Part 4 (2/2)

Little Frida Anonymous 45120K 2022-07-22

Frida, choking back her sobs, opened her Bible and read the story that little Anna loved, of Jesus taking the children in His arms and blessing them; then sang a hymn of the joys of heaven, where He is seen face to face, and where there is ”no more pain, neither sorrow nor crying, neither is there any more death,” and where His redeemed ones _see_ His face.

The mother, almost blinded with tears, heard her child whisper, ”'See His face;' then Annchen will see Him too, won't she, Frida?”

”Yes, Annchen. There your eyes will be open, and you will be blind no more.”

As Frida said these words she heard one deep-drawn breath, one cry, ”Fader, Mutter, Jesus!” and the little one was gone into that land where the first face she saw was that of her loving Saviour, whom ”having not seen she loved,” and the beauties of that land which had been afar off burst on her eyes, which were no longer blind.

Poor father! poor mother! look up; your child sees now, and will await your coming to the golden gates.

Heartfelt tears were shed on earth by that death-bed, but there was a song of great rejoicing in heaven over another ransomed soul entering heaven, and also over another sinner entering the kingdom of G.o.d on earth, as Wilhelm Horstel bent his knee by the bed where his dead child lay, and in broken words asked the Saviour whom that child had gone to see face to face to receive him as a poor sinner, and make him all he ought to be. In after-years he would often say that it was the words little Frida, the woodland child, had read and sung to his blind darling that led him, as they had already led his wife, to the feet of Jesus.

CHAPTER VIII.

THE VIOLIN-TEACHER AND THE CONCERT.

”There in an arched and lofty room She stands in fair white dress, Where grace and colour and sweet sound Combine and cl.u.s.ter all around, And rarest taste express.”

Three years had pa.s.sed since all that was mortal of the blind child was laid to rest in the quiet G.o.d's acre near where the body of Frida's father lay. After the funeral of little Anna, Frida at her own request returned to the Forest with her friends, anxious to help and comfort Elsie, who she knew would sorely miss the blind child, who had been such a comfort and companion to her when both Wilhelm and Hans were busy at work in the woods; but after remaining with them for a few months, she again returned for a part of each year to Dringenstadt, and made rapid progress under Miss Drechsler's tuition with her education, and especially with her music.

The third summer after little Anna's death, Frida was again spending some weeks in the Forest. It was early summer when she returned there.

Birds and insects were busy in the Forest, and the wood-cutters were hard at work loading the carts with the piles of wood which the large-eyed, strong, patient-looking oxen conveyed to the town. Loud sounded the crack of the carters' whips as they urged on the slow-paced oxen. Often in those days Frida, accompanied by Elsie (who had now no little child to detain her at home), would take Wilhelm's and Hans's simple dinner with them to carry to them where they worked.

One day Frida left Elsie talking to her husband and boy, and strolled a little way further into the Forest, gathering the flowers that grew at the foot of the trees, and admiring the soft, velvety moss that here and there covered the ground, when suddenly she was startled by the sounds of footsteps quite near her, and looking hastily round, saw to her amazement the figure of the young violinist from whom she had lately taken lessons.

”Fraulein Heinz,” he said, as he caught sight of the fair young girl as she stood, flowers in hand, ”I rejoice to meet you, for I came in search of you. Pupils of mine in the town of Baden-Baden, many miles from here, where I often reside, are about to have an amateur concert, and they have asked me to bring any pupil with me whom I may think capable of a.s.sisting them. They are English milords, and are anxious to a.s.sist local musical talent; and I have thought of you, Fraulein, as a performer on the violin, and I went to-day to Miss Drechsler to ask her to give you leave to go.”

”And what did she say?” asked the child eagerly. ”How could I go so far away?” And she stopped suddenly; but the glance she gave at her dress told the young violinist the direction of her thoughts.

”Ah!” he said, ”Fraulein Drechsler will settle all that. She wishes you to go, and says she will herself accompany you and also bring you back to your friends.”

”Oh! then,” said Frida, ”I would like very much to go; but I must ask Wilhelm and Elsie if they can spare me. But, Herr Muller, do you think I can play well enough?”

The violinist smiled as he thought how little the girl before him realized the musical genius which she possessed, and which already, young as she was, made her a performer of no ordinary skill.

”Ah yes, Fraulein,” he said, ”I think you will do. But you know, as the concert is not for a month yet, you can come to Dringenstadt and can have a few more lessons ere then.”

”Come with me, then, and let me introduce you to my friends;” and she led him up to the spot where Wilhelm, Elsie, and Hans stood.

They looked surprised, but when they heard her request they could not refuse it. To have their little woodland child play at a concert seemed to them an honour of no small magnitude. Hans in his eagerness pressed to her side, saying, ”O Frida, I am so glad, for you do play so beautifully.”

”As for that matter, so do you, Hans,” she replied, for the boy had the musical talent so often found even in German peasants, and taught by Frida could really play with taste on the violin.

”O Herr Muller,” she said, turning to him, ”I wish some day you could hear Hans play; I am sure you would like it. If only he could get lessons! I know he would excel in it.”

”Is that so?” said the violinist; ”then we must get that good Fraulein Drechsler to have him down to Dringenstadt, and I will hear him play; and then if we find there is real talent, I might recommend him to the society for helping those who have a turn for music, but are not able to pay for instruction.”

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