Part 13 (1/2)

She lifted her skirt and showed him her stockings, all full of holes and tied together with strings. ”I haven't a change of anything. Money? Why, I didn't even have enough to give mademoiselle a few flowers on her birthday. I bought her a bunch of violets for a sou! Oh! yes, money, indeed! That last twenty francs--do you know where I got them? I took them out of mademoiselle's box! I've put them back. But that's done with. I don't want any more of that kind of thing. It will do for once.

Where do you expect me to get money now, just tell me that, will you?

You can't p.a.w.n your skin at the Mont-de-Piete--unless!----But as to doing anything of that sort again, never in my life! Whatever else you choose, but no stealing! I won't do it again. Oh! I know very well what you will do. So much the worse!”

”Well! have you worked yourself up enough?” said Jupillon. ”If you'd told me that about the twenty francs, do you suppose I'd have taken it?

I didn't suppose you were as hard up as all that. I saw that you went on as usual. I fancied it wouldn't put you out to lend me a twenty-franc piece, and I'd have returned it in a week or two with the others. But you don't say anything? Oh! well, I'm done, I won't ask you for any more. But that's no reason we should quarrel, as I can see.” And he added, with an indefinable glance at Germinie: ”Till Thursday, eh?”

”Till Thursday!” said Germinie, desperately. She longed to throw herself into Jupillon's arms, to ask his pardon for her poverty, to say to him: ”You see, I can't do it!”

She repeated: ”Till Thursday!” and took her leave.

When, on Thursday, she knocked at the door of Jupillon's apartment on the ground floor, she thought she heard a man's hurried step at the other end of the room. The door opened; before her stood Jupillon's cousin with her hair in a net, wearing a red jacket and slippers, and with the costume and bearing of a woman who is at home in a man's house.

Her belongings were tossed about here and there: Germinie saw them on the chairs she had paid for.

”Whom does madame wish to see?” demanded the cousin, impudently.

”Monsieur Jupillon?”

”He has gone out.”

”I'll wait for him,” said Germinie, and she attempted to enter the other room.

”You'll wait at the porter's lodge then;” and the cousin barred the way.

”When will he return?”

”When the hens have teeth,” said the girl, seriously, and shut the door in her face.

”Well! this is just what I expected of him,” said Germinie to herself, as she walked along the street. The pavement seemed to give way beneath her trembling legs.

XLI

When she returned that evening from a christening dinner, which she had been unable to avoid attending, mademoiselle heard talking in her room.

She thought that there was someone with Germinie, and, marveling thereat, she opened the door. In the dim light shed by an untrimmed, smoking candle she saw nothing at first; but, upon looking more closely, she discovered her maid lying in a heap at the foot of the bed.

Germinie was talking in her sleep. She was talking with a strange accent that caused emotion, almost fear. The vague solemnity of supernatural things, a breath from regions beyond this life, arose in the room, with those words of sleep, involuntary, fugitive words, palpitating, half-spoken, as if a soul without a body were wandering about a dead man's lips. The voice was slow and deep, and had a far-off sound, with long pauses of heavy breathing, and words breathed forth like sighs, with now and then a vibrating, painful note that went to the heart,--a voice laden with mystery and with the nervous tremor of the darkness, in which the sleeper seemed to be groping for souvenirs of the past and pa.s.sing her hand over faces. ”Oh! she loved me dearly,” mademoiselle heard her say. ”And if he had not died we should be very happy now, shouldn't we? No! no! But it's done, worse luck, and I don't want to tell of it.”

The words were followed by a nervous contraction of her features as if she sought to seize her secret on the edge of her lips and force it back.

Mademoiselle, with something very like terror, leaned over the poor, forlorn body, powerless to direct its own acts, to which the past returned as a ghost returns to a deserted house. She listened to the confessions that were all ready to rush forth but were instinctively checked, to the unconscious mind that spoke without restraint, to the voice that did not hear itself. A sensation of horror came over her: she felt as if she were beside a dead body haunted by a dream.

After a pause of some duration, and what seemed to be a sort of conflict between the things that were present in her mind, Germinie apparently turned her attention to the circ.u.mstances of her present life. The words that escaped her, disjointed, incoherent words, were, as far as mademoiselle could understand them, addressed to some person by way of reproach. And as she talked on, her language became as unrecognizable as her voice, which had taken on the tone and accent of the dreamer. It rose above the woman, above her ordinary style, above her daily expressions. It was the language of the people, purified and transfigured by pa.s.sion. Germinie accentuated words according to their orthography; she uttered them with all their eloquence. The sentences came from her mouth with their proper rhythm, their heart-rending pathos and their tears, as from the mouth of an admirable actress. There were bursts of tenderness, interlarded with shrieks; then there were outbreaks of rebellion, fierce bursts of pa.s.sion, and the most extraordinary, biting, implacable irony, always merging into a paroxysm of nervous laughter that repeated the same result and prolonged it from echo to echo. Mademoiselle was confounded, stupefied, and listened as at the theatre. Never had she heard disdain hurled down from so lofty a height, contempt so tear itself to tatters and gush forth in laughter, a woman's words express such a fierce thirst for vengeance against a man.