Part 21 (1/2)

ANOTHER ON THE SAME.

Here lieth one that did most truly prove That he could never die while he could move; So hung his destiny, never to rot While he might still jog on and keep his trot; Made of sphere-metal, never to decay Until his revolution was at stay.

Time numbers motion, yet (without a crime 'Gainst old truth) motion numbered out his time; And, like an engine moved with wheel and weight, His principles being ceased, he ended straight.

Rest, that gives all men life, gave him his death, And too much breathing put him out of breath; Nor were it contradiction to affirm Too long vacation hastened on his term.

Merely to drive the time away he sickened, Fainted, and died, nor would with ale be quickened.

”Nay,” quoth he, on his swooning-bed outstretched, ”If I mayn't carry, sure I'll ne'er be fetched, But vow, though the cross doctors all stood hearers, For one carrier put down to make six bearers.”

Ease was his chief disease; and, to judge right, He died for heaviness that his cart went light.

His leisure told him that his time was come, And lack of load made his life burdensome, That even to his last breath (there be that say't) As he were pressed to death, he cried. ”More weight!”

But, had his doings lasted as they were, He had been an immortal carrier.

Obedient to the moon he spent his date In course reciprocal, and had his fate Linked to the mutual flowing of the seas; Yet (strange to think) his wain was his increase.

His letters are delivered all and gone, Only remains the superscription.

_How very sure we should all be that Milton did not write these pieces, if he had not given them a place among his published works! Returning to the crowd of Character-writers we find in 1631, the year of Milton's writing upon Hobson,_

WYE SALTONSTALL,

_author of ”Pictures Loquentes, or Pictures drawn forth in Characters.

With a Poeme of a Maid” The poem of a Maid was, of course, suggested by the fact that Sir Thomas Overbury's Characters had joined to them the poem of a Wife. There was a second edition in 1635. Saltonstall's Characters were the World, an Old Man, a Woman, a Widow, a True Lover, a Country Bride, a Ploughman, a Melancholy Man, a Young Heir, a Scholar in the University, a Lawyers Clerk, a Townsman in Oxford, an Usurer, a Wandering Rogue, a Waterman, a Shepherd, a Jealous Man, a Chamberlain, a Maid, a Bailey, a Country Fair, a Country Ale-house, a Horse Race, a Farmer's Daughter, a Keeper, a Gentleman's House in the Country; to which he added in the second edition, a Fine Dame, a Country Dame, a Gardener, a Captain, a Poor Village, a Merry Man, a Scrivener, the Term, a Mower, a Happy Man, an Arrant Knave, and an Old Waiting Gentlewoman.

This is one of his Characters as quoted by Philip Bliss in the Appendix to his edition of Earle_--

THE TERM

Is a time when Justice keeps open court for all comers, while her sister Equity strives to mitigate the rigour of her positive sentence. It is called the term, because it does end and terminate business, or else because it is the _Terminus ad quem_, that is, the end of the countryman's journey, who comes up to the term, and with his hobnail shoes grinds the faces of the poor stones, and so returns again. It is the soul of the year, and makes it quick, which before was dead.

Innkeepers gape for it as earnestly as sh.e.l.l-fish do for salt water after a low ebb. It sends forth new books into the world, and replenishes Paul's Walk with fresh company, where _Quid novi_? is their first salutation, and the weekly news their chief discourse. The taverns are painted against the term, and many a cause is argued there and tried at that bar, where you are adjudged to pay the costs and charges, and so dismissed with ”welcome, gentlemen.” Now the city puts her best side outward, and a new play at the Blackfriars is attended on with coaches.

It keeps watermen from sinking, and helps them with many a fare voyage to Westminster. Tour choice beauties come up to it only to see and be seen, and to learn the newest fas.h.i.+on, and for some other recreations.

Now many that have been long sick and crazy begins to stir and walk abroad, especially if some young prodigals come to town, who bring more money than wit. Lastly, the term is the joy of the city, a dear friend to countrymen, and is never more welcome than after a long vacation.

_We have also, in 1632, ”London and Country Carbonadoed and Quartered into Several Characters” by Donald Lupton; in 1633, the ”Character of a Gentleman” appended to Brathwaif's ”English Gentleman;” in 1634, ”A strange Metamorphosis of Man, transformed into a Wilderness, Deciphered in Characters” of which this is a specimen_:--

THE HORSE

Is a creature made, as it were, in wax. When Nature first framed him, she took a secret complacence in her work. He is even her masterpiece in irrational things, borrowing somewhat of all things to set him forth.

For example, his slick bay coat he took from the chestnut; his neck from the rainbow, which perhaps make him rain so well. His mane belike he took from Pegasus, making him a hobby to make this a complete jennet, which mane he wears so curled, much after the women's fas.h.i.+ons now-a-days;--this I am sure of, howsoever, it becomes them, [and] it sets forth our jennet well. His legs he borrowed of the hart, with his swiftness, which makes him a true courser indeed. The stars in his forehead he fetched from heaven, which will not be much missed, there being so many. The little head he hath, broad breast, fat b.u.t.tock, and thick tail are properly his own, for he knew not where to get him better. If you tell him of the horns he wants to make him most complete, he scorns the motion, and sets them at his heel. He is well shod, especially in the upper leather, for as for his soles, they are much at reparation, and often fain to be removed. Nature seems to have spent an apprentices.h.i.+p of years to make you such a one, for it is full seven years ere he comes to this perfection, and be fit for the saddle: for then (as we), it seems to come to the years of discretion, when he will show a kind of rational judgment with him, and if you set an expert rider on his back, you shall see how sensible they will talk together, as master and scholar. When he shall be no sooner mounted and planted in the seat, with the reins in one hand, a switch in the other, and speaking with his spurs in the horse's flanks, a language he well understands, but he shall prance, curvet, and dance the canaries half an hour together in compa.s.s of a bushel, and yet still, as he thinks, get some ground, shaking the goodly plume on his head with a comely pride.

This will our Bucephalus do in the lists: but when he comes abroad into the fields, he will play the country gentleman as truly, as before the knight in tournament. If the game be up once, and the hounds in chase, you shall see how he will p.r.i.c.k up his ears straight, and tickle at the sport as much as his rider shall, and laugh so loud, that if there be many of them, they will even drown the rural harmony of the dogs. When he travels, of all inns he loves best the sign of the silver bell, because likely there he fares best, especially if he come the first and get the prize. He carries his ears upright, nor seldom ever lets them fall till they be cropped off, and after that, as in despite, will never wear them more. His tail is so essential to him, that if he lose it once he is no longer a horse, but ever styled a curtali. To conclude, he is a blade of Vulcan's forging, made for Mars of the best metal, and the post of Fame to carry her tidings through the world, who, if he knew his own strength, would shrewdly put for the monarchy of our wilderness.

_Then there-were separate Characters, as ”of a Projector” (1642); ”of an Oxford Incendiary” (1645); and in 1664, ”A New Anatomic, or Character of a Christian or Roundhead, expressing his Description, Excellenrie, Happiness, and Innocencie. Wherein may appear how far this blind World is mistaken in their unjust Censures of him.” Several Characters were included in Lord North's ”Forest of Varieties” published in 1645.

Fourteen Characters, some of individual persons, were in the ”Characters and Elegies, by Sir Francis Wortley, Knight and Baronet” published in 1646. The author was son of Sir Richard Wortley of Wortley in Yorks.h.i.+re.

He was a good royalist, was taken prisoner in the civil wars, and wrote his Characters in the Tower. They were these:--The Character of his Roy all Majestie; the Character of the Queene's Majestie; the Hopeful Prince; a true Character of the ill.u.s.trious James, Duke of York; the Character of a n.o.ble General; a true English Protestant; an Antinomian, or Anabaptistical Independent; a Jesuit; the true Character of a Northern Lady, as she is Wife, Mother, and Sister; the Politique Neuter; the Citie Paragon; a Sharking Committee-man; Britannicus his Pedigree --afatall Prediction of his end; and last, the Phoenix of the Court.