Part 3 (1/2)
Then, with a jealous woman's frenzy, she drew a knife upon him and stabbed him in the neck, with the intent to kill him. Being muscular, he quickly disarmed her, though he afterward suffered from the wound poignantly.
Does it not bring a blush to our faces that a good, great man, like he who has died--our President--should have met his fate from one so inured to a life of ribaldry? Yet, only such an one could have been found to murder Abraham Lincoln.
The women persecuted Booth more than he followed them. He was waylaid by married women in every provincial town or city where he played. His face was so youthful, yet so manly, and his movements so graceful and excellent, that other than the coa.r.s.e and errant placed themselves in his way. After his celebrated Boston engagement, women of all ages and degrees pressed in crowds before the Tremont House to see him depart.
Their motives were various, but whether curiosity or worse, exhibiting plainly the deep influence which Booth had upon the s.e.x. He could be anywhere easy and gentlemanly, and it is a matter of wonder that with the entry which he had to many well-stocked homes, he did not make hospitality mourn and friends.h.i.+p find in his visit shame and ruin. I have not s.p.a.ce to go into the millionth catalogue of Booth's intrigues, even if this journal permitted further elucidation of so banned a subject. Most of his adherents of this cla.s.s were, like Heine's Polish virgins, and he was very popular with those dramatic ladies--few, I hope and know, in their profession--to whom divorce courts are superfluous.
His last permanent acquaintance was one Ella Turner, of Richmond, who loved him with all the impetuosity of that love which does not think, and strove to die at the tidings of his crime and fight. Happy that even such a woman did not die a.s.sociated with John Wilkes Booth. Such devotion to any other murderer would have earned some poet's tear. But the daisies will not grow a whole rod from _his_ grave.
Of what avail, may we ask, on the impossible supposition that Booth's crime could have been considered heroic, was it that such a record should have dared to die for fame? Victory would have been ashamed of its champion, as England of Nelson, and France of Mirabeau.
I may add to this record that he had not been in Philadelphia a year, on first setting out in life, before getting into a transaction of the kind specified. For an affair at his boarding-house he was compelled to pay a considerable sum of money, and it happily occurred just as he was to quit the city. He had many quarrels and narrow escapes through his license, a husband in Syracuse, N. Y., once followed him all the way to Cleveland to avenge a domestic insult.
Booth's paper ”To Whom it may Concern” was not his only attempt at influential composition. He sometimes persuaded himself that he had literary ability; but his orthography and p.r.o.nunciation were worse than his syntax. The paper deposited with J. S. Clarke was useful as showing his power to entertain a deliberate purpose. It has one or two smart pa.s.sages in it--as this:
”Our once bright red stripes look like _b.l.o.o.d.y gashes_ on the face of heaven.”
In the pa.s.sages following there is common sense and lunacy:
”I know how foolish I shall be deemed for undertaking such a step as this, where, on the one side, I have many friends and everything to make me happy, where my profession _alone_, has gained me an income of _more than_ twenty thousand dollars a year, and where my _great personal ambition_ in my profession has such a great field for labor. On the other hand, the South have never bestowed upon me one kind word; a place now where I have no friends, except beneath the sod; a place where I must either become a private soldier or a beggar. To give up all of the _former_ for the _latter_, besides my mother and sisters, whom I love so dearly (although they so widely differ with me in opinion) seems insane; but G.o.d is my judge.”
Now, read the beginning of the manifesto, and see how prophetic were his words of his coming infamy. If he expected so much for capturing the President merely, what of our execration at slaying him?
”Right or wrong, G.o.d judge me, not man. For be my motive good or bad, of one thing I am sure, _the lasting condemnation_ of the North.
”I love peace more than life. Have loved the Union beyond expression.
For four years have I waited, hoped and prayed for the dark clouds to break, and for a restoration of our former suns.h.i.+ne. _To wait longer would be a crime_. All hope for peace is dead. My prayers have proved as idle as my hopes. G.o.d's will be done. _I go to see and share the bitter end_.”
To wait longer would be a crime. Oh! what was the crime _not_ to wait!
Had he only shared the bitter end, then, in the common trench, his memory might have been hidden. The end had come when he appeared to make of benignant victory a quenchless revenge. One more selection from his apostrophe will do. It suggests the manner of his death:
”They say that the South has found _that_ 'last ditch' which the North have so long derided. Should I reach her in safety, and find it true, I will proudly beg permission to triumph or die in that same 'ditch' by her side.” The swamp near which he died may be called, without unseemly pun--a truth, not a _bon mot_--the last ditch of the rebellion.
None of the printed pictures that I have seen do justice to Booth. Some of the _cartes de visite_ get him very nearly. He had one of the finest vital heads I have ever seen. In fact, he was one of the best exponents of vital beauty I have ever met. By this I refer to physical beauty in the Medician sense--health, shapeliness, power in beautiful poise, and seemingly more powerful in repose than in energy. His hands and feet were sizable, not small, and his legs were stout and muscular, but inclined to bow like his father's. From the waist up he was a perfect man; his chest being full and broad, his shoulders gently sloping, and his arms as white as alabaster, but hard as marble. Over these, upon a neck which was its proper column, rose the cornice of a fine Doric face, spare at the jaws and not anywhere over-ripe, but seamed with a nose of Roman model, the only relic of his half-Jewish parentage, which gave decision to the thoughtfully stern sweep of two direct, dark eyes, meaning to woman snare, and to man a search warrant, while the lofty square forehead and square brows were crowned with a weight of curling jetty hair, like a rich Corinthian capital. His profile was eagleish, and afar his countenance was haughty. He seemed throat full of introspections, ambitious self-examinings, eye-strides into the future, as if it withheld him something to which he had a right. I have since wondered whether this moody demeanor did not come of a guilty spirit, but all the Booths look so.
Wilkes spoke to me in Was.h.i.+ngton for the first time three weeks before the murder. His address was winning as a girl's, rising in effect not from what he said, but from how he said it. It was magnetic, and I can describe it therefore by its effects alone. I seemed, when he had spoken, to lean toward this man. His att.i.tude spoke to me; with as easy familiarity as I ever observed he drew rear and conversed. The talk was on so trite things that it did not lie a second in the head, but when I left him it was with the feeling that a most agreeable fellow had pa.s.sed by.
The next time the name of Wilkes Booth recurred to me was like the pistol shot he had fired. The right hand I had shaken murdered the father of the country.
Booth was not graceful with his feet, although his ordinary walk was pleasant enough. But his arms were put to artistic uses; not the baser ones like boxing, but all sorts of fencing, manual practice, and the handling of weapons.
In his dress, he was neat without being particular. Almost any clothes could fit him; but he had nothing of the exquisite about him; his neckties and all such matters were good without being gaudy. Nature had done much for him. In this beautiful palace an outlaw had builded his fire, and slept, and plotted, and dreamed.
I have heard it said that Booth frequently cut his adversaries upon the stage in sheer wantonness or bloodthirstiness. This is a mistake, and is attributable to his father, the elder Booth, who had the madness of confounding himself with the character. Wilkes was too good a fencer to make ugly gashes; his pride was his skill, not his awkwardness. Once
he was playing with John McCullough in the last act of ”Richard.” They were fighting desperately. Suddenly the cross-piece on the hilt of McCullough's sword flew off and cut the owner deeply in the forehead.
Blood ran down McCullough's face, though they continued to struggle, and while, ostensibly, Booth was imitating a demon, he said in a half whisper: