Part 16 (2/2)

Ghostwritten David Mitchell 83990K 2022-07-22

'What do you mean, ”my kind”?'

'I am a shaman. It is my calling to communicate with spirits. As it was with my master, and his master before him.'

'Let me explore your mind. I need to see what you have seen.'

'The spirits do not commune with one another?'

'Not with me, they don't. Please. Let me in. It's safer for you if you don't resist.'

'If I allow you to possess me for a short time, you will leave this woman?'

'Shaman, we have a deal. If you touch Gunga, I will leave her now.'

I experience memories like a network of tunnels. Some are serviced and brightly lit, others are catacombs. Some are guarded, yet others are bricked up. Tunnels lead to tunnels, deeper down. So it is with memories.

But access to memories does not guarantee access to truth. Many minds redirect memories along revised maps. In the tunnels of the shaman's memory I met what may have been spirits of the dead, or delusions on the part of either the shaman or his customers or both. Or noncorpa noncorpa! Maybe there were many footprints, or maybe there were none. Or maybe evidence was there in forms I couldn't recognise. I deepened my search.

I found this story, told twenty summers earlier on a firelit desert night.

Many years ago, the red plague stalked the land. Thousands of people died. The healthy fled in its face, leaving behind the infected, saying simply, 'Fate will sift the living from the dead.' Among the abandoned in the land of birds was Tarvaa, a fifteen-year-old boy. His spirit left his body and walked south between the dunes of the dead.

When he appeared in the ger of the Khan of h.e.l.l, the Khan was surprised. 'Why have you left your body behind while it is still breathing?'

Tarvaa replied, 'My Lord, the living considered my body gone. I came here without delay to pledge my allegiance.'

The Khan of h.e.l.l was impressed with the obedience shown by Tarvaa. 'I decree that your time has not yet come. You may take my fastest horse and return to your master in the land of birds. But before you go you may choose one thing from my ger to take with you. Behold! Here you may find wealth, good fortune, comeliness, ecstasy, grief and woe, wisdom, l.u.s.t and gratification... come now, what will you have?'

'My Lord,' spoke Tarvaa, 'I choose the stories.'

Tarvaa put the stories in his leather pouch, mounted the fastest horse of the Khan of h.e.l.l, and returned to the land of birds in the south. When he got there, a crow had already pecked out Tarvaa's body's eyes. But Tarvaa dared not return to the dunes of the dead, fearing that to do so would be ungracious to the Khan. So Tarvaa took possession of his body, and rose up, and though he was blind he lived for a hundred years, travelling Mongolia on the Khan of h.e.l.l's horse, from the Altai Mountains in the far west, to the Gobi desert in the south, to the rivers of Hentii Nuruu, telling stories and foreseeing the future, and teaching the tribesmen the legends of the making of their land. And from that time, the Mongols have told each other tales.

I decided to go south, like Tarvaa. If I lacked clues in reality, I would have to find them in legends.

Jargal Chinzoreg is as strong as a camel. He trusts only his family and his truck. As a boy, Jargal longed to be a pilot for the Mongolian Air Force, but his family lacked the bribes to get him into the Party school in the capital, so he became a truck driver. This was probably lucky, in the long run: n.o.body knows what would happen if the handful of rusting aeroplanes that const.i.tutes the Mongolian Air Force were started up again. There's talk in the parliament of sc.r.a.pping the Air Force altogether, given Mongolia's glaring inability to defend itself against any of its neighbours, even lowly Kazakhstan. Since the economic collapse, Jargal has worked for whoever has access to fuel: the black marketeers, the theoretically privatised iron works, timber companies, meat merchants. Jargal will do anything to make his wife laugh, even put socks up his nose and chase her around the ger making a noise like a h.o.r.n.y yak.

The road we are travelling, from Ulan Bator to Dalanzagad, is the least worst in the country. It's usually pa.s.sable, even in rainy weather. The road is 293 kilometres long, and Jargal knows its every pothole, bend, ditch, checkpoint, and checkpoint guard. He knows which petrol pumps are likely to have petrol when, how much life is left in each of the parts of his thirty-year-old Russian truck, and possible sources for spares.

The horizon widens, the mountains toss and turn and then lie down until the gra.s.slands begin. There's a lonely tree. A signpost. A dusty cafe which hasn't been open since 1990. A barracks where the Soviet Army once did manoeuvres, desolate now with the plumbing and wiring ripped out.

The sun changes position. A cloud shaped like a marmot. Jargal wipes the sweat from his eyes, and lights a Chinese cigarette. He remembers a Marlboro a Canadian hitchhiker gave him last year.

A chestnut horse stands on a ridge, looking down at the road. There's a settlement beyond those rocks. The great sky marmot has become a cylinder valve. There's a rock shaped like a giant's head seventy kilometres outside of Dalanzagad. Many years ago a wrestler used it to crush the head of a monstrous serpent. The sky turns clear jade in the evening cold. Jargal lights another cigarette. Five years ago, around here just off this incline a truck rolled over with its cargo of propane gas. They say you can still see the burning driver running towards the road screaming for help that will for ever be too late. Jargal knows him. They used to drink together at the truckers' hotels.

Jargal sees the town lights in the distance, and he thinks of his wife on the day their first son was born. He thinks about the toy goat that his aunt, Mrs Enchbat, made for his baby daughter out of old sc.r.a.ps of cloth and string. She is still too young to talk well, but already she rides as if she were born in the saddle.

Pride is something I have never felt.

'You've never been interested in the old stories before.' The wizened man in an army jacket frowned. 'They were prohibited when the Russians were here. All we had was goats.h.i.+t about the heroes of the revolution. I was a teacher then. Did I ever tell you about the time Horloyn Choibalsan came to our school? The President himself?'

'About fifteen minutes ago, you senile fart,' muttered a greasy listener. A radio in the bar playing pop songs in j.a.panese and English. Three or four men were playing chess, but had become too drunk to remember the rules.

'If I told any of the old stories in the cla.s.sroom,' the old man continued, 'I'd have been a candidate for ”re-education”. Even Gingghis Khan, the Russians said he was a feudal character. Now every bunch of gers with a covered p.i.s.spool is rus.h.i.+ng to prove Gingghis was born by their their bend in the river...' bend in the river...'

'That's very interesting,' I said. Jargal was bored. It was uphill work for me to keep him here, polite. 'Do you know one about the three animals who think about the fate of the world?'

'I could tell you a few stories of my own, though. Did I ever tell you about the time Horloyn Choibalsan came to my school? In a big black car. A black Zil. I want another dumpling. How come you're so interested in the old stories all of a sudden anyway?'

'I'll get you another dumpling. Look, a nice big one... lots of lard. It's my son. He complains if I tell the same one twice. You know what kids are like, always demanding new things... I remember when I was a kid, about three animals who think about the fate of the world...'

The wizened man burped. 'There's no future in stories... Stories are things of the past, things for museums. No place for stories in these market-democracy days.'

Suddenly a shouting-match broke out. Chessmen whistled past. A window cracked. 'He came in a big, black car. There were bodyguards and advisers and KGB men. Trained in Moscow.' The drunk was standing on a table, shouting down into the foray. A man with a birthmark like a mask was smas.h.i.+ng the board down on his rival's head. I gave up and let Jargal get us out of here.

The man in the museum looked at Jargal and me in astonishment. 'Stories?'

'Yes,' I began, He started laughing, and I had to stop Jargal taking a swipe at him. 'Why would anyone be interested in stories about Mongolia?'

'Because they are our culture,' I suggested. 'And I don't want you to tell me stories. I want information about the origin of the stories.'

Silence. I noticed the wall-clock had stopped.

'Jargal Chinzoreg,' said the curator, 'you are spending too long in your truck, or with your family. You always were a weird one, but now you're sounding like a crazy old man, or a tourist...'

A man wearing the smartest suit in Mongolia walked out of an office. The director was laughing the laugh of a man of no importance. The suit was carrying a briefcase, and chewing gum.

'We've got our stuffed birds,' continued the curator, 'our Mongolian-Russian eternal friends.h.i.+p display. Our dinosaur bones, our scrolls and the Zanabazar bronzes we could hide from the departing Russians. But if it's information you want, you've got no business here. I ask you!'

The suit drew level. Even though it was a dull day, he had already slipped on a pair of sungla.s.ses. 'You know,' he said, suddenly addressing us, 'what's-his-face down in Dalanzagad is putting together an anthology of Mongolian folk stories. It's a quaint idea. He's hoping to get it translated into English and flog them to tourists. He put a proposal to the state printing press last year. It was turned down no paper. But he's been doing some lobbying, and at the next meeting he might pull it off.'

The suit went. I thanked him.

'Now, Jargal Chinzoreg,' said the curator, 'will you please get lost? It's lunchtime.'

The manager shut his office door with a loud sigh of relief. Jargal looked at the curator's watch. 'But it's only ten-thirty.''Exactly. We'll reopen at about three.'

The moon was in the morning sky, a globe of cobweb.

'Sir!' Jargal ran across the empty road in front of the museum. The suit was getting into a j.a.panese-made four-wheel drive. Jargal was nervous: the owner of such a car must be a powerful man. 'Sir!'

The suit turned, his hand twitching inside his jacket. 'What?'

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