Part 24 (1/2)

[65] As it is neither hoped nor intended that this chapter should const.i.tute a _gradus_, or complete code of instruction for the young student, I do but hint at a _few_ of the streams of information that Footnote: are open to him. A more extended view of these would result to him from a reference to the printed catalogues of those very diligent purveyors of _pabulum_ for auricular purposes, Messrs. c.o.c.ks and Co.; but, should he look upon a copious Catalogue as little better than a strange road without a guide, or a labyrinth without a _clue_-and should he have no _live_ preceptor at hand, to consult-I would point his attention to an available help from the same quarter, namely, ”_Hamilton's Catechism for the Violin_,” small in compa.s.s as in cost, wherein he will find, briefly indicated, the various steps by which, with due regard to continuous advancement, he should make his way.

[66] It is noticeable, as among the advantages due to this enterprise, that the text of the great Master, whose name it borrows, has been rescued (so far as relates to his Quartetts) from the numerous _errors_ wherewith all the editions were chargeable; and that a new edition, edited by Monsieur Rousselot (through whose labours that purification was mainly accomplished) has been submitted to the public by Messrs.

c.o.c.ks & Co.

[67] Among the meritorious doings of provincial Amateurs (albeit _not_ in the way of Quartetts), I would here take occasion to mention the Brighton ”Choral Society,” commenced in 1835, under the zealous management of Mr. H. Woledge, whose funds, as well as his time and talent, were liberally contributed to the undertaking. That social combination, although not continued beyond its third season, has been followed by the Brighton ”Amateur Symphony Society,” which, with Mr. B.

Thom for its Leader, and Mr. Woledge as its Secretary, is at this time pursuing its career of recreative euphony. Such Societies as this last, though they do not form quartett-players, can qualify their members to supply, with creditable effect, some of the demands of an orchestra.

[68] When twenty-four bits, instead of twelve, are used for the _purfling_, and when the _tail-piece_ is made of _two_ bits, the total number of pieces extends to _seventy-one_!

[69] Anecdotes of Mozart, by Frederic Rochlitz.

PRINTED BY J. MALLETT, 59, WARDOUR STREET, LONDON. WORKS FOR VIOLINISTS.

OTTO ON THE STRUCTURE AND PRESERVATION OF THE VIOLIN, ENLARGED EDITION, 8VO. BOARDS, BY JOHN BISHOP,

(_With Ill.u.s.trations_).

PRICE THREE s.h.i.+LLINGS.

A TREATISE

ON THE

STRUCTURE AND PRESERVATION

OF THE

VIOLIN,

AND

ALL OTHER BOW INSTRUMENTS;

TOGETHER WITH

An Account of the most celebrated Makers, and of the genuine Characteristics of their Instruments;

BY

JACOBUS AUGUSTUS OTTO,

_Instrument Maker to the Court of the Grand Duke of Wiemar_.

Translated from the Original, with Additions and Ill.u.s.trations,