated a portion of the Odyssey in conjunction with Pope, was born May 20, 1683, at Newcastle, in Staffords.h.i.+re; studied at Cambridge, which, owing to his nonjuring principles, he had to leave without a degree; and pa.s.sed part of his life as a schoolmaster, and part of it as secretary to Charles, Earl of Orrery. By his tragedy of 'Mariamne' he secured a moderate competence; and during his latter years, spent his life comfortably as tutor in the house of Lady Trumbull. He died in 1730. His accomplishments were superior, and his character excellent.
Pope, who was indebted to him for the first, fourth, nineteenth, and twentieth of the books of the Odyssey, mourns his loss in one of his most sincere-seeming letters. Fenton edited Waller and Milton, wrote a brief life of the latter poet,--with which most of our readers are acquainted,--and indited some respectable verse.
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