Part 18 (2/2)
It was a voice of one of Gray's old converts, a night watchman at the packing houses, who sometimes solaced his lonesome hours by a verse or two of some familiar hymn:
”Must Jesus bear the cross alone And all the world go free?
No, there's a cross for every one, And there's a cross for me.”
The Rev. Calvin Bruce turned away from the window and, after a little hesitation, he kneeled. ”What would Jesus do?” That was the burden of his prayer. Never had he yielded himself so completely to the Spirit's searching revealing of Jesus. He was on his knees a long time. He retired and slept fitfully with many awakenings. He rose before it was clear dawn, and threw open his window again. As the light in the east grew stronger he repeated to himself: ”What would Jesus do? Shall I follow His steps?”
The sun rose and flooded the city with its power. When shall the dawn of a new disciples.h.i.+p usher in the conquering triumph of a closer walk with Jesus? When shall Christendom tread more closely the path he made?
”It is the way the Master trod; Shall not the servant tread it still?”
Chapter Twenty-one
”Master, I will follow Thee whithersoever Thou goest.”
THE Sat.u.r.day afternoon matinee at the Auditorium in Chicago was just over and the usual crowd was struggling to get to its carriage before any one else. The Auditorium attendant was shouting out the numbers of different carriages and the carriage doors were slamming as the horses were driven rapidly up to the curb, held there impatiently by the drivers who had s.h.i.+vered long in the raw east wind, and then let go to plunge for a few minutes into the river of vehicles that tossed under the elevated railway and finally went whirling off up the avenue.
”Now then, 624,” shouted the Auditorium attendant; ”624!” he repeated, and there dashed up to the curb a splendid span of black horses attached to a carriage having the monogram, ”C. R. S.” in gilt letters on the panel of the door.
Two girls stepped out of the crowd towards the carriage. The older one had entered and taken her seat and the attendant was still holding the door open for the younger, who stood hesitating on the curb.
”Come, Felicia! What are you waiting for! I shall freeze to death!”
called the voice from the carriage.
The girl outside of the carriage hastily unpinned a bunch of English violets from her dress and handed them to a small boy who was standing s.h.i.+vering on the edge of the sidewalk almost under the horses' feet. He took them, with a look of astonishment and a ”Thank ye, lady!” and instantly buried a very grimy face in the bunch of perfume. The girl stepped into the carriage, the door shut with the incisive bang peculiar to well-made carriages of this sort, and in a few moments the coachman was speeding the horses rapidly up one of the boulevards.
”You are always doing some queer thing or other, Felicia,” said the older girl as the carriage whirled on past the great residences already brilliantly lighted.
”Am I? What have I done that is queer now, Rose?” asked the other, looking up suddenly and turning her head towards her sister.
”Oh, giving those violets to that boy! He looked as if he needed a good hot supper more than a bunch of violets. It's a wonder you didn't invite him home with us. I shouldn't have been surprised if you had. You are always doing such queer things.”
”Would it be queer to invite a boy like that to come to the house and get a hot supper?” Felicia asked the question softly and almost as if she were alone.
”'Queer' isn't just the word, of course,” replied Rose indifferently. ”It would be what Madam Blanc calls 'outre.'
Decidedly. Therefore you will please not invite him or others like him to hot suppers because I suggested it. Oh, dear! I'm awfully tired.”
She yawned, and Felicia silently looked out of the window in the door.
”The concert was stupid and the violinist was simply a bore. I don't see how you could sit so still through it all,” Rose exclaimed a little impatiently.
”I liked the music,” answered Felicia quietly.
”You like anything. I never saw a girl with so little critical taste.”
Felicia colored slightly, but would not answer. Rose yawned again, and then hummed a fragment of a popular song. Then she exclaimed abruptly: ”I'm sick of 'most everything. I hope the 'Shadows of London' will be exciting tonight.”
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