Part 9 (2/2)
The ma.s.sive walls of the building form a rich background. Their appearance of stability, enhanced by a slight batter--that is a slight receding from the perpendicular--is shown by a least visible thickness of three feet. These features are evident in every wall throughout the exterior of the building. Within the corridors, the floors appropriately are paved with red brick, and the ceilings are beamed and roughly finished.
Netherlands Pavilion As Seen from the Laguna
The Pavilion of the Netherlands is located sufficiently near the Laguna to be reflected within the pool. The high dome is adorned with four clock towers and a forest of flagstaffs and spires. K. Kromhout, who designed the building, followed the modern ideas of the present-day school of architects in Holland. The ultra style of the Pavilion fails to recall the staunch and dignified brick structures for which the Dutch are famous, but it is a striking edifice. The tiled panels are lovely and the warm colors used in the exterior decorations most attractive.
When viewed from Administration Avenue, the numerous towers, fluttering pennants and harmonious colors are set oft to best advantage by the trees along the Laguna. About the building, the Hollander's love of flowers is strongly in evidence. Ten carloads of bulbs and shrubs were imported for the horticultural display.
Italian Pavilion The Piazzetta Venetia
The Italian Pavilion consists of a group of eight buildings, combining architectural styles of the fourteenth, fifteenth and sixteenth centuries. The main entrance to the pavilion is on the west, and a broad, low flight of steps leads into the Piazza Grande, graced by a fountain by Tacca and pieces of Italian sculpture. On the left is the medieval palace, containing authentic works of art of many ages. Facing this is the Lombard palace, of the period of fourteen-hundred, used by the Italian Commissioners as a reception hall. The Royal Salon and Casa Italiana form the east wall of the main court. The inner courts are beautified with fountains and statuary groups. Covered pa.s.sageways, supported by slender pillars, extend around three sides of the piazzetta, and add a delicate charm to the enclosure. The Venetian Well in the center is a characteristic note, and the stairways leading to the upper verandas, and the niches about this court, are delightful in design. The outer elevation of the main building is of the sixteenth century. Within the Casa Italiana there is an exact reproduction of the library of the S. Maria delle Grazie, Milan.
Italian Pavilion In the Court Verrochio
The arcade which connects the Etruscan Tower with the Bargello Hall separates the smaller court of the Italian Pavilion from the Piazza Grande. The most attractive feature in this ideal court is the staircase and balcony, done in the period of the fourteenth century, with a most interesting composition of the flat walls, pierced by a graceful double arch, attractively spotted with plaques and brightened by the color of the Della Robias and the geraniums blossoming through the bal.u.s.trade. A delicate touch is given by the Fountain of the Winged Boy with the Fish, by Verrocchio, which occupies the center of the stone-flagged court. To the left of the staircase is a mural fresco depicting the ”Return from the Crusade.”
Old iron-framed lanterns hang from the gray-toned ceilings of the arcades. The coloring of the walls and pillars is stone gray blended with shades of brown and grayish-blue. The vivid green of the sun-lit gra.s.s within the Piazzetta Venetia relieves the sober color scheme of this court. The balconies are lined with blooming flowers, and shrubs and plants in artistic receptacles add to its attractiveness.
Avenue of the Nations Tower of Sweden's Pavilion
The Avenue of the Nations extends from the Exposition group of Palaces in a diagonal direction westward to the Marina, and is lined on either side with the pavilions of the Foreign Nations. In the picture there is a glimpse of the Canadian Building to the left, and prominent in the view is the characteristic Swedish tower, typically northern, and interesting in detail.
Immediately beyond is Bolivia's Palace, to an equal degree typical of the south, followed by the pinkish-toned building erected by Cuba.
Denmark's Pavilion, on the left of the Avenue adjoining the Palace of Fine Arts, is distinctly individual, marked by its towers which reproduce several historic towers in Denmark, and the moat in which frogs croak at night. The interior is arranged to represent the rooms of a gentleman's country home. On the hillside to the south are several avenues about which are grouped others of the Foreign Pavilions--the picturesque gardens of j.a.pan, the open court of France, with its Rodin bronze, and the dignified pavilions of Australia, Norway, Greece and many other nations.
The Esplanade A View of the Foreign Pavilions
The pavilions of the Foreign Nations are on the south side of the Esplanade, westward from the group of Exposition Palaces. In the foreground of this view is seen Canada's stately building, guarded by the ma.s.sive British lions. The admirable and comprehensive exhibit within has aroused great admiration and established a standard for such displays. Beyond is the paG.o.da of the Chinese gardens, and the tea houses, with their roofs colored in the wonderful yellow which occurs so often in the old Chinese rugs.
The slate-colored dome of Argentina's ornate Palace precedes the pinkish-toned Netherlands building seen in the distance--the rather whimsical style of the latter adding a distinct note to that section of the grounds. The park to the south is distinguished by two Oriental buildings erected respectively by Siam and Turkey. The first is an exact copy of a royal pavilion in the Garden of Maha Chakkri Palace, at Bangkok. The latter is equally typical of the East, marked with dome, minarets and spires, and includes the main pavilion and a near-by mosque and prayer tower, connected with it by a corridor.
The Esplanade A View of the State Buildings
The buildings erected by California's sister Commonwealths occupy the district west of the California Building, and the north line of the Esplanade to the Marina. Designed in various individual and dignified styles, surrounded with handsome lawns and beautiful gardens, they have formed a most important and interesting feature of the Exposition grounds. Many of the buildings reproduce historic landmarks. The golden dome of the Ma.s.sachusetts State House is as dominant a feature at the head of the Esplanade as is the original on Beacon Street in Boston. The loggia of Independence Hall is familiar enough to bring a patriotic thrill to the heart of the loyal American, even were not the cherished Liberty Bell on view. Another Colonial feature is the Trenton Barracks, Was.h.i.+ngton's headquarters in New Jersey; and ”Homewood” takes one back to Charles Carroll, of Carrollton, and Baltimore in 1802. The ma.s.sive log building from Oregon is fairly representative of that state of virgin forests, notwithstanding the mistaken attempt to reproduce the cla.s.sic Parthenon in such a crude medium. In this view the magnificent building for New York is in the foreground. Beyond, in the order named, are the buildings for Pennsylvania, New York City, Illinois, Ohio, Utah and Ma.s.sachusetts.
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