Part 29 (1/2)

Tono Bungay H. G. Wells 61610K 2022-07-22

Well, I have still to fly; but incidentally I have invented the lightest engines in the world.

I am trying to tell of all the things that happened to me. It's hard enough simply to get it put down in the remotest degree right. But this is a novel, not a treatise. Don't imagine that I am coming presently to any sort of solution of my difficulties. Here among my drawings and hammerings NOW, I still question unanswering problems. All my life has been at bottom, SEEKING, disbelieving always, dissatisfied always with the thing seen and the thing believed, seeking something in toil, in force, in danger, something whose name and nature I do not clearly understand, something beautiful, wors.h.i.+pful, enduring, mine profoundly and fundamentally, and the utter redemption of myself; I don't know--all I can tell is that it is something I have ever failed to find.

XI

But before I finish this chapter and book altogether and go on with the great adventure of my uncle's career. I may perhaps tell what else remains to tell of Marion and Effie, and then for a time set my private life behind me.

For a time Marion and I corresponded with some regularity, writing friendly but rather uninforming letters about small business things. The clumsy process of divorce completed itself.

She left the house at Ealing and went into the country with her aunt and parents, taking a small farm near Lewes in Suss.e.x. She put up gla.s.s, she put in heat for her father, happy man! and spoke of figs and peaches.

The thing seemed to promise well throughout a spring and summer, but the Suss.e.x winter after London was too much for the Ramboats. They got very muddy and dull; Mr. Ramboat killed a cow by improper feeding, and that disheartened them all. A twelvemonth saw the enterprise in difficulties.

I had to help her out of this, and then they returned to London and she went into partners.h.i.+p with Smithie at Streatham, and ran a business that was intimated on the firm's stationery as ”Robes.” The parents and aunt were stowed away in a cottage somewhere. After that the letters became infrequent. But in one I remember a postscript that had a little stab of our old intimacy: ”Poor old Miggles is dead.”

Nearly eight years slipped by. I grew up. I grew in experience, in capacity, until I was fully a man, but with many new interests, living on a larger scale in a wider world than I could have dreamt of in my Marion days. Her letters become rare and insignificant. At last came a gap of silence that made me curious. For eighteen months or more I had nothing from Marion save her quarterly receipts through the bank. Then I d.a.m.ned at Smithie, and wrote a card to Marion.

”Dear Marion,” I said, ”how goes it?”

She astonished me tremendously by telling me she had married again--”a Mr. Wachorn, a leading agent in the paper-pattern trade.” But she still wrote on the Ponderevo and Smith (Robes) notepaper, from the Ponderevo and Smith address.

And that, except for a little difference of opinion about the continuance of alimony which gave me some pa.s.sages of anger, and the use of my name by the firm, which also annoyed me, is the end of Marion's history for me, and she vanishes out of this story. I do not know where she is or what she is doing. I do not know whether she is alive or dead.

It seems to me utterly grotesque that two people who have stood so close to one another as she and I should be so separated, but so it is between us.

Effie, too, I have parted from, though I still see her at times. Between us there was never any intention of marriage nor intimacy of soul. She had a sudden, fierce, hot-blooded pa.s.sion for me and I for her, but I was not her first lover nor her last. She was in another world from Marion. She had a queer, delightful nature; I've no memory of ever seeing her sullen or malicious. She was--indeed she was magnificently--eupeptic. That, I think, was the central secret of her agreeableness, and, moreover, that she was infinitely kind-hearted. I helped her at last into an opening she coveted, and she amazed me by a sudden display of business capacity. She has now a typewriting bureau in Riffle's Inn, and she runs it with a brisk vigour and considerable success, albeit a certain plumpness has overtaken her. And she still loves her kind. She married a year or so ago a boy half her age--a wretch of a poet, a wretched poet, and given to drugs, a thing with lank fair hair always getting into his blue eyes, and limp legs. She did it, she said, because he needed nursing....

But enough of this disaster of my marriage and of my early love affairs; I have told all that is needed for my picture to explain how I came to take up aeroplane experiments and engineering science; let me get back to my essential story, to Tono-Bungay and my uncle's promotions and to the vision of the world these things have given me.

BOOK THE THIRD

THE GREAT DAYS OF TONO-BUNGAY

CHAPTER THE FIRST

THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE

I

But now that I resume the main line of my story it may be well to describe the personal appearance of my uncle as I remember him during those magnificent years that followed his pa.s.sage from trade to finance.

The little man plumped up very considerably during the creation of the Tono-Bungay property, but with the increasing excitements that followed that first flotation came dyspepsia and a certain flabbiness and falling away. His abdomen--if the reader will pardon my taking his features in the order of their value--had at first a nice full roundness, but afterwards it lost tone without, however, losing size. He always went as though he was proud of it and would make as much of it as possible. To the last his movements remained quick and sudden, his short firm legs, as he walked, seemed to twinkle rather than display the scissors-stride of common humanity, and he never seemed to have knees, but instead, a dispersed flexibility of limb.

There was, I seem to remember, a secular intensification of his features; his nose developed character, became aggressive, stuck out at the world more and more; the obliquity of his mouth, I think, increased.

From the face that returns to my memory projects a long cigar that is sometimes c.o.c.ked jauntily up from the higher corner, that sometimes droops from the lower;--it was as eloquent as a dog's tail, and he removed it only for the more emphatic modes of speech. He a.s.sumed a broad black ribbon for his gla.s.ses, and wore them more and more askew as time went on. His hair seemed to stiffen with success, but towards the climax it thinned greatly over the crown, and he brushed it hard back over his ears where, however, it stuck out fiercely. It always stuck out fiercely over his forehead, up and forward.

He adopted an urban style of dressing with the onset of Tono-Bungay and rarely abandoned it. He preferred silk hats with ample rich brims, often a trifle large for him by modern ideas, and he wore them at various angles to his axis; his taste in trouserings was towards fairly emphatic stripes and his trouser cut was neat; he liked his frock-coat long and full, although that seemed to shorten him. He displayed a number of valuable rings, and I remember one upon his left little finger with a large red stone bearing Gnostic symbols. ”Clever chaps, those Gnostics, George,” he told me. ”Means a lot. Lucky!” He never had any but a black mohair watch-chair. In the country he affected grey and a large grey cloth top-hat, except when motoring; then he would have a brown deer-stalker cap and a fur suit of esquimaux cut with a sort of boot-end to the trousers. Of an evening he would wear white waistcoats and plain gold studs. He hated diamonds. ”Flashy,” he said they were. ”Might as well wear--an income tax-receipt. All very well for Park Lane. Unsold stock. Not my style. Sober financier, George.”

So much for his visible presence. For a time it was very familiar to the world, for at the crest of the boom he allowed quite a number of photographs and at least one pencil sketch to be published in the sixpenny papers.

His voice declined during those years from his early tenor to a flat rich quality of sound that my knowledge of music is inadequate to describe. His Zzz-ing inrush of air became less frequent as he ripened, but returned in moments of excitement. Throughout his career, in spite of his increasing and at last astounding opulence, his more intimate habits remained as simple as they had been at Wimblehurst. He would never avail himself of the services of a valet; at the very climax of his greatness his trousers were folded by a housemaid and his shoulders brushed as he left his house or hotel. He became wary about breakfast as life advanced, and at one time talked much of Dr. Haig and uric acid.