Part 10 (1/2)

Mistakenly believing her father was innocent, it became Lydia's goal to clear his name. She wanted to eliminate anything that connected him to the crime-which was why she stole the microfilm from the library. Unfortunately for her, she didn't think of that until after the announcement had gone out that the Grand Theater was mounting a play based on the Lily Larkin story.

When Lydia heard about the play, she knew she had to stop it. With her theatrical training, it was easy enough to get a part, although she had been somewhat surprised when she landed the lead. Once she was in the play, her plan to force it to a halt by making it look like the ghost was disrupting things just seemed to come naturally, and she went at it from every angle she could think of. The day Chris and I spotted her going into the Bra.s.s Elephant with Alan, she had been trying to convince the poor guy that he should give up on his script because the Woman in White was so opposed to the show.

What Lydia hadn't counted on was that the Woman in White herself would take over.

And Pop? On the night Lily Larkin died in his arms, Edward Parker vowed to give up his acting career and stay at the Grand Theater until he and Lily were reunited. In time people forgot who he was, and why he was there, and just started calling him ”Pop.” Occasionally a famous performer who remembered Edward Parker from his acting days would come to town with a show and go down to Pop's little office to share a few beers and some memories. That was where all those autographed pictures had come from.

For fifty years Pop stayed at the Grand, waiting to be reunited with Lily. I thought about the night we had seen him sitting in the third row, crying. I wondered if it was because we could see the ghost and he couldn't.

Now, as I sat there staring at the stage, I heard a familiar strain of music-a waltz filled with sweetness and unbearable longing. It was the song the Woman in White always danced to: ”The Heart That Stays True.”

Looking down on the stage, I saw her for the last time. She was dancing in slow, sweeping circles, her empty arms held out before her. Again that feeling of sadness swept over me, and I could feel the tears start to run down my cheeks.

But a moment later everything changed. The music picked up speed, becoming livelier and sweeter.

And then a man stepped onto the stage, tall and handsome and filled with life, even though he was obviously a ghost, too.

It was a man I had seen before, in a picture in a newspaper fifty years old.

It was Pop-Edward Parker-the way he had looked on the day Lily died.

Crossing to the Woman in White, he took her in his arms, and they began to dance together. He whirled her around the floor, and her dress swept out behind her. The music began to swell, louder and faster and sweeter than ever. It seemed their feet were barely touching the floor.

I thought I was going to go out of my skin with the joy of it all.

And then, almost before it had begun, it was over. Still whirling around and around the stage, they began to fade slowly from my sight. A moment later they were gone. Only one note of music was left, a sweet pure note that hung in the air after they had vanished.

And then it, too, was gone, and there was nothing but an empty stage.

I sat there with tears streaming down my face, happier than I had ever thought possible.

Turn the page to continue reading from The Nina Tanleven Mysteries

CHAPTER ONE.

The Quackadoodle ”Sigh.”

That was me, Nina Tanleven.

”I know. Double sigh.”

That was my best friend, Chris Gurley. We were lying on the floor of Chris's bedroom, looking at magazines and being depressed.

”Does everyone feel like this when a play ends?” I asked. Chris and I had been acting in a show being done at one of the local theaters that summer. Now that it was over, life seemed incredibly boring.

”I don't know,” said Chris. She rolled a strand of reddish blond hair through her fingers and pulled it over her nose. ”I'd look it up, but I'm too depressed.”

”I wish we could do another one,” I said wistfully. ”I wouldn't even complain about rehearsals.”

”You have to complain about rehearsals. It's traditional. Anyway, what I really miss are the people.”

I knew what she meant. While we were working on The Woman in White the rest of the cast had become like a second family. Now there was no reason for us to get together anymore.

Except for Chris and me. When we met at the auditions, the two of us had become friends almost instantly. We moved from ”just friends” to ”best friends” when we teamed up to solve the mystery behind the ghost haunting the Grand Theater where the play was being produced. Despite the fact that we go to different schools, we plan to be best friends forever.

We were still lying there feeling sorry for ourselves when Chris's mother poked her head into the room. ”Come on, Nine. I'll drive you home.”

I sighed again and got up. ”See you later,” I said to Chris.

She flopped her hand listlessly. ”See you later.”

We both sighed.

You'd think that when someone is that depressed, the people around them would have the good manners to be a little depressed, too. Not my father. When Mrs. Gurley dropped me off, I dragged myself into the house, only to find Dad dancing around the kitchen, playing a tune on the pots and pans. Now Dad's a little weird, even at his best. But when I saw this act, I began to wonder if he had finally flipped for real.

”This is it, kid!” he yelled when he spotted me in the doorway. Making a lunge in my direction, he swooped me up and began swinging me around in a huge circle.

”What's going on?” I shrieked.

”I got the commission! This is it-the big break!”

”Dad, that's fantastic!”

”I know,” he said smugly.

My father is a preservation architect, which means he takes crummy old buildings that used to be beautiful and tries to make them beautiful again. He works for one of the best firms in Syracuse, New York. But for a long time he's been wanting to go out on his own. ”Oh, Nine,” he would moan when we were having supper. ”I want to burst the bonds of employment, shatter the shackles of salary, dump the daily drudge-”

”Yeah, I know,” I would say. ”You want to be a b.u.m.”

Actually, I only said that to tease him. My father works very hard. But he'd much rather be working for himself. For one thing, he has his own ideas about how to do things. They sound great to me. But when you're working for someone else, you usually have to do things their way.

That's why I plan on owning my own business when I grow up.

”So you got the job,” I said when he finally put me down. ”Is it being too nosy if I ask which one?”

”THE job,” said Dad. ”The plum I've been trying to pluck for months now. The a.s.signment that will get my name in major design magazines across the country.”

”Oh, that job,” I said.

He smiled.

”Well, which one is it?” I finally shouted.

”The Quackadoodle.”