Part 3 (1/2)
”I'll remind you, Bull, that you are an officer and a gentleman.”
”And I'll remind you that I'm not a pansy southern gentleman.”
”True, you're not. There's not a place on earth you could qualify as a gentleman.”
Ben and Mary Anne suppressed giggles into the pillows they were lying on, not daring to let their father hear them. Bull turned to his wife slowly, the engine running, and said, ”You know, Lillian, I think after eighteen years of marriage, you're starting to develop a sense of humor. Now let's quit the yappin' and let's get down the road. I want to make some good time.”
”Give me a kiss good-bye, fighter pilot,” Mamaw said, an almost forgotten shadow standing by the side of the car. She leaned in and kissed her son-in-law on the lips. ”Be good to the children on this trip, Bull. You hear me. They've been looking to your coming home. Don't spoil it. I mean it too. This is your lover girl speaking.”
”Just so long as they do exactly what I say. They know that as well as you do.”
”They're just kids, Bull.”
”They're Marine kids, Alice, and that's what makes them different.”
”Mother,” Lillian said, her eyes s.h.i.+ning, ”thanks for everything. The year was wonderful.”
”For me especially,” Alice said reaching across Bull and grasping her daughter's hand. Alice looked very old under the street light. She was not good at farewells, especially when she was tired and her defenses down on the far side of two o'clock in the morning.
”All right, Alice,” Bull growled impatiently, ”we're all getting kind of weepy and you know there's nothing I hate worse than boo-hooing.”
”You come see us, you hear, Mother,” Lillian called.
”Yeah, you heah,” Bull said, mocking his wife's southern accent. ”Is that dumb dog in the car?”
”He's not dumb, Dad,” Matt answered, offended, petting the sleeping head of a black mongrel dog in the backseat.
”All right, all right. Let's cut the yappin',” Bull said, picking up an imaginary microphone by his dashboard. ”Control tower. Run me a check on the weather. Roger. Stand by for a fighter pilot. Over and out.”
”Bye Mamaw,” the children yelled.
The blue station wagon pulled away from the curb like a s.h.i.+p easing into the half black waters a stones throw from the light of harbors. Soon the rhythm of s.h.i.+fted gears and the suppressed hum of an engine tuned for a long journey brought the car down Briarcliff Road to Ponce de Leon. At the light, Bull Meecham announced that it was time to sing.
”What should we sing first?” Mary Anne asked.
”What we always sing first, sportsfans,” Bull answered. ”Everybody ready?”
”Yeah,” his children cried.
”Yeah?” the father asked.
”Yes, sir,” they answered correctly.
”That's better. A-one and a-two and a-three.”
Then together the family sang. The old words of the song burned into their collective memory. Images of other journeys flashed before them as they pa.s.sed from light to darkness to light following the street lamps of Ponce de Leon into Decatur. It was the holy hymn taken from the bone and sinew of the family's life together, the anthem of both their discontent and strange belabored love for their way of life. With the singing of this song the trip began, tradition was paid its due homage, the rites of odyssey fulfilled. A lone car pa.s.sed the Meechams' station wagon, and the stranger pa.s.sing other strangers for the first and last time on earth heard the words coming toward him and leaving him quickly, unable to catch the tune. He caught only the word ”battles.”
From the halls of Montezuma to the sh.o.r.es of Tripoli, We will fight our country's battles on land, on air, on sea.
First to fight for right and freedom, and to keep our honor clean, We are proud to claim the t.i.tle of United States Marines.
It was the first song on all journeys the family took together. Each of the children had heard it first in the arms of their father; its rhythms had come to them through their mother's milk. The song filled each child with a bewitched, unnamable feeling; the same feeling that drove men into battle. The Marine Corps hymn was the family song, the song of a warrior's family, the song of war, the Meecham song. ”Families without songs are unhappy families,” Lillian Meecham would say. But the song was theirs. They were traveling now, singing the lead song, driving deep into an American night toward a base where the great silver planes rested, waiting for their pilots.
All during the summer, all across America, the highways filled up with the migrating families of the American military. They made crisp, mesmerized treks from base to base where the men perfected the martial arts and where families settled into counterfeit security for a year or two. Movement, travel, impermanence, and pa.s.sing in the night were laws of the tribe. If the birds of the North are born with a migratory instinct fused into the alb.u.men of eggs, then the military families of America develop the same instinct out of necessity. They pack, move, unpack, burrow in, and nervously await their next orders. When summers come a moving fever hits many of them, even when the orders command that they stay where they are.
Orders usually came during the spring, filtered down from the Pentagon, the long, s.p.a.cious halls where uneyed, five-sided men fingered the destinies of millions of men and their families, who set in motion the marathon car trip, that took an Army family of eight from the Presidio of San Francisco across the continent, that sent a bachelor from Quantico thirty miles up the road to Arlington, and four naval families living side by side in Newport News to four different directions on the compa.s.s, that left an Air Force family of three in the same house on the same base for eleven years. Orders came to some men yearly; to others, rarely. But when they came, their obdurate, elliptical prose offered no choices. Orders simply informed men where they were to transport their families, the amount of time allowed for them to do it, and a description of their new a.s.signment. Orders were a spare and skeletal literature.
”Now it's time for the ol' Dad to do a solo number,” Bull announced.
”Oh, no. Not already,” Lillian groaned.
”Stick your head out the window when you sing this, Dad, so the winds.h.i.+elds don't crack,” Ben said.
”Did your voice improve overseas, Dad?” Mary Anne asked. ”Or does it still sound like an animal died in your throat?”
”You got the worst voice I ever heard in my life,” Matt said.
”I like the way you sing, Daddy, don't listen,” Karen said defensively.
”That's my girl, Karen. Defend your poor ol' father.”
”Brown-noser,” Mary Anne hissed at Karen. But her father had already begun singing the second traditional song of the trip.
When they cut down the old pine tree, And they hauled it away to the mill, To make a coffin of pine For that sweetheart of mine When they cut down the ol' pine tree.
The dog, Okra, began to bark fiercely at Colonel Meecham. But Bull continued his crooning.
Oh, she's not alone in her grave tonight Alone, alone, she'll always be.
When they cut down the pine for that sweetheart of mine When they cut down the ol' pine tree.
”I can't believe it,” Mrs. Meecham said, ”the worst voice in the world got worse in a year.”
”I could bring tears to the eyes of millions with that recording,” Bull retorted, his feelings ruffled somewhat.
”Even Okra thought you stunk, Dad,” Matt said.
”Who cares what that worthless mutt thinks. I'd be doing the whole family a favor if I got the car up to ninety and threw Okra out the window.”
”Yeah,” Matt continued, ”ol' Okra just hates your guts. I've never seen Okra hate anybody except you.”
”That dog can't do one trick,” Bull observed, lighting a cigar in the front seat.
”Okra has too much pride to do tricks for mere human beings,” Mary Anne stated officiously. ”His mind is on spiritual matters.”
”Okra has one problem, sportsfans. The dog is stone dumb.”
Lillian turned her head toward her husband and said, ”He reminds me of a lot of Marines I've met.”
”Touche,” Mary Anne cried.