Part 22 (1/2)

Opera gla.s.ses were levelled. Comment grew, swelled to a stir of surprise.

The curtain had dropped for the interval between scenes; our box became for the moment the centre of interest, and the lights were high. Even the orchestra was resting.

Then it was given me to see how in a great audience Panic may leap without cause from Opportunity.

The stir grew, spread. Fascinated, I gazed down at the disturbance. I knew that a frightened smile still curved my lips. I felt my eyes glow, luminous and dilated. My heart almost stopped beating, gripped by triumph and horror. Afterwards I realised that I had not availed myself of the screen Milly offered; I hadn't lifted the fan to s.h.i.+eld my face; I had not stirred to hide myself.

”Bob!” whispered the General. ”Quick! Don't you see?”

Robert Van Dam sprang to his feet, offering, as I thought, to exchange places with me. Once more I started up, and chairs were moved to give me pa.s.sage.

While again I stood under the glare of the lights, and while for the second time the movement in the box drew attention thither, somebody below half rose to look at me. Two or three--a dozen--followed. As I dropped into my seat at the back of the box, and cast the scarf again about my head, twenty, thirty people were struggling out of their chairs.

From my shelter I watched as, farther and farther away, the heads began to turn. From places where I had not been visible I heard the murmur swelling, the scuffle of people rising. I had disappeared from sight, the first to rise had dropped back into their seats as if ashamed, but others increased the uneasy tumult of low, tense sounds.

My brain worked quickly. I understood the shuddering thrill that pa.s.sed over the audience. It was as if all my life I had seen such vast a.s.semblies, and knew the laws that rule their souls. Even before it came I guessed it was coming; a voice--it was a man's--crying out:--

”What is it? Is it--fire?”

And from away across the house came the answering call--not a question this time, not hesitant, but quick and sharp:--”Fire!”

What should I do? Why was not John or Mr. Hynes there to tell me? Wild thoughts darted through my mind. Should I stand once more? Show myself?

Should I cry: ”It was I, only I! They were looking at me. There is no fire!”

Crazy, crazy thought! For the thing was over as soon as it began.

Those who had started the confusion and who understood its cause, began shouting:--

”Sit down! Sit down!”

From the topmost gallery a tremendous great voice came bellowing down:--

”What--_fool_--said--that?”

There was a little laugh, a hiss or two rebuked the disorder; then the baton signalled the orchestra, and the music recommenced, smoothly and in perfect time; the conductor had never turned his head. The curtain went up; the incident was closed.

I drew a long, sighing breath of relief as one, then another, then all together, as if by a single impulse, the people sat down in their places.

It had been but an instant. The painted stage, the glittering court ladies, Isabella on her throne, the suppliant Colombo, were as if nothing had happened.

”First-rate orchestra,” muttered Robert Van Dam.

The General turned in her chair and looked at me. She did not speak, but I could see that she was excited; it seems to me now that her eyes were very bright, and that her strong, square-chinned face looked curiously satisfied.

”Let's go,” I gasped; ”I want to go home.”

Choking with sobs, though not unhappy, I felt as if I wished to run, to fly; but, as I tottered out of the box, I could scarcely stand. Mr. Van Dam helped me, the General and Milly following. In the corridor we were joined by Peggy and the florid young man whom I had seen with her.

”Why--why, you're not going? You are not going?” Peggy cried. She breathed quickly, and her teeth and eyes alike seemed to twinkle. ”Can--can't Mr.

Bellmer or I--do something?”